Collections: mss

For the tercentenary of the Massachusetts court system, Paul J. Liacos, Chief Justice of the the Supreme Judicial Court convened a 45-member Commission on the Future of the Courts (also called Reinventing Justice) to examine the court’s role and responsibilities for the next century. The commission was charged both with creating a new vision for justice and for proposing a way for the system to move toward that vision. Responding to this initiative, Franklin County attorney Diane H. Esser and Thomas T. Merrigan, the First Justice of the Orange District Court, established a Franklin County Futures Lab Task Force Proposal to focus on the specific needs in Franklin County. Approved in December 1993 with Esser and Merrigan as chairs, the Task Force worked intensively with community partners, issuing a dozen recommendations on topics ranging from court house facilities to juvenile justice, substance abuse, Appropriate Dispute Resolution, and child care services. Although not all of the recommendations were implemented, the success of their model for court and community collaboration resulted in the creation on a ongoing position of Community Relations Coordinator in 1998. The project continues to evolve to meet community needs, but has continued to reflect the restorative justice values and principles engaged from the beginning.

The records of the Reinventing Justice initiative in Franklin County reflect an intensive, two-decade long effort to facilitate engagement between the courts and the community in western Massachusetts and build a vision for courts in the coming century. In addition to planning, administrative, and grant-seeking records, the collection includes significant documentation of process of engaging community members, and materials relating to their recommendations in restorative justice, substance abuse projects, facilities, and victim-offender mediation.

The Franklin/Hampshire Health Care Coalition is one of forty grassroots organizations in Massachusetts that allied to form the Massachusetts Campaign for Single-Payer Health Care (Mass-CARE) in 1995. Concerned about the inequities of the U.S. health care system, Mass-CARE has been a key sponsor of the Massachusetts Medicare for All act, which would establish a single payer health care system providing comprehensive health care for all residents of Massachusetts.

The records of the Franklin/Hampshire Health Care Coalition are a reflection of grassroots advocacy in Massachusetts for single payer health care. The collection includes minutes of meetings, background and informational materials, and other documents, including some materials from founding members Arky Markham and Alice Swift.

An author, scholar, and librarian, James Fraser had a voracious intellectual appetite that ranged from visual culture to the inter-war avant garde to Communist-era eastern Europe. Born April 30, 1934, Fraser earning his doctorate in Library Science at Columbia University and enjoyed a career of nearly 50 years in academic libraries. A specialist in international children’s literature, he and Sibylle von Holstein, his wife of 56 years, became known for building research collections at a number of university libraries, drawing upon their extraordinary knowledge of 20th century book arts, graphic design, photography, political ephemera, and East German culture, among other areas. Fraser was also an energetic exibitions curator, often based upon material he had collected. Jim Fraser died at home after a short illness on Nov. 25, 2013.

The product of two active and eclectic collectors, the Fraser collection contains over 1200 imprints on art and design in Communist-era eastern Europe, East Germany, 1960s radicalism, and other subjects, along with ephemera on radical movements in both the United States and Europe.

Frederic Allen Whiting at his typewriter

Frederic Allen Whiting Jr., the “Poet Laureate of Perkins Cove”, was born on January 10, 1906 in Boston Massachusetts to Olive Elizabeth Cook, a singer, and Frederic Allen Whiting Sr., a philanthropist and museum director and president of the American Federation of Arts. They moved to Cleveland in 1912 where Frederic Sr. became the director of the Cleveland Museum of Art. Having a father as the director of a cultural heritage institution, exposed young Frederic to the intellectual class. He met poets, scholars, and others from the world of arts and letters including Sir Lawrence Binyon, Langdon Warner, Carl Purington Rollins, and Thomas Whitney Surette. He attended the private Hawken School in Cleveland and Deerfield Academy in Massachusetts, which he referred to later as “redolent of witchcraft and Indian massacres, and compliance with chamber of commerce goals and attitudes”. He went to Harvard for two years before becoming a freelance writer.

Adopting the pen name Allen Whiting, his first foray into writing began when he wrote commentary and criticism for the Magazine of Art, the organ of the American Federation of the Arts, where he was also editor from 1931-1942. Some of his pieces for the magazine were republished in the New York Herald Tribune and The Washington Post. Under his tenure, the circulation rose and he became familiar with all aspects of magazine production and made contacts with members and chapters of the American Federation of Arts, which consisted of artists, writers, teachers, museum officials, art dealers, and officials working with U.S. government cultural projects. On one occasion in 1940, Whiting took charge of the Federation’s annual convention, which met in San Francisco. He left the magazine in May 1942 to participate in the war effort.

Whiting was appointed Chief of the Office of War Information’s Overseas Exhibit Section. Charged with developing programming and staff, Whiting aimed to project positive visual images of the United States to Europeans. He was responsible for planning and carrying through creative programming, administrative duties, and liaison work with other civilian agencies, Army & Navy administrators, business leaders, and the press. Following the end of the war, he was brought to Washington by Elmer Davis to develop an exhibit aimed at explaining to liberated Europe the demand on resources of the continuing war in the Pacific. The project was abandoned following the surrender of Japan in August of 1945.

Following the war, Whiting became a freelance writer and photo editor, wrote two novels, short stories, and non-fiction pieces on a variety of subjects, including politics, the arts, and food. He designed and produced a brochure for a New England children’s camp and was a contracted photo research and editor for the State Department.

