Miscellaneous Manuscripts is an artificial collection that brings together single items and small groups of related materials. Although the collection reflects the general collecting emphases in SCUA, particularly the history of New England, the content ranges widely in theme and format.
This miscellaneous periodicals collections contains single issues or short runs of a variety of journals, such as: Farm and Home, Farm Journal, Red Men’s Official Journal, Home and Health, and The Ladies World.
In 1957, a group of Quakers in Rindge, New Hampshire, established an independent worship group affiliated with the Connecticut Valley Quarter which became the Monadnock Quaker Meeting in the following year. From 1957 to 2011, members of the meeting supported the Meeting School in Rindge, a co-educational boarding school run on Quaker principles.
The records of Monadnock Quaker meeting offer a perspective on the growth of the Society of Friends in southern New Hampshire over more than half a century. As kept by the meeting clerks, the records for the early 1980s include a jumble of newsletters, notes, drafts, and minutes of meetings which appear to be nearly complete.
Living in Keswick, England, at the start of the second world war, parents Jack D. and Audrey S. Monro were separated from their children, Elspeth and Robin, for nearly six years. Throughout this time they each wrote letters fairly consistently, detailing the war itself and personal news. Elspeth and Robin traveled from England to the United States in the summer of 1940, aged 8 and 10, as fears of bombings and violence from Germany dominated the news in Europe. They moved in with the family’s close friends to a house in Baltimore, Maryland. By moving to the United States, they left behind a whole life in England: a majority of their family, their friends, and a culture with which they were familiar with.
The collection details civilian life via letters written in England during the second world war from the perspective of parents separated from their children. Spanning from 1938 through 1946, they document the general instability that was faced during this time, including personal family news, everyday life during a time of war, issues regarding divorce, and issues relating ot the separation with their children.
Planning for construction of a nuclear power plant in Montague, Mass., in 1973, Northeast Utilities was required to conduct an environmental impact survey of the site, building a 500-foot tall weather monitoring tower to gather data. Their plans, however, were thwarted by the rise of a powerful antinuclear opposition, symbolized by a renowned act of civil disobedience in February 1974. On Washington’s Birthday, a member of the Montague Farm commune, Sam Lovejoy, took down the tower using simple farm tools, turning himself in to the police immediately afterward. The ensuing trial, the effective organizing by his colleagues, and the success of their effort to prevent construction of the power plant is often regarded as a formative moment in the history of the modern antinuclear movement.
This environmental report for the proposed Montague Nuclear Power Station includes an accounting of the purpose of the facility, its environmental, archaeological, and social impact, and an analysis of the costs and benefits of operation.
A lifelong diarist, Granby farmer Holland Montague wrote chiefly about life on the farm where he made a comfortable living supplying produce to surrounding towns. While most of his entries are bland accounts of the weather and agricultural duties, Montague occasionally offers a glimpse into his personal life, especially on the diary’s endpapers, where he records medicinal remedies for humans and livestock, purchases made and payments received, as well as a valuation of his property in 1872. Very few references are made to political events of the day, including the Civil War, although he does note on April 16, 1865 that President Lincoln is dead.
Laid into the volume is a manuscript copy of the 1826 document listing depositions to be taken from individuals in the petition of the town of Granby against the town of South Hadley relating to a dispute over the boundary line between the two towns.
An educator and activist for understanding race awareness, racial bias, and racism, Robert B. Moore created white-on-white awareness training as a way to help white educators and other white people confront and understand the white chauvinism and distorted white self-image that American culture conditions and perpetuates. Born on February 18, 1947, in Haverill, Mass., Moore also lived in Bangor, Me., as a child. At UMass, he majored in government, graduating in 1969. He returned to pursue his doctorate in the School of Education and received his Ed.D. in February 1974. Moore’s dissertation, “A rationale, description and analysis of a racism awareness and action training program for white teachers,” formed the basis of his presentation and training program, “The Cultural Perpetuation of the Rightness of Whiteness,” which was used by him and other trainers from 1974 into the early 2000s. Moore worked as a consultant specializing in antiracist behavior and focusing on the impacts—social, economic, political, and more—of racism on both victims and oppressors, and he was also involved in SISA (Sisters in Support of Sisters in South Africa). His work took him all over the U.S. and into Canada and New Zealand. He died in New York in 1991.
The heart of the Moore Collection is a digitally recreated version of his original presentation, encompassing a slide show and a recording of Moore’s voice. Also included are a draft transcript of the presentation, some documentation of Moore’s life and work, and an appreciation by his colleague and friend Jim Edler. Moore’s and Edler’s dissertations are available in the Libraries’ ScholarWorks digital repository.
A writer, educator, and activist for human rights and social justice, Ward Morehouse was a prominent critic of corporate power and globalization. Raised in a family of progressive political economists and academics in Wisconsin, Morehouse began his research in international political economy while a student at Yale (BA 1950, MA 1953) and embarked on a standard academic career path. After teaching political science at New York University for a time, he became director of international education at the Center for International and Comparative Studies in 1963, building a particularly strong program in India. However in 1976, conservative opposition to his political views led Morehouse to leave for a new post as president of the Council on International and Public Affairs (CIPA), a human rights organization he had helped found twenty years before. Throughout, he remained an activist at heart. Galvanized by the 1984 industrial disaster in Bhopal, India, he organized the International Campaign for Justice in Bhopal, and went on to form or work with many other organizations seeking to resist corporate power and build democracy, including the Program on Corporations, Law and Democracy (POCLAD) and the Permanent People’s Tribunal, operating the radical Apex Press. Morehouse died in June 2012 at the age of 83.
The Morehouse collection is a massive archive documenting six decades of research, writing, and activism. A prolific writer and editor, Morehouse left a deep record of his activities, his research and writing on corporate power, and the full breadth of his commitments in labor relations, alternative economics, “people’s law,” and peace.
Bob Morey photographed the folk scene in New England during the late 1960s and early 1970s, concentrating especially on Club 47 and other venues in Cambridge and Boston.
Consisting primarily of images of musicians in performance, the Morey collection contains prints of Eric Anderson, Chuck Berry, Donovan, Bob Dylan, Joni Mitchell, and Frank Zappa, among others, along with a few contact sheets. Also included are an issue of Broadside and a run of monthly calendars from Club 47 dating between September 1966 and the summer 1967.
Possibly a worker who boarded in Van Duesenville, a growing industrial area of Great Barrington, Massachusetts. Notebook consists of poems, most of which concern religious faith and local events that were written in Cathrin Morley’s hand but may not have been created by her. Also includes a list of significant family dates.
