Account book of the Grosvenor famly from 1823-1827. The volume was later used a scrapbook to hold newspaper clippings, as a result much of content and context of the account book is obscured by its later use.
Aldin Grout was among the first American missionaries to the Zulus. Experiencing a religious conversion in his early twenties, Grout dedicated his life to the ministry, studying at Amherst College (1831) and Andover Theological Seminary (1834) before accepting an overseas appointment through the American Board of Christian and Foreign Missions. In Nov. 1835, Grout and his new wife Hannah (Davis) sailed for South Africa, destined with two other missionary couples for the Natal Province. Even after Hannah died of a lingering illness following the birth of a daughter in December 1835, Grout pressed onward in the cause, not returning home until the end of 1837. Placing his daughter under the care of family, and remarrying to Charlotte (Bailey), he wasted little time in returning to South Africa, remaining there from June 1840 until retiring in 1870, primarily at Umvoti station. In his latter years in Springfield, Grout was active in ABCFM efforts to translate the Bible into Zulu (1883) and he wrote occasionally about his missionary experiences. Aldin Grout died in Springfield on 1894, followed by Charlotte in 1896.
The roughly 195 letters in the Grout collection provided a remarkable commentary on American missionary activities in colonial South Africa, Grout’s personal religious convictions, and the lives of the Zulus to whom he ministered. The collection also includes a handful of fragmentary autobiographical and historical sketches written after Grout’s retirement, a wealth of letters from Grout’s wives and fellow missionary workers, Hannah and Charlotte.
Friends began to meet informally for worship in Guilford, Connecticut, in September 1951, and gained approval from the Connecticut Valley Quarterly Meeting to form a preparative meeting a year and a half later under the care of New Haven Monthly. Although they were accorded status as a monthly meeting in 1957, Guilford never truly thrived, and by 1966, they were officially laid down with the remaining members transferred to New Haven.
The collection is a relatively complete record of Guilford Monthly Meeting from its establishment as a preparative meeting in 1953 through its elevation to a monthly and ultimate dissolution. In addition to well-kept minutes, the collection includes some financial records, information on membership, and a small quantity of correspondence.
Born in Indiana, the writer Lucy Gwin (1943-2014) lived “a lot of lives,” in her own words, working in advertising, as a dairy farmer, civil rights activist, and deckhand on ships servicing oil rigs, all before the age of 40. While living in Rochester, N.Y., in 1989, however, her life took a sudden turn. After a head-on collision with a drunk driver left her with traumatic brain injury, Gwin was remanded for care to the New Medico Brain Rehabilitation Center, where she witnessed a world of isolation, patient abuse, and powerlessness. Never one to shrink from a challenge, she escaped from the Center and used her skills as an organizer and writer to expose conditions at New Medico and shut the facility down. Through her experiences, Gwin emerged as a powerful, often acerbic voice in all-disability rights advocacy, becoming the founder, designer, and editor of the influential Mouth Magazine in 1990.
Lucy Gwin’s papers document the advocacy of an important figure in the disability rights movement. The rich documentation for Mouth Magazine includes comprehensive editorial files arranged issue by issue, some correspondence with authors and supporters, and copies of the published issue. The balance of the collection contains Gwin’s other work as a writer, personal correspondence, and materials relating to her experiences with and campaign against New Medico.
While in college, Tommy Hadges expected to become a dentist. After graduating with a Biology degree from Tufts University, he attended Harvard Dental School for 18 months, but discovered that his calling wasn’t in dentistry, it was in radio. While at Tufts, Hadges was involved in resurrecting Tufts’ campus station WTUR, & also worked at the MIT student-run broadcast radio station WTBS. Still an undergraduate, Hadges was recruited by Ray Riepen in 1968 to be among the first DJs (along with along with fellow WTUR announcers Joe Rogers & J.J. Jackson) at WBCN, Riepen’s experiment to bring freeform, rock radio to Boston. WBCN was a massive and groundbreaking success, and after 2 years splitting school with part-time announcing at WBCN, Hadges returned to the station in 1970 to be a full time announcer. Hadges was promoted to Program Director at WBCN in 1977 and then left to become Program Director for neighboring WCOZ in 1978. Hadges gathered significant experience in commercial radio at WCOZ and later at Los Angeles’ KLOS, where he doubled the station’s ratings. This experience positioned him to become a consultant with Pollack Media Group, eventually becoming President & spending several decades helping grow the consultancy into a major international business, serving as a radio producer for international broadcasts (including the Live Aid, Live 8 and Live Earth concerts) and helping new stations build technical infrastructure. Hadges retired from Pollack Media Group in 2018.
