Collections: H

A member of the Massachusetts State College Class of 1936, Leonta Gertrude Horrigan was affiliated with UMass Amherst throughout her long career in academia. After receiving he MA from Smith College in 1942 for a thesis on DeQuincy and Milton, Horrigan taught creative writing, composition, among writing classes, to UMass undergraduates, and was frequently singled out as a favorite instructor on campus. In 1964, she was appointed Assistant Dean in the College of Arts and Sciences, and retired to emeritus status in 1986.

The Horrigan Papers contain nearly a half century record of instruction in writing education at UMass, with a wide array of other materials relating to Horrigan’s varied interest, events on campus, and to the evolution of the university in the post-war years.

Born in Germany in 1866, Annie C. Horsch worked for many years as a servant and housekeeper in the home of the Dummer family in Rowley, Mass. Listed as a domestic in the Rowley City Directories as early as 1888, Horsch began to work for the miller Nathaniel N. Dummer (1824-1907) and his wife Elizabeth (b. 1839) prior to 1900 and was retained well into the 1940s. Horsch died of cerebral arteriosclerosis in Newburyport on Jan. 23, 1956, at the age of 89.

Scrappy and well used, the Horsch cookbook was the working reference for a domestic employed by an old Rowley family, the Dummers. The cookbook consists primarily of recipes for breads and desserts, with a slight nod to healthy eating (including Graham Bread and “Health bread”) followed by a succession of pies, cakes, and puddings. The book includes recipes for Spider Johnny Cake; lemon, raisin, various minces (mock mince, pear mine, tomato mince), sour milk, rhubarb, cranberry, coconut, pineapple, and caramel pies; and then the cakes: dark cake, French cake, fruit cake, apple sauce cake, Harrison cake, chocolate cake, ribbon cake, Bangor cake, and marble cake, among many others.

An advertising man from Brooklyn, and a neighbor and friend of W.E.B. Du Bois, James E. Howard was an active supporter of the Committee for the Negro in the Arts during its brief period of activity. Organized in 1947 with Communist Party support, the Committee was an arts-focused civil rights organization, opposing degregation and promoting the employment of African Americans in the performing and visual arts. Criticized by the House Un-American Activities Committee as a Communist front, the Committee was also criticized by the intellectual Harold Cruse, a former member, as a “sad flop,” a patronizing and opportunistic endeavor of white radical that was so constrained by the desire to appeal to white audiences that it was incapable of exploring work of deeper significance to African American audiences.

This small collection contains printed materials from the Committee for the Negro in the Arts (CNA), a politically progressive interracial cultural organization. The collection includes CNA newsletters, event programs, invitations, and an assortment of mailings and other items used in publicity and public relations.

John Brooks Howard, Jr., known by his family as Brooks (and as J. B. or “Gibby” to his classmates), was a popular and vivid presence on the campus of Massachusetts Agricultural College from 1926 until 1929. Born in November 1908, he arrived from Reading, Mass., as part of the class of 1930; majored in biology; was elected editor-in-chief of the student newspaper the Collegian; was a member of the honor society and the rifle team; and loved wildlife and the outdoors, especially birds. Early one morning, in the spring of his junior year, he climbed to the high branches of a tree to collect specimens. His death at age 20, after falling from the tree, stunned the campus community and broke his mother’s heart, haunting his family for a long time after.

This collection provides glimpses into the life of a MAC student in the late 1920s, with some documentation of his observations of birds and nature and campus activities. It contains an assortment of Brooks’s own papers and possessions, as well as items kept by his family after his death: three diaries, correspondence, mementos and ephemera, photographs including three larger ones in frames, newspaper clippings, a pair of wooden shoes that was a gift from his Dutch friend Hans Van Leer ‘32, and a small field microscope apparently issued to Howard by the college.

Personal, business, and legal papers of the Howe family of Enfield and Dana, Massachusetts, including correspondence between family members, genealogies, account books and printed materials. Account books record transactions of various family members whose occupations included general storekeeper, minister, printer, postmaster, telephone exchange and gas-station owner, and document the transactions of community businesses and individuals, some of whom were women involved in the beginnings of the local palm leaf hat and mat industry.

Alvah, Walter, and George Howes brothers traveled the Pioneer Valley of Massachusetts in the last two decades of the 19th century, taking photographs of the residents and documenting the customs, fashions, architecture, industry, technology, and economic conditions of rural New England.

The Howes collection includes 200 study prints selected from 20,000 negatives held by the Ashfield Historical Society. An inventory of the study prints is available online.

Independent Melville scholar, Jeanne Howes proved that Herman Melville’s first book, Redburn, or, The Schoolmaster of Morning, was published anonymously in 1844. This collection contains her published articles and book about Melville, as well as a self-published work about Nathan and Seth Howes who were credited with creating the first American tented circus.

Also a poet, her papers include letters from Robert Francis, with whom she carried on a regular correspondence for nearly a decade, as well as unpublished typescripts of her own poems.

The Howland family of East Greenwich, R.I., figured prominently in New England Quakerism during the late eighteenth and early nineteenth centuries and contributed to the state’s public affairs. Brothers Daniel (1754-1834), an approved minister, and Thomas Howland (1764-1845), an educator, were active members of the Society during the tumultuous years between the 1780s and 1840s, caught up in the moral demands for a response to slavery and other social issues and in the divisions wrought by evangelical influences.

Centered largely on the lives of Thomas Howland, his brother Daniel, and Daniel’s son Daniel, the Howland collection is an important record of Quaker life in Rhode Island during trying times. As meeting elders, the Howlands monitored and contributed to the era’s major controversies, and the collection is particularly rich in discussions of the impact of slavery and the passionate struggle between Friends influenced by the evangelically-inclined Joseph John Gurney and the orthodox John Wilbur. Thomas’ complex response to his commitment to the antislavery cause and his fear of disrupting meeting unity is particularly revealing. Also of note is a series of responses from monthly meetings to queries on compliance with Quaker doctrine, obtained during the decade after the American Revolution.

Fourteen panels used in a public exhibition depicting the life and work of the Czech-born American anthropologist Ales Hrdlicka through photographs, documents, and narrative.

Partners who manufactured harnesses, saddles, and trunks in Springfield, Massachusetts. Includes the prices paid for harnesses, whips, trunks, valises, and a variety of repair jobs such as splicing, coupling, and repairing of the hoses of the Springfield Fire Department. Also contains method and form of payment (principally cash, but also wood, leather, and leather thread in exchange) and twenty pages of clippings with the names of Lyman’s daughters, Mary and Frances, written on them.