Collections: mss

A theater company of older adults based in Oakland, Calif., Stagebridge is recognized as a pioneer in the field of creative aging. Founded by Stuart Kandell in 1978, the organization sponsors workshops, performances, and other opportunities for lifelong learning that provide a creative means to transform the lives of older adults and their communities through the performing arts. Organized “for and of” older adults, Stagebridge is testimony to the ways in which elders enrich our culture and communities.

The Stagebridge collection contains scrapbooks, photograph albums, news clippings, and some scripts beginning in the earliest years of the organization. Digital materials in the collection are even richer, ranging from videos of performances to promotional materials and organizational records.

George Clifford Stamper was a movie projectionist in the 4th Special Services during World War II. Born and raised in Somerville, Massachusetts, he enlisted in the U.S. Army on September 1, 1943 and participated in the European Theater from April 6, 1944 until December 12, 1945, when he was sent home and then honorably discharged in January 1946.

The papers of G. Clifford Stamper consist primarily of his incoming and outgoing letters during his training and service from 1943-1945. Correspondence is mostly with his family, but also includes his letters with neighbors, as well as friends that were serving. The collection contains, too, Stamper’s post-war letters received from 1946-1955. In addition, the outgoing letters of James C. Doyle, Jr. during his service in the U.S. Marines from 1958-1959 are a part of this collection. Doyle’s connection to Stamper is unclear.

Established in 1921 in St. Louis Missouri, the Stanze Monument Company was family-owned and operated until it was sold in the mid-1980s. The company custom-cut gravestones for more than sixty years and was one of the last monument companies to cut gravestones by hand.

The collection consists of gravestone, monument, and mausoleum technical and architectural drawings. Most of the tracings and drawings of headstone patterns were used to make glass molds for sand-blasting granite headstones, while the rubbings represent reproductions of designs and font sizes and styles. Some of the architectural drawings depict conceptual plans for a typical forty-acre cemetery. The drawings were transferred from the Kibbe Hancock Heritage Museum in Illinois; a small portion of the materials were identified as being part of the “Gustafson Collection.”

Since 1975, Community Development Coordinators for state-level arts agencies in the United States have met annually for the exchange of information, training, and to plan state and national programs for community activity in the arts. Charged with development of both community arts councils and rural arts, CDCs also work to decentralize efforts. In recent years, they have increasingly been engaged in arts and social action programs and in providing a voice on national arts policy.

This small collection documents over thirty years of annual meetings between Community Development Coordinators from state arts agencies across the United States. Organized chronologically, the collection includes agendas, membership lists, communications among organizers, and materials used in workshops and that document the history of CDCs. In 2000, the CDCs began keeping records electronically, though without designating a record keeper. Electronic records have not been included in the collection.

As a young man in Shutesbury, Massachusetts, William B. Stetson (b. ca.1836) earned a living by performing manual labor for local residents. Most of his work, and increasingly so, was found in the range of tasks associated with lumbering: chopping wood, sawing boards, making shingles and fence boards. By 1870, Stetson was listed in the federal census as a lumberman in the adjacent town of Leverett.

Stetson’s rough-hewn book of accounts provides detail on the work and expenditures of a young man from Shutesbury, Massachusetts, in the years just prior to the Civil War. Carefully kept, but idiosyncratic, they document a working class mans efforts to earn a living by whatever means possible, largely in lumber-related tasks. His accounts list a number of familiar local names, including Albert Pratt, Sylvanus Pratt, Charles Pratt, Charles Nutting, E. Cushman, John Haskins, and J. Stockwell. Set into the front of the volume are a set of work records dated in Leverett in 1870, by which time Stetson had apparently focused his full energies on lumbering.

The modernist poet Wallace Stevens produced some of the century’s most challenging works while employed as an attorney in Hartford, Connecticut. A native of Reading, Pa., Stevens attended Harvard as an undergraduate but left in 1900 before completing his degree. He later earned a law degree at New York School of Law. Working in insurance law but still intent on becoming a writer, he did not publish his first book of poetry until he was 44 years old. Over the last thirty years of his life, he became one of the most revered contemporary poets in the country. Stevens died of cancer in 1955.