The Tommy Hadges Papers document his years at WBCN in Boston, and includes photographs — some of the only depicting WBCN’s Stuart Street location, ephemera, and promotional materials.
First settled in 1659, Hadley was officially incorporated two years later. Microfilm records of the town consist primarily of minutes of town meetings along with nineteenth-century transcriptions.
A local branch of the national political party, the Hadley Greens organize around the principles of environmentalism, social justice, and non-violence, along with a general opposition to corporate dominance of the political process.
This small collection contains bylaws of the Hadley Green Party, minutes of meetings (2003), materials on organizing, and an assortment of notes, newsletters, correspondence pertaining to salient issues in the 2004 election, a t-shirt, banner, and pinback buttons.
A local, grassroots organization, Hadley Neighbors for Sensible Development coalesced in the early 2000s to advocate for environmentally and socially responsible development in Hadley, Mass. Working through the town planning board and town meeting, the group successfully opposed the construction of Walmart Superstore in town and worked to mitigate the impact of Lowes and other big box stores along the Route 9 corridor.
A miscellaneous assortment of documents relating to work in town meeting and with the town planning board, the collection includes notes, newspaper clippings, and assorted background information.
An ornithologist and conservationist for the Commonwealth of Massachusetts, Joseph A. “Archie” Hagar’s career was rooted in the generation of naturalists such as William Brewster, Edward Howe Forbush, and Arthur Cleveland Bent. Born in Lawrence, Mass., on May 13, 1896, Hagar’s undergraduate career at Harvard was interrupted by service in the First World War, after which he completed his studies at the Massachusetts Agricultural College, graduating with the class of 1921. An expert field biologist and ecologist, he was appointed State Ornithologist in the Department of Fish and Game in November 1934 serving in that position for almost twenty-five years. A specialist in waterfowl and raptors, Hagar was deeply involved in early conservation efforts in New England, noted for his work on wetland conservation and for linking the use of DDT with eggshell thinning in peregrine falcons, and he was famously at the center of a dispute with the U.S. Fish and Wildlife Service over the design of the Parker River Wildlife Refuge. Never a prolific writer, he was an active member of the American Ornithological Union, the Nuttall Ornithological Club, the Wildlife Society, and other professional organizations, and after retirement, he was specially cited for his work in waterfowl conservation by Ducks Unlimited. Active until late in life, he died at home in Marshfield Hills on Dec. 17, 1989.
The Hagar Papers are a deep and valuable resource for the study of New England birds and the growth of modern conservation biology. With abundant professional correspondence, field notes on shorebirds and raptors, and drafts of articles, the collection documents the full range of Hagar’s activities as State Ornithologist, including a particularly thick run of material for the controversy over the Parker River Wildlife Refuge. Hagar also acquired a set of field notes, 1897-1921, from the Harvard ornithologist John E. Thayer.
Temporarily stored offsite; contact SCUA to request materials from this collection.
An actor and motion picture assistant director and producer, Michael Haley was born in Pittsfield, Mass., in 1942. While an undergraduate student at UMass Amherst, Haley became involved in theater, joining the avant garde Buffalo Meat Company that performed original works in Massachusetts and New York City. Following a chance call from a producer looking for local help in 1969, Haley worked on his first film, the low-budget crime drama Honeymoon Killers. After work on several other film and television productions, Haley was among ten people selected for the Directors Guild of America’s Assistant Directors Training Program. During his forty year career, Haley’s credits have included work with a number of noted directors, including Sidney Lumet, Barry Levinson, and Penny Marshall, and he has enjoyed a particularly long and productive association with Mike Nichols. His films have included The Taking of Pelham One Two Three, The Stepford Wives, Biloxi Blues, True Colors, A League of Their Own, Groundhog Day, Primary Colors, and Closer. He was the recipient of two Humanitas Prizes (for Wit and Angels in America), and among others awards, the Christopher Award (for Wit), the Directors Guild of America award, Producers Guild of America award, and an Emmy (for Angels in America), a Directors Guild of America plaque (Working Girl), and the Berkshire International Film Festival Life-Time Achievement Award. He was named Artist of the Year at UMass and has been selected for a Bateman Fellowship.
Reflecting a diverse career in film, the Haley collection consists of scripts, photographs, memorabilia, and diaries, with a small quantity of notes and correspondence. The scripts, approximately 110 of them, are from films ranging from The Godfather Part II to Charlie Wilson’s War and Angels in America, may include several drafts. The photographs are both numerous and particularly rich, including some particularly interesting candid shots taken on film sets, as well as official shots taken by photographers such as Mary Ellen Mark.
