Collections: H

A noted comic illustrator, Irwin Hasen enjoyed a career spanning over five decades, including work as staff artist for a number of classic comic book titles. He is perhaps best remembered as the artist behind Dondi, a strip about a war orphan co-authored with Don Edson, that ran nationally from 1955 to 1986.

Hasen’s Legacy Portfolio includes ten hand-pulled serigraphs signed and numbered by the artist, reflecting artwork from throughout his career. The SCUA portfolio is number 16 of 35 sets in the limited edition, with each print hand separated and printed in collaboration with the master printer Gary Lichtenstein.

Born on January 29, 1908 in Conway, Massachusetts, Alice Totman spent her early years on her father’s family farm, Page Place, before he was forced to sell it due to a labor scarcity in 1916 and moved the family to Greenfield. She graduated from Greenfield High School in 1927 and enrolled at Massachusetts School of Art in Boston. She studied there for a year and a half before marrying Hart Mowry Hawks on June 16, 1929. The couple settled in Bellows Fall, Vermont where Mowry was recently assigned a permanent post with the Boston and Maine Railroad. Tragically, over the next fifteen years, Alice experienced seven pregnancies, only one of which resulted in a healthy child, Gertrude Ann, born in 1932. Alice’s interest in her family can be traced back to the earliest days of her marriage, during which time she worked on genealogies for both the Totman and Hawks families. Eager to share the knowledge she acquired and assembled, she often found ways to update her relatives, most notably in a family newsletter called Tot-Kin that she edited and published between the years 1935-1945.

Alice Totman Hawks’s collection consists of her extensive genealogical notes and writings, including a run of Tot-Kin, correspondence and some of Alice’s sketches.

A granting agency that advises and provides funding for grass roots, non-profit projects and organizations in order to bring about broad social change by addressing local issues and community needs. Records include minutes, reports, correspondence, successful and unsuccessful grant applications from Western Massachusetts organizations, grant source information, and grantee materials including organization reports, publications, member lists, clippings, and other materials.

A specialist in higher education and comparative politics in the developing world, Fred Hayward earned a doctorate in Politics at Princeton in 1968 for his research on political organizations in West Africa. Following a 24 year career at the University of Wisconsin (1967-1991), where he became Dean of International Studies and Programs, Hayward has worked as a Senior Associate to the American Council on Education, a consultant to the World Bank, and since 2009, as a Senior Higher Education Consultant with UMass Amherst. Having worked in fifteen countries with ministries, universities, and NGOs, his scholarship runs the gamut from African politics to higher education in Afghanistan.

The papers document some of Fred Hayward’s activities, centered in Africa and Afghanistan. The bulk of the collection stems from his work in Sierra Leone during the 1960s through 1980s, in Ethiopia (2003), and it includes noteworthy material on a World Bank-funded project to support strategic planning for six Afghan Universities as well as a feasibility study on private section involvement in Afghan higher education.

Since it was first proposed in 1977, controversy surrounded Waste Technologies Industries’ plans to operate a hazardous waste incinerator in East Liverpool, Ohio. Particularly after construction on the plant began in 1990, grassroots opposition swelled citing concerns over pollution from cement kiln dust, dioxins, and other environmental toxins. With the support of organizations such as Work on Waste and Greenpeace, local activists waged a years-long campaign against the incinerator, ultimately losing out to the industry’s greater political power.

A small and somewhat heterogenous assemblage, this collection documents public opposition to hazardous waste incineration centered on the Waste Technologies Industries plant in Ohio and sites in Calvert City, Ky., and Illinois. In addition to selected legal filings and technical information, the collection documents public responses and support from Greenpeace America and Work on Waste.

