Collections: V

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

After receiving his doctorate from the University of Rhode Island for a study of the physiology and ecology of tintinids in 1984, Peter G. Verity joined the faculty at the Skidaway Institute of Oceanography. As a Professor of Biological Oceanography, Verity was interested broadly in the ecology of plankton and trophic interactions in the pelagic food web, studying the process of eutrophication and dissolved oxygen in the water column among other topics, and conducting a significant long-term analysis of nutrient variation in estuarine waters. Becoming deeply concerned about the future of oceanic environments and the accelerating decline of coastal ecosystems as a result of his research, Verity took on an increasingly active role in educating teachers about environmental issues. For his efforts, he was awarded the Nick Williams Award for Coastal Sustainability from the Center for a Sustainable Coast. Verity died unexpectedly at home on Dec. 31, 2009.

An important resource for marine ecology and scientific study of the environment, the Verity Papers contain an array of correspondence, research and grant proposals, manuscripts of papers, reprints, and notes of meetings.

The Vietnamese Students Association hosted a Vietnamese New Year celebration at the Campus Center of the University of Massachusetts Amherst on February 20, 1985. Collection contains twelve photographs and a program listing sponsors, speakers, performers, the sequence of events, descriptions of ancestor worship, the legend of the earth and the sky cakes, the menu, and some song lyrics.

William “Cap’n Bill” Vinal was the first instructor in nature education at Massachusetts State College and a pioneer in the field. A graduate of Bridgewater State (1904), Harvard (MA 1907) and Brown (PhD, 1922), Vinal worked for several years as a camp director on his native Cape Cod and held a variety of university appointments in nature education before joining the faculty at Massachusetts State College as Professor of Nature Education in the Nature Guide School in 1937. Spontaneous in the classroom and field, enthusiastic, and highly popular with his students, Vinal taught courses in conservation, outdoor leadership, outdoor recreation, and nature guiding, and was an important figure in the Massachusetts Audubon Society, the American Camping Association, the Camp Directors Association, and several conservation groups. After retiring from UMass in 1951, Vinal returned to his home in Norwell, Mass., remaining active as a nature writer and teacher until his death in 1973.

A valuable glimpse into the early growth of nature and conservation education, the Vinal collection includes dozens of scarce publications by the exceptionally prolific Cap’n Bill, along with a small quantity of correspondence, talks, and reports. As a collection, these document the origin and growth of the Nature Guide School and the program in nature recreation at MSC and UMass, and more generally the growth of nature, recreation, and conservation education in New England. Of local interest is an extensive report for the town of Amherst Recreation Survey Committee (1948) regarding recreational opportunities for youth. Nearly half of the collection consists of an extensive run of Vinal’s quirky, self-published Nature Guide Newsletter (1935-1951).

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

Emerging out of the College Art Association, the Art Libraries Society of North America, and other related organizations, the Visual Resources Association was established formally in 1982 to further research and education in the field of image management. A broadly multidisciplinary organization, they have played an important role in public and professional discussions of issues on intellectual property rights relating to visual materials and have been instrumental in the development of protocols for dissemination of digital materials and standards of cataloging supporting the ideal of broad public access to cultural information.

The records of the VRA chart the gradual origins and growth of a professional organization dedicating to establishing standards for visual materials and promoting access to cultural information. The records begin prior to the official establishment of VRA, when the group was a semi-formal association of interested professionals, and documents the expanding disciplinary scope of the organization, its adaptation to the evolving demands of a digital environment, and its increasing commitment to expanding public access and literacy in visual materials.

A native of Traiskirchen, Austria, Otto Vogl (b. 1927) earned an international reputation as a polymer scientist while working with the Polychemicals Department at Du Pont. In June 1970, he was recruited to join the relatively new Program in Polymer Science and Engineering at University of Massachusetts Amherst, where he has continued research on the structure and organic chemistry of polymers, focusing on macromolecular architecture and macromolecular asymmetry (chirality), among other topics. A prolific scholar, he has contributed over 630 articles, received nearly fifty U.S. and foreign patents, and among many other honors, has won election to the Austrian and Swedish Academies of Science.

The Otto Vogl Papers consist primarily of scholarly writings and professional correspondence, along with numerous master’s theses and doctoral dissertations completed under Vogl’s supervision and books written by Vogl’s wife, Jane C. Vogl.

Born in Mainz, Germany on December 24, 1897, the theater historian and stage director Walther R. Volbach began directing operas and plays at the age of 17. After his immigration to the United States in 1936, he worked for several colleges, coming to the University of Massachusetts Amherst for five years as a visiting professor following his retirement in 1965. Noted as a director of operas and plays and for his set design, Volbach was author of three books: The Problems of Opera Production (1953), Adolphe Appia : The Prophet of The Modern Theatre (1968), and Memoirs of Max Reinhardt’s Theaters (1972).

The Volbach collection includes personal and professional correspondence in English and German, mostly from Volbach’s later years, regarding family, publishing, lectures, and employment. The collection also includes photographs of set designs, an image of Volbach teaching a class, publications, and lecture and research notes on theater history.

Citizens of Wendell raising barn of Jonathan von Ranson

In 1978, after years of working in the fast paced world of journalism, writing for Life Magazine and later serving as editor and publisher of several New England newspapers, Jonathan von Ranson was burnt out. In the summer of that year, after divorcing his wife Linnea and selling his newspaper business, von Ranson moved from Newington, Connecticut to a property in Wendell, Massachusetts. It was here, two miles off a maintained state forest road, that he erected a tent and began constructing a stone house.

To von Ranson, the quiet serenity of rural Massachusetts offered refuge from the hustle and bustle of his previous life. An advocate of subsistence living, he and his second wife Susan fed and sheltered themselves in the home they built together. Von Ranson established himself as a local journalist by writing for the Wendell Post, a humble town newspaper known for its distinctive local perspective. He also contributed to local publications like the Greenfield Recorder, usually penning op-eds about environmental issues both local and global. A passionate craftsman, his writing in other publications focused on sustainable home-building. Von Ranson’s personal writings, particularly those he refers to as his “unintelligible nighttime musings,” reveal a sensitive and introspective man with a spiritual connection to the land he cultivated.

Von Ranson held various positions in Wendell town government, taught fourth graders homesteading skills, and held workshops ranging from writing to masonry, becoming a pillar of the community in his small rural town. He expressed his environmental, political and social convictions in ways large and small, whether it was reusing paper by typing manuscripts on the back of fliers, or refusing to pay taxes in protest of military spending.

The Jonathan von Ranson papers document von Ranson’s time as a journalist, simple living advocate/homesteader, and Wendell/Franklin County activist and community leader. This is reflected through clippings of many of von Ranson’s articles for Maine, Connecticut and Franklin county newspapers, meeting agendas and correspondence from his various positions in Wendell town government, and schematics for his first stone house built in 1978/1979 and his simple living apartment completed in 2015. The collection also includes confessional hand-written manuscripts, fliers for Wendell community events, von Ranson’s Peace Corp application which reveals a breadth of biographical information, and even self-authored root cellaring guides. Other material reveals his involvement in a myriad of social and political groups dealing with environmentalism, the feminist men’s movement, rural development, policing, and much more.