Collections: V

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

After receiving his doctorate from the University of Rhode Island for a study of the physiology and ecology of tintinids in 1984, Peter G. Verity joined the faculty at the Skidaway Institute of Oceanography. As a Professor of Biological Oceanography, Verity was interested broadly in the ecology of plankton and trophic interactions in the pelagic food web, studying the process of eutrophication and dissolved oxygen in the water column among other topics, and conducting a significant long-term analysis of nutrient variation in estuarine waters. Becoming deeply concerned about the future of oceanic environments and the accelerating decline of coastal ecosystems as a result of his research, Verity took on an increasingly active role in educating teachers about environmental issues. For his efforts, he was awarded the Nick Williams Award for Coastal Sustainability from the Center for a Sustainable Coast. Verity died unexpectedly at home on Dec. 31, 2009.

An important resource for marine ecology and scientific study of the environment, the Verity Papers contain an array of correspondence, research and grant proposals, manuscripts of papers, reprints, and notes of meetings.

The Vietnamese Students Association hosted a Vietnamese New Year celebration at the Campus Center of the University of Massachusetts Amherst on February 20, 1985. Collection contains twelve photographs and a program listing sponsors, speakers, performers, the sequence of events, descriptions of ancestor worship, the legend of the earth and the sky cakes, the menu, and some song lyrics.

William “Cap’n Bill” Vinal was the first instructor in nature education at Massachusetts State College and a pioneer in the field. A graduate of Bridgewater State (1904), Harvard (MA 1907) and Brown (PhD, 1922), Vinal worked for several years as a camp director on his native Cape Cod and held a variety of university appointments in nature education before joining the faculty at Massachusetts State College as Professor of Nature Education in the Nature Guide School in 1937. Spontaneous in the classroom and field, enthusiastic, and highly popular with his students, Vinal taught courses in conservation, outdoor leadership, outdoor recreation, and nature guiding, and was an important figure in the Massachusetts Audubon Society, the American Camping Association, the Camp Directors Association, and several conservation groups. After retiring from UMass in 1951, Vinal returned to his home in Norwell, Mass., remaining active as a nature writer and teacher until his death in 1973.

A valuable glimpse into the early growth of nature and conservation education, the Vinal collection includes dozens of scarce publications by the exceptionally prolific Cap’n Bill, along with a small quantity of correspondence, talks, and reports. As a collection, these document the origin and growth of the Nature Guide School and the program in nature recreation at MSC and UMass, and more generally the growth of nature, recreation, and conservation education in New England. Of local interest is an extensive report for the town of Amherst Recreation Survey Committee (1948) regarding recreational opportunities for youth. Nearly half of the collection consists of an extensive run of Vinal’s quirky, self-published Nature Guide Newsletter (1935-1951).

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

Emerging out of the College Art Association, the Art Libraries Society of North America, and other related organizations, the Visual Resources Association was established formally in 1982 to further research and education in the field of image management. A broadly multidisciplinary organization, they have played an important role in public and professional discussions of issues on intellectual property rights relating to visual materials and have been instrumental in the development of protocols for dissemination of digital materials and standards of cataloging supporting the ideal of broad public access to cultural information.

The records of the VRA chart the gradual origins and growth of a professional organization dedicating to establishing standards for visual materials and promoting access to cultural information. The records begin prior to the official establishment of VRA, when the group was a semi-formal association of interested professionals, and documents the expanding disciplinary scope of the organization, its adaptation to the evolving demands of a digital environment, and its increasing commitment to expanding public access and literacy in visual materials.

A native of Traiskirchen, Austria, Otto Vogl (b. 1927) earned an international reputation as a polymer scientist while working with the Polychemicals Department at Du Pont. In June 1970, he was recruited to join the relatively new Program in Polymer Science and Engineering at University of Massachusetts Amherst, where he has continued research on the structure and organic chemistry of polymers, focusing on macromolecular architecture and macromolecular asymmetry (chirality), among other topics. A prolific scholar, he has contributed over 630 articles, received nearly fifty U.S. and foreign patents, and among many other honors, has won election to the Austrian and Swedish Academies of Science.

The Otto Vogl Papers consist primarily of scholarly writings and professional correspondence, along with numerous master’s theses and doctoral dissertations completed under Vogl’s supervision and books written by Vogl’s wife, Jane C. Vogl.

Born in Mainz, Germany on December 24, 1897, the theater historian and stage director Walther R. Volbach began directing operas and plays at the age of 17. After his immigration to the United States in 1936, he worked for several colleges, coming to the University of Massachusetts Amherst for five years as a visiting professor following his retirement in 1965. Noted as a director of operas and plays and for his set design, Volbach was author of three books: The Problems of Opera Production (1953), Adolphe Appia : The Prophet of The Modern Theatre (1968), and Memoirs of Max Reinhardt’s Theaters (1972).

The Volbach collection includes personal and professional correspondence in English and German, mostly from Volbach’s later years, regarding family, publishing, lectures, and employment. The collection also includes photographs of set designs, an image of Volbach teaching a class, publications, and lecture and research notes on theater history.

Eastern Europe’s socialist republics of the Cold War era strove to establish national cultures that reflected communist objectives and withstood Western influences. In order to promote collectivist ideals, state authorities supervised the production of literary works, motion pictures, television programs, sound recordings, and other forms of cultural content. To centralize the manufacturing of music records for its national market of sixteen million citizens, the GDR maintained a state-owned record company. Formally under the supervision of Ministerium für Kultur (Ministry of Culture), VEB Deutsche Schallplatten (German Records, NOE) provided the GDR audience with classical, traditional, and popular music as well as literary and educational recordings.

Mandated to cover a broad spectrum of content, Deutsche Schallplatten established separate divisions to develop artists and repertoire, releasing the vast majority of its works on five major labels:

• Amiga: popular recordings for all age groups
• Eterna: classical and political recordings
• Litera: literary recordings like audio books for adults and children
• Nova: recordings that reflected socialist lifestyles
• Schola: educational recordings for use in schools

Apart from the producers affiliated with these labels, the company’s creative division also included graphic designers who crafted cover art and musicologists who documented the growth of the respective catalogs. Counting managers, administrators, technologists, and the sizeable workforce of its industrial plants, Deutsche Schallplatten after the mid-1970s had around 800 employees. Yet, in the course of German reunification and the privatization of nationally owned enterprises, the enterprise lost its cultural relevancy and failed economically. Ultimately, competing firms acquired the catalogs of Amiga and Eterna, which encompassed the master tapes of and exploitation rights to Deutsche Schallplatten’s commercially most viable recordings.

As the former monopolist underwent its eventual dissolution in the early 1990s, a time when public interest in GDR culture hit an all-time low, most of its material legacy was to be discarded. Aware that a unique cultural heritage was earmarked for destruction, the former music producer Volkmar Andrä intervened to preserve decommissioned recordings and files. With assistance from Sven Kube, an academic historian who has reconstructed Deutsche Schallplatten’s evolution, these materials were transferred to UMass Amherst.

Comprised chiefly of sound recordings and text files, but featuring other media types, this collection offers unique insights into the music life of the German Democratic Republic (GDR) between the early 1960s and the country’s demise in 1990.