Jonathan “Jay” Healy represented the 1st Franklin District in the Massachusetts House of Representatives from 1970 to 1993. A moderate Republican, Healy was born in Greenfield in 1945 and raised on a 500-acre farm in Charlemont. A recent graduate of Williams College, Healy ran for office for the first time in 1970, succeeding his own father, Winston Healy, defeating both his Democratic rival and a far right challenge from within his own party. His popularity over the succeeding years in a heavily Democratic district was rooted in his close attention to issues of local concern, particularly agriculture and dairying. When he left office in 1993, he was appointed state Commissioner of Food and Agriculture, where he remained until 2003.

Documenting the career of a Massachusetts Republican, the Healy Papers contain a small selection of constituents’ correspondence, press releases, and position papers, plus an excellent assortment of scrapbooks, news clippings, and photographs relating to his political career. Although the focus is largely on his time in the state house, there is some materials relating to his role as Commission of Food and Agriculture.

Mary Frances Healy, a young schoolteacher from Springfield, Mass., volunteered to serve with the National Catholic War Council in the waning days of the First World War. Stationed for sixth months at the Etoile Club in Paris in 1919, Healy helped provide meals, entertainment, and support for Catholic American serviceman awaiting demobilization. After returning home to Springfield, she resumed her teaching career at the Chestnut Street Junior High School.

This slender photograph album contains 53 photographs from Mary Healy’s time working with at the National Catholic War Council’s Etoile Club in Paris in 1919. Healy included a handful of images of the Club’s interior taken by a professional photographer, but also includes her own images depicting the staff and the area around the Club along with side trips to the scene of American military action at Belleau Wood and Chateau Thierry, the American military cemetery there and the devastation inflicted on the nearby town of Bouresches, and scenes in the streets of Paris, Rheims, and in the Haute Pyrenees.

A multi-talented performer, the African American expatriate Gordon Heath was variously a stage and film actor, musician, director, producer, founder of the Studio Theater of Paris, and co-owner of the Parisian nightclub L’Abbaye. Born in New York City, Heath became involved in acting as a teenager and enjoyed a career that spanned post-World War II Broadway to the Black Arts Movement of the 1970s. In addition to his many roles on film and stage, he and his partner Lee Payant enjoyed success as recording artists in the 1950s and 1960s.

The Heath collection includes personal and professional correspondence, scrapbooks containing photos and clippings from assorted television and film productions in addition to songs, poetry, and reviews of plays or playbills from productions he attended. The Papers also contain art work, sheet music, personal and production photographs, and drafts of his memoirs.

In 1960, William K. Hefner (1915-1993) became one of the first of new breed of radical pacifists to run for elective office, when he ran as a peace candidate for Congress in the 1st district of Massachusetts. An accountant from Greenfield, Hefner was involved at a national level with movements for peace and civil rights. An early member of SANE, a founder of Political Action for Peace in 1959 (now CPPAX) and the Greenfield Peace Center (1963), and an active member of the American Friends Service Committee, War Resisters League, Turn Toward Peace, and the World Without War Conference, Hefner was an energetic force in the movements for peace and disarmament, civil rights, and a more just economic system. He ran unsuccessfully for office in three elections between 1960 and 1964, and supported peace candidate H. Stuart Hughes in his bid for election to the U.S. Senate in 1962.

The Hefner papers offer a remarkable record of politically-engaged activism for peace and social justice in the early 1960s. With an intensely local focus, Hefner was tied in to the larger movements at the state and national level, corresponding with major figures such as A.J. Muste, Bayard Rustin, Benjamin Spock, and Arthur Springer. The collection includes particularly rich documentation of the early years of Political Action for Peace, which Hefner helped found, with correspondence, minutes of meetings, and publications, as well as equally rich materials on Hefner’s bids for congress in 1960 and 1962.

Since his youth in Mexico City, Carlos Heiligmann has traveled with a camera in hand. An industrial engineer by training and documentary photographer by nature, he has captured images throughout his world travels, and recently has concentrated on recording libraries in the small towns of western Massachusetts.

The digital photographs that comprise this collection document nearly four dozen public libraries in Berkshire, Franