Collections: W

Wilderness Monthly Meeting originated out of an independent worship group in Shrewsbury, Vermont, in 1972. Moving to the Farm and Wilderness Camps at Plymouth, Vt., in 1977, it came under care of Bennington Monthly as the Wilderness Meeting, setting off as a monthly meeting in the following year. It has subsequently moved to Ludlow, Rutland, Tinmouth, Wallingford, and (currently) Cuttingville, Vt.

The records for Wilderness Monthly Meeting in SCUA consist solely of state of the society reports, 1991-1994.

Anne Wiley, a lifelong feminist, taught women’s studies and psychology at Greenfield Community College (GCC) for over 40 years. She received her bachelor’s degree in sociology from LeMoyne College in Syracuse New York in June 1971, her MA in education at the State University of New York in 1975, and her PhD in education from the University of Massachusetts Amherst in 1993. From 1977 to 2013 she was a full time Gender and Women’s Studies and Psychology professor at GCC. She strove to make the curriculum more inclusive and received several grants in order to fund projects to this end such as GCC’s Women’s Resource Center and the Gender and Women’s Studies program. She also coordinated the Women’s Reentry Program for three years and helped organize the New England Women’s Studies Conference. She was also an adjunct professor at Keene State College. She has published many articles in feminist publications and the journal Women’s Studies Quarterly and was a member of the board and president of the New England Learning Center for Women in Transition (NWLCWIT). When she retired from full-time teaching in 2013, she was given the title of Professor Emerita and the Anne M. Wiley Gender and Social Justice Scholarship was set up in her honor. She continued to teach following her retirement and won awards for her online psychology course.

This collection is centered around the professional life of Anne Wiley as a women’s studies professor at Greenfield Community College from 1976 to 2014. This includes summaries of department meetings and conferences for women’s studies, event descriptions and flyers, some course information, administrative material related to Wiley career such as resumes and sabbatical requests, and reports on programs designed to change GCC’s curriculum. It also includes material collection by Wiley related to her interest in women’s issues. It is organized into three series: Programs and Events, Publications and Clippings, and Academics.

The human geographer, Richard Wilkie received his doctorate from the University of Washington in 1968, the same year he joined the faculty at UMass Amherst. His research has included a long-term longitudinal study of the assimilation of Argentine migrants, a study of the periodic market system in the Guatemalan highlands, and other projects that range from the European Mediterranean to Hawaii, Malaysia, and Ecuador. Beginning in the 1990s, he turned increasingly to analyzing the concept of attachment to place and the importance of place in the lives of people. Wilkie retired in 2009, but has remained active in teaching, mentoring graduate students, travel, and photography.

This collection consists of town maps excised from mid-nineteenth century atlases, including Smith’s Map of Hartford County (1855), Clark and Tackabury’s New geographical map of the State of Connecticut (1860), and F.W. Beer’ Atlas of Litchfield County (1874).

The editor, writer, and photographer Gray Williams was born in New York City in 1932, and spent most of his life in Chappaqua (Westchester County), N.Y. A 1954 graduate of Yale, Williams worked in the publishing industry for many years, including for the Metropolitan Museum of Art and the Museum of Modern Art, and since 1988, he has been a freelance writer, editor, and photographer. Long dedicated to history and historical preservation, he has served as New Castle Town Historian, chair of the New Castle Landmarks Advisory Committee, trustee of the Westchester County Historical Society, and as a member of the Property Council at the National Trust property Lyndhurst. He is the author of Picturing Our Past: National Register Sites in Westchester County (Westchester County Historical Society, 2003). A specialist in the early stone carvers of New York and Connecticut, as well as the use of grave monuments to illuminate and enrich the study of American history, art, and culture, Williams is a former trustee of the Association for Gravestone Studies and has contributed articles to its annual journal, Markers, and its Quarterly. In 2007, he was awarded the Association’s Harriette Merrifield Forbes Award for contributions to scholarship and preservation in the field.

The photographs and research materials he has contributed to the Association for Gravestone Studies are largely devoted to the subjects of three articles in the AAGS journal, Markers: “‘Md. by Thomas Gold’: The Gravestones of a New Haven Carver,” in collaboration with Meredith M. Williams, Markers V (1988); “Solomon Brewer: A Connecticut Valley Yankee in Westchester County,” Markers XI (1994); “By Their Characters You Shall Know Them: Using Styles of Lettering to Identify Gravestone Carvers,” Markers XVII (2000). The collection also includes photographs taken during AGS conferences, principally in New England, as well as a small group taken in Natchez Cemetery in Mississippi.

Born in 1948 in Boston, Paul Williams was an avid reader of science fiction and published his first fanzine, Within, in 1962 at the age of 14. A few years later, after completing his first semester at Swarthmore, Williams hitchhiked to New York City. There he wrote and published—typing up the mimeo stencils himself—the first issue of Crawdaddy! With the birth of this publication, Williams is widely recognized as the founder of serious rock and roll journalism. He left Crawdaddy! in 1968 and went on to establish Entwhistle Books with David Hartwell, Chester Anderson, and Joel Hack. Williams continued to write, collecting his early works on rock and roll in two books and contributing articles as a freelancer for Rolling Stone. During the early 1970s, Williams lived on several intentional communities, including the Fort Hill Community in Cambridge, and wrote the surprise best seller Das Energi and its follow-up, Apple Bay during this period. In 1975, his profile of friend Philip K. Dick launched P.K.D. to a national audience, and Williams later served as the literary executor of the Dick estate following the death of his friend in 1982. His extensive writing on Bob Dylan spanned forty years and resulted in a significant body of publications including a multi-volume work on the artist. In 1995, Williams suffered a near fatal bike accident that left him partially disabled. A remarkable initial recovery proved to be short-lived and within a few years after the accident, Williams began exhibiting symptoms of early-onset dementia, a result of the traumatic brain injury he sustained. He died in 2013 leaving behind a tremendous legacy as author, editor, and publisher.

