Collections: mss

The Fitchburg Railroad was incorporated in 1842 to build a rail line across northern Massachusetts from Boston to Fitchburg, but eventually extended its operations through the Hoosac Tunnel, and into Vermont and New York. In 1900, the Fitchburg Railroad was leased for 99 years to the Boston and Maine. It operated as the Fitchburg Division until the two companies merged in 1919.

Organized station by station and by date, this ledger is a ticket account from Fitchburg and connecting railroads. Each page is printed as a form covering one year of transactions for a single station, with a running account of highest number of tickets received, highest sold, and (occasionally) the cost of tickets.

John J. Fitzgerald, 1968

A graduate of Holyoke High and UMass Amherst (BA 1963), John J. Fitzgerald entered the Army after graduation and served in Vietnam as a Captain in the 25th Infantry Division. He earned a Bronze Star and Purple Heart for his service, having been wounded at Cu Chi in June 1966, before leaving active duty in 1968. Returning home to Holyoke, Fitzgerald entered the master’s degree in political science at UMass (MA 1978) and renewed his longstanding interest in politics. Taking an interest in the progressive, antiwar candidate Eugene McCarthy, he became head of the McCarthy campaign in Holyoke and won election as a delegate to the Democratic national convention. Fitzgerald remained involved in local Democratic politics, and in addition to teaching history in local schools for many years, he wrote and lectured on topics ranging from nuclear power to his experiences in Vietnam.
The Fitzgerald collection contains four scrapbooks relating to his involvement in politics in the late 1960s and early 1970s. Two of the scrapbooks document national and local reaction to the McCarthy campaign and include some articles on Fitzgerald and some ephemera. The other scrapbooks document the McGovern campaign in 1972 and politics in Holyoke in mid-1970s. The collection also includes a copy of Fitzgerald’s commission as a Reserve Commissioned Officer in the Army (1964) and two posters: Jack Coughlin’s, Weapons often turn upon the wielder. . . (1968) and Viet-nam veterans speak out. . . Viet-nam Veterans for McCarthy (1968), an antiwar petition signed by Fitzgerald. Books that arrived with the collection have been transferred and catalogued into SCUA’s general collection.

Ken Fitzpatrick was long time organizer and official of the American Postal Workers Union, serving as President of Local 497 and Secretary and Treasurer for the American Postal Workers Union of Massachusetts before his retirement in about 2010.

The Fitzpatrick collection includes a selection of posters, hats, and ephemera related to the APWU.

Established in 1983 by a group of faculty and administrators in the Five College community who perceived an urgent need for increased faculty dialogue about issues involving peace, security, and the nuclear arms race. Expanded in 1984 with the support of a grant from the Ford Foundation, PAWSS continued as a multidisciplinary program that sought to engage faculty in a consideration of various perspectives on world security and to assist them with curriculum development involving these issues.

This small collection includes circular letters and flyers produced by PAWSS describing the group’s activities as well as materials used by faculty during summer institutes and to develop curriculum.

Established as a pilot project in the fall of 1974, the Women’s Studies program at UMass Amherst was proposed by the Faculty Senate Committee on Women in 1973. The committee asked for a two-year mandate to develop the pilot project into a permanent program with a major and certificate minor by the fall of 1976. Despite the steady growth of the department over the next few years, the university offered minimal financial support. There were roadblocks, too, on the way to becoming a permanent program. Even after the Faculty Senate voted to approve a five-year extension of the program, university administrators continued to delay awarding the program independent degree-granting status. Finally, on April 30, 1980, the Women’s Studies Program received the approval of the Chancellor.

This collection consists of materials displayed as part of an exhibit curated by Lisa Baskin that celebrates the history of Women’s Studies Programs at UMass Amherst and in the Five Colleges, including photographs, reports, publications, and course catalogs.

An activist and advocate for social and racial justice since he was a teenager, Bill Fletcher, Jr., born in New York in 1954, graduated from Harvard, and went to work as a welder in a Massachusetts shipyard. He soon became active in the labor movement, as a worker, an organizer, and a union staff member, and in electoral campaigns. Fletcher became a union staff person in Boston in 1986 with District 65-United Auto Workers.  In 1990, he and his family moved to Washington, D.C. where he held a series of positions with the National Postal Mail Handlers Union, the Service Employees International Union, and the national AFL-CIO. He has also held positions with the George Meany Center for Labor Studies/National Labor College and with TransAfrica Forum, for which he served as president and CEO. Fletcher is author of “They’re Bankrupting Us!” And Twenty Other Myths About Unions; he is coauthor of The Indispensable Ally: Black Workers and the Formation of the Congress of Industrial Organizations, 1934-1941 and Solidarity Divided: The Crisis in Organized Labor and a New Path Toward Social Justice. He has also published two murder/mystery novels, The Man Who Fell From the Sky and The Man Who Changed Colors.  He serves on the editorial board of BlackCommentator.com and has contributed to numerous publications. As a writer, scholar, speaker, and activist, as well as an organizational consultant and a mentor, Fletcher continues his advocacy work. He lives with his wife, Candice, in Maryland.

The Bill Fletcher, Jr., Papers document the activities and interests of a lifelong radical and includes speeches, correspondence, material on the Black Radical Congress, and materials from an array of left-wing organizations. In addition to materials directly connected to Fletcher’s work, there are also pamphlets and other publications that he collected.

Personal, financial and legal papers of Flint and Lawrence families of Lincoln, Massachusetts including wills, estate inventories, indenture documents, receipts of payment for slaves and education, correspondence; and records of town and church meetings, town petitions and receipts relating to the construction of the meeting house. Papers of Reverend William Lawrence include letter of acceptance of Lincoln, Massachusetts ministry, record of salary, a sermon and daybook. Personal papers of loyalist Dr. Joseph Adams, who fled to England in 1777, contain letters documenting conditions in England in the late 1700s and the legal and personal problems experienced by emigres and their families in the years following the Revolutionary War.

Photocopies of two typescript company histories for the Florence Manufacturing Company: “50 Years of Brush Making (1866-1916)” and “50 More Years of Brush Making, 1916-1974.”

Founded by Betsy Siggins in 2009, Folk New England is an organization dedicated to documenting, preserving, and interpreting the cultural legacy of folk music in all its forms, with an emphasis on New England’s contribution.

The Ephemera Collection consists of dozens of posters, fliers, calendars, and other promotional materials for musical acts collected by Folk New England. Concentrated in the years of the folk revival in the late 1950s to late 1960s, many of the posters were sent to Club 47 in Cambridge, Mass.

Founded by Betsy Siggins in 2009, Folk New England’s mission is to document, preserve, interpret and present the ongoing cultural legacy of folk music in all its forms, with emphasis on New England’s contribution to the enrichment of North American life. The organization continues a dialogue between New England’s distinct folk music heritage and its future, through the establishment of a regional folk music archive, robust collections development and access, multi-disciplinary outreach and education, and engaging entertainment programs for the public.

The Folk New England collections document the folk music scene, broadly construed, with an emphasis on the folk revival of the late 1950s and 1960s to the present. Although the performers and music are central, the growing array of collections also documents producers, venues, photographers, and others involved in the scene.

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