In 1951 he was recruited to work as a civilian information specialist with the Department of the Army’s Reorientation Division for occupied areas, which was responsible for supplying materials used to re-educate the people of Japan and the Ryukyu Islands. Out of an office in New York, he supplied the U.S. Information Centers in Japan with musical recordings and other media. The job ended following the end of the U.S. occupation in December, when he resumed freelance writing and editing. He moved his parents from Florida to Ogunquit, Maine in 1952, where he became the Associate Director of the Museum of Art of Ogunquit where he assembled a Winslow Homer exhibit but was later “politely fired” by Henry Strater.

Throughout the 1950s Whiting’s wife Rose suffered from several strokes and eventually died in 1960. Whiting was also caring for his aging parents, which caused much stress and led to excessive drinking where his “control over beverage alcohol had left me behind”. His mother died in 1955. During this time he found solace in the Roman Catholic Church and was committed to the Augusta State Hospital in 1957. Whiting’s battles with alcoholism and simultaneous search for God was explored in his unpublished 1965 autobiographical novel, Minutes of the Days.

The collection contains evidence of an attempt to start an organization called The Society of Servants of Rose Hill, whose aim was to “bring to bear in a practical manner the venerable and curative offices of prayer and work upon those in particular need of them”. The goal was to create cooperatively governed outpatient retreat centers in bucolic settings for people recently released from psychiatric institutions. The mission statement stated that no one would be turned away for financial or religious reasons. There is no evidence that the organization ever came to fruition.

Whiting’s career as a published poet began in the 4th grade. He was eventually published in several magazines including Spirit: A Magazine of Poetry, The American Poetry Magazine, The Harvard Advocate, Voices, and The Cecelian. He spent much of his creative life in Ogunquit, Maine reading his work at informal gatherings of “mostly young people of creative bent, gathered in the vicinity of Perkins Cove”. In 1952 he completed his first novel, The Gift of Merlon Crag.

The collection consists of copies, drafts, published and unpublished copies of Whiting’s poetry written throughout his lifetime. The manuscript of his unpublished autobiographical novel, Minutes of the Days is also contained herein. Some biographical information, written by Whiting while planning to release Minutes of the Days, is in the collection as well.

A scholar, linguist, and bibliophile, Jacob Freedman (1903-1986) served as Rabbi at Temple Beth-El in Fall River, Mass., during the 1930s and early 1940s, and later at congregations in Pittsfield, Springfield, and Stratford, Conn., among others.

The collection contains the published newsletter of Temple Beth-El from 1937-1941, as well as other published materials and a photograph of Rabbi Freedman.

A professor of English at UMass Amherst, James A. Freeman is a scholar of seventeenth century British literature who has compiled an impressively eclectic array of publications and research projects. Educated at Amherst College (AB 1956) and the University of Minnesota (PhD 1968), Freeman joined the faculty in the English Department at UMass shortly after completing his doctorate. He has published on topics ranging from Latin and Greek poets to Shakespeare, Milton, Swift, Tennyson, James Agee, Donald Duck, 17th century regicides, and 1930s radio. He has also served as a regular contributor and editor for the Association for Gravestone Studies Quarterly.
The Freeman collection consists of many hundreds of cassette tapes of radio broadcasts from the 1930s through early 1950s, reflecting the culture of commercial radio during its golden age. The collection includes representatives of most of the major genres, including comedy, drama, suspense and mystery, soap operas, and westerns. There is some depth popular programs such as Amos and Andy, the Great Gildersleeve, Philip Marlowe, and Nero Wolfe, but the collection also includes less common and short-lived shows.

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

A professor of English at UMass Amherst, James A. Freeman is a scholar of seventeenth century British literature who has compiled an impressively eclectic array of publications and research projects. Educated at Amherst College (AB 1956) and the University of Minnesota (PhD 1968), Freeman joined the faculty in the English Department at UMass shortly after completing his doctorate. He has published on topics ranging from Latin and Greek poets to Shakespeare, Milton, Swift, Tennyson, James Agee, Donald Duck, 17th century regicides, and 1930s radio. He has also served as a regular contributor and editor for the Association for Gravestone Studies Quarterly.

The Freeman Collection contains research materials, drafts, and images from Freeman’s varied research projects in the field of gravestone and cemetery studies.

U.S. Marshal of Massachusetts in charge of collecting the census for his judicial district in 1860. Includes petitions, letters of introduction and applications to him from prospective enumerators, list of assistants and their signed oaths, census returns, related correspondence, and certificates of receipt from the marshal’s office. Also contains letters from Joseph C.G. Kennedy to Freeman, an instruction book for assistants, the marshal’s oath, and a receipt for a set of returns from the Secretary of the Commonwealth.

Since the merger of the Boston Monthly Meeting with the Independent Cambridge Monthly during the second quarter of the twentieth century, the Society of Friends has expanded in the Boston area. Fresh Pond began as an allowed meeting under Cambridge Monthly in 1989 and was set off as a monthly meeting of its own in 1991. It has been under care of Salem Quarterly Meeting since its inception.

The records from Fresh Pond include a nearly complete set of minutes for the meeting’s first five years and a nearly comprehensive set of newsletters.

A voice of the radical working class during the Great Depression, Jack Conroy was the son of a union organizer, born and raised in the mining camps near Moberly, Mo. His novels The Disinherited (1933) and A World to Win (1935) were among the best known works of “proletarian” American fiction to appear in the 1930s.

The Conroy Collection includes a series of 24 letters from Jack Conroy to Lewis Fried, a professor of English at Kent State University and UMass PhD, along with a small number of letters by associates of Conroy, and a selection of publications associated with or including work by him. Of particular interest are Fried’s oral history interviews with Conroy (1971) and Sally Goodman (1978).