The Paul Williams Papers is comprehensive collection of materials that documents the writings and relationships that shaped the field of rock and roll journalism. Alongside manuscripts of the numerous books and articles Williams wrote are notebooks, correspondence, and media. Early issues of Crawdaddy! and Williams’s writings on science fiction author Philip K. Dick (including audio cassette tapes of the 1974 P.K.D. interview) are featured as well as his working files on Bob Dylan. Correspondence includes Theodore, Sturgeon, Chester Anderson, David Hartwell, Susan Ann Protter, Julian Moody, Raymond Mungo among many others.

During the early decades of the nineteenth century, Roger Williams ran a ferry in West Springfield, Mass., carrying passengers and freight across the Connecticut River.

The Williams ledger is a combination daybook and account book, recording several dozen transactions of a Connecticut River ferryman, centered on the years around the War of 1812. Most of the entries are brief records of trips carrying individuals or freight across the river, however a few provide indications of other economic activity, including framing and joining, making a coffin, fixing sleds, and cidering.

An obstetrician from Rutherford, N.J., William Carlos Williams (1883-1963) was a key figure in modernist poetry in the United States. Innovative and experimental in his poetry, Williams was a member of the avant garde poetically and politically, writing in a simple though never simplistic style that was unencumbered by the formalism and literary allusion of peers such as T.S. Eliot and Ezra Pound.

This collection consists of a small group of eleven letters and postcards written by Williams during the years 1946-1962, the majority of which were sent to Marie Leone, a nurse at the Passaic General Hospital in Passaic, New Jersey. In these letters Williams thanks Marie and her coworkers for the cards, good wishes, and gifts they sent to cheer him up. The letters are friendly and humorous even though they are for the most part written from Williams’s hospital bed during one of the frequent illnesses he suffered from in the later years of his life.

In 1857, Frederick L. H. Willis earned the singular distinction of being expelled from Harvard Divinity School for acting as a spirit medium. An important figure in the post-Civil War Spiritualist movement, Willis lived a long and eclectic life in which he was at turns an intimate of the family of Bronson Alcott, an ardent proponent of Spiritualism, a lecturer, preacher, homeopathic physician, and writer.

A wide-ranging intellect and steadfast opposition to orthodoxy suffuse the Willis Papers. The heart of the collection is an extensive collection of sermons, lectures, and essays by Frederick L. H. Willis dating from the late 1850s to the turn of the twentieth century. These works veer into commentary on ancient history, art and aesthetics, medicine, astrology, Eastern religion, and social reform, but are rooted firmly in the framework of a Spiritualist worldview. The collection also includes a large number of family photographs, some correspondence, and a few works by Willis’s wife, Love, and daughter, Edith.

A philosopher, writer, activist, and artist, Douglas Wilson founded the Rowe Conference Center affiliated with the Unitarian Universalist camp in Rowe, Mass. Born in Vancouver, B.C., in 1946, but raised primarily in California, Wilson earned degrees at UC Santa Barbara (1967) and the Starr King School for the Ministry in Berkeley (1970), before being ordained at the First Uniarian Congregational Society in Brooklyn. He first came to Rowe in 1971 to work as assistant director of the Junior High summer camp, but soon proposed building a center at Rowe modeled on the Esalen Institute which would offer year-round retreats and workshops founded in Unitarian Universalist principles of equality, justice, freedom, peace, and the respect for the interdependent web of all existence. Serving as Executive Director (and after 1985, as co-Executive Director with his partner Prue Berry), Wilson brought together people who were “politically aware, psychologically sophisticated, and religiously based,” ranging from the Berrigans and Nearings to Jean Houston and Abbie Hoffman. The Wilsons retired from Rowe in December 2012.

The Wilson collection contains nearly forty years of files accumulated during Douglas Wilson’s time as Director of the Rowe Conference Center. In addition to a nearly complete run of the Center newsletter, Wilson retained materials on dozens of the thinkers, writers, and activists who came to Rowe, with each file containing correspondence (usually both directions), background notes and clippings.

As an undergraduate at UMass Amherst, John S. Wilson undertook of study of gravestones in New Salem, Mass. Working under George Armelagos, he receiving a BA in Anthropology with honors (1971) for his work on the “social dimension of New England mortuary art,” and returned for an MA in (1976). Wilson later worked as Regional Historic Preservation Officer and Archaeologist for the Northeast Region of the US Fish and Wildlife Service.

Part of the collections of the Association for Gravestone Studies, the collection includes two copies of John Wilson’s senior honors thesis, a card file associated with the thesis, and several dozen slides (both color and black and white) of New Salem headstones. Some images appear to be later prints of images taken in 1970-1971.