Touching on poetry, criticism, and books, the collection consists primarily of letters received by the poet Wallace Stevens along with 35 annotated volumes from his personal library. Among the correspondents represented are Charles Tomlinson, Jean Wahl, Conrad Aiken, and the art collector and Stevens’ close friend Henry Church; there are also retained copies of three letters from Stevens: two regarding an honorary degree at Harvard, and one to Tomlinson declining to respond to Tomlinson’s analysis of “The comedian as the letter C.” The books included in the collection have annotations or inscriptions to or by Stevens.

Throughout the 1970s, Mary B. Stinson (formerly Lindblom) was an active member of the National Organization for Women (NOW) in California and served as a delegate to the First National Women’s Conference in Houston.

The collection includes several ephemeral objects reflecting Stinson’s activism including IWY pendant necklaces and an ERA license plate frame, along with published reports and articles relating to the IWY and a 1979 NOW conference in California.

Stock certificates and other printed financial instruments became a medium for American corporations to signify their role in an expanding nation and their importance to the American economy. Often elaborately printed, in part to thwart counterfeiters, stock certificates and other financial instruments typically incorporated imagery reflecting their corporate activity, a burgeoning economy, and an the idealized nation.

This small collection of stock certificates and bonds was assembled for their value in illustrating printing history due to their more or less elaborately engraved letterheads and borders. Issued from 1842 to the even of the Great Depression, the collection includes 42 different certificates, plus a handful of duplicates, issued by railroad companies, insurance companies, banks, bridge companies, coal companies, dispatch and transit companies. The illustrations run the gamut from idealized representation of the corporation to symbolic expressions.

The shoemaker George Stocking was born on May 23, 1784, on his family’s farm in Ashfield, Mass., the second son of Abraham and Abigail (Nabby) Stocking. At 25, George married Ann Toby (1790-1835) from nearby Conway, with whom he had nine children, followed by two more children with his second wife, the widow Mary Jackson Shippey, whom he married on Dec. 16, 1840. George succeeded Amos Stocking, his uncle, in the tanning and shoemaking business at Pittsfield, Mass., where he died on Christmas day 1864.

George Stocking’s double column account book documents almost 35 years of the economic activity of a shoemaker in antebellum Ashfield, Massachusetts. Although the entries are typically very brief, recording making, mending, tapping, capping, or heeling shoes and boots, among other things, they provide a dense and fairly continuous record of his work. They also reveal the degree to which Stocking occasionally engaged in other activities to earn a living, including mending harnesses and other leatherwork to performing agricultural labor. The book includes accounts with Charles Knowlton, the local physician was was famous as a freethinker and atheist and author of Fruits of Philosophy, his book on contraception that earned him conviction on charges of obscenity and a sentence of three months at hard labor.

A member of the Massachusetts Agricultural College class of 1919, Ervin Sidney Stockwell, Jr. (1898-1983) was born in Winthrop, Mass., to Grace Cobb and E. Sidney Cobb, Sr., a successful business man and owner of a wholesale dairy. Entering MAC as a freshman in 1915, Stockwell, Jr., studied agricultural economics and during his time in Amherst, took part in the college debate team, winning his class award for oratory, and dramatics with the Roister Doisters. He performed military service in 1918 at Plattsburgh, N.Y., and Camp Lee, Va. Stockwell went on to found a successful custom-house brokerage in Boston, E. Sidney Import Export, and was followed at his alma mater by his son and great-grandson.

The extensive correspondence between Sidney Stockwell and his mother, going in both directions, provides a remarkably in-depth perspective on a typical undergraduate’s life at Massachusetts Agricultural College during the time of the First World War, a period when MAC was considered an innovator in popular education. The letters touch on the typical issues of academic life and social activity, Stockwell’s hopes for the future, his military service and the war. Following graduation, Stockwell undertook an adventurous two year trip in which he worked his way westward across the country, traveling by rail and foot through the Dakotas, Wyoming and Montana, Washington state and California, taking odd jobs to earn his keep and writing home regularly to describe his journey. An oral history with Stockwell is available in the University Archives as part of the Class of 1919 project.