Collections: K

Sharon Keim has been active in the arts in Washington, D.C., as a photographer, independent curator, adjunct professor and lecturer at Georgetown University, and lecturer at the Washington Center for Photography and The Martin Gallery. The recipient of an MA from the National Louis University, Keim studied studio photography and art history at the School of the Art Institute of Chicago, working in papermaking, screenprinting, and letterpress. From 1981 to 1986, she was director of In The Mind’s Eye, Inc., a fine art photography dealership in Washington, and she founded, and served as executive director of The Washington Center for Photography.

The Keim Collection includes a copy (8/10) of her artist’s book, Stones: Standing in the Shadow of Time, which was printed at the Hand Print Workshop International in New Baskerville Italic on Somereset and Vellum paper. Accompanying the volume is a portfolio of forty gravestone rubbings on rice paper made on Cape Cod between 1995 and 1997, using D. H. George and M.A. Nelson’s book Epitaph and Icon (1983) as a guide.

A stylistic innovator and influential performer on the five string banjo, Bill Keith is credited with transforming the instrument from a largely percussive role into a one where it carried the melody. A native of Boston and 1961 graduate of Amherst College, Keith cut his teeth as a performer in New England clubs during the hey day of the folk revival, often partnering with his college roomate Jim Rooney, and he spent the better part of the decade as a member of two high profile acts: Bill Monroe’s Bluegrass Boys, with whom he played for eight critical months in 1963, and the Jim Kweskin Jug Band. Adding the pedal steel guitar to his repertoire, Keith performed on stage and in studio with a stylistically and generationally diverse range of acts including Ian and Sylvia, Judy Collins, Richie Havens, Loudon Wainwright, and the Bee Gees. Keith continued performing nearly to the time of his death by cancer in October 2015.

This small collection of photographs and ephemera documents the musical career of bluegrass legend Bill Keith, including early images playing in coffee houses and at Newport Folk Festival and images of Keith with musical collaborators throughout the 1970s and 1980s. The collection includes a series of photographs and ephemera taken during the 50th anniversary Jug Band Reunion tour of Japan in 2013.

Nina Keller riding in the back of a hay truck, Wendell, 1980.

Currently residing in Wendell, Massachusetts, Nina Keller has had an active role in environmental and social activism in the Pioneer Valley and New England area for the better part of 40 years. Since the 1970s, Keller has played an active role in local and regional activism, from the antinuclear movement to hazardous waste disposal. She was an initial member of the Alternative Energy Coalition (AEC), was part of the Friends of the Earth (FOE) environmental organization, and most notably took part in efforts to close the nearby Vermont Yankee Nuclear Power Plant. At 62, Keller currently chairs the Wendell Board of Health, and has had a recent history of participation in local government.

The Nina Keller Collection is largely organized into five subject areas used by Keller to organize her files: Economics; Environmental Issues; Hazardous Materials; Nuclear Power; and Pesticides and Herbicides. Of note within these files are local, state, and federal reports and documents covering topics such as nuclear emergency evacuation plans, chemical sprays and their health effects, and hazardous waste regulation. Several items reflect Keller’s personal life, most notably two journals from Montague Farm, used communally for diary entries, drawings, clippings, photographs, and account keeping. The collection’s focus spans from the 1970s to the 1980s, as well as the early 2000s.

Owner of the Amherst Athletic Club and columnist for the Amherst Bulletin from 1991 to 2004, Larry Kelley is deeply involved with Amherst area relations and government. He ran for both Select Board and Finance Committee, and was instrumental in raising awareness about and banning the illegal sale of martial arts weapons in Massachusetts.

Included in the Kelley papers are over 100 newspaper clippings, either his editorials, letters to the editor, or guest columns, about issues ranging from the use of town safety services by Amherst College, his objection to the Civil Rights Review Commission’s right to subpoena, his fight to fly commemorative flags in downtown Amherst both on the anniversary of September 11th and on the day Osama bin Laden is captured, to his objection over the Amherst-Pelham Regional High School’s production of Eve Ensler’s The Vagina Monologues.

A notable figure in Amherst, Mass., prior to the founding of Amherst College, Rufus Kellogg was born on July 16, 1794, the child of Jerusha and Joseph Kellogg. Married to Nancy Stetson in June 1820, Kellogg made a successful, if highly varied living, serving as town postmaster (1809-1824), keeping an inn and tavern at the “City” beginning in 1818, and farming, and he became a stalwart of the local Masonic lodge. His son Rufus Bela Kellogg rose even higher on the social ladder, graduating from Amherst College in 1858 and became a prominent banker.

A diverse and fairly complicated book of records, the Kellogg ledger is part waste book, day book, memorandum book, and account book, marking records of lending a horse and sleigh are interspersed with accounts for the sale of grain and hay, boarding locals, repairing pumps, and other miscellaneous transactions. Although it is unclear precisely which member or members of the Kellogg family kept any individual record, it appears that Rufus must have initiated the book, although later entries were clearly made by one or more of his children.

The son and grandson of dentists, David Kennedy earned degrees from the University of Kansas (BS 1967) and University of Missouri at Kansas City Dental School (DDS 1971) before establishing a practice in preventive dentistry in San Diego, Calif. During a successful career in which he served as President of the International Academy of Oral Medicine and Toxicology, Kennedy emerged as a prominent critic of fluoridation and the use of mercury amalgams, and was a consistent scientific voice of opposition to civic fluoridation of the water supply. He retired in 2000 to devote his efforts fully to improving the dental profession and to improve public understanding of oral health.

Along with the papers of his long-time associate Jeff Green, the Kennedy papers are a major resource for study of the anti-fluoridation movement in California and grassroot efforts there to repeal water fluoridation. The collection contains a thorough record of legal efforts to prevent water fluoridation, files relating to his activism, and audio recordings from professional meetings and other forums.

Malcolm G. Kennedy became active in the antifluoridation struggle in 1954 when the possibility of fluoridating the water supply in his native Portland, Maine, was first proposed. Kennedy was a well-known figure in antifluoridation circles for over three decades and was the first president of the Greater Portland Citizens Against Public Fluoridation.

Centered on activities in Portland, the Kennedy Papers document antifluoridation activism during the height of the controversy in the late 1960s and early 1970s. A relatively rich body of correspondence with regional and national colleagues in the movement is accompanied by supporting materials and some newspaper clippings relating to efforts to fluoridate water supplies in Maine.

The collection primarily consists of photographs taken by Elaine Kenseth-Abel of Cambodians refugees in Thailand who later relocated to Amherst, Massachusetts during the 1970s-1980s. The collection also includes color prints of drawings by E. Seng Huot depicting Cambodian genocide.

Barbara Kerewsky Halpern was an adjunct professor of anthropology at the University of Massachusetts. She was also a prodigious writer, researcher, and lecturer. After earning a bachelors in geography from Barnard College (1953), she accompanied her new husband, Joel M. Halpern, to Serbia, helping him with his field project which would later result in his Ph.D. thesis and book, A Serbian Village (1958). She continued to work with her husband on numerous projects. After her youngest daughter was school age, she went back to college, earning a Master of Arts degree in Linguistics from the University of Massachusetts, followed by a Ph.D. in Anthropology in 1979. In 1983, she published a book entitled “These Are Your Neighbors” published by the Cambridge Book Company. She was diagnosed with Multiple Sclerosis in the mid-1970’s, which motivated her to investigate various medical issues within Anthropology, eventually becoming a medical anthropologist. She became a certified practitioner of the Feldenkrais method, establishing her own practice under the name, “Mind Over Movement”. She gave presentations throughout her life, lecturing on various topics. In 1992, she served as an expert witness in the trial of Sadri Krasniqi, an Albanian man falsely accused of sexually molesting his daughter. In 1995, she was interviewed on the television program 20/20 by Hugh Downs about the case.

The Barbara Halpern Papers consists of many letters received from her childhood pen pals, college friends and family members. Documents from her early schooling as well as those of college and professional work as a lecturer and Feldenkrais practitioner form the bulk of the collection. Correspondence with Ethel (nee Russell) Breen, a young British girl, began in 1942 and continued to Breen’s death in 1996. The bulk of these letters, dated from 1942 to 1952, mention World War II, and other elements of daily life at that period.

Fred “Lil” Kerslake was proprietor of one of the premier performing animal acts of the turn of the twentieth century, featuring a porcine troupe that did “everything but talk.” From about 1891 through the 1930s, Kerslake’s Pigs rolled barrels and jumped ropes, climbed ladders, played see saw, and drew carriages to the delight of audiences across the United States and Europe. With his wife Mary and, after 1913, his son Fred by his side, Kerslake’s Pigs toured with Carl Hagenbeck, Walter L. Main, and Ringling Brothers. Fred and Mary retired to Gill, Mass., in 1930 where they ran a dog kennel. Fred Kerslake died at home in Sept. 1949, with Mary following in 1954.

Assembled by Fred and Mary Kerslakes, the four scrapbooks in this remarkable collection are packed with photographs and ephemera documenting their far flung travels between the 1890s and 1920s, along with promotional and candid shots of their beloved pigs, donkeys, and horses. Interspersed in the volumes are photographs of clowns and other circus performers, brochures, fliers, and posters advertising Kerslake’s Pigs and the circuses that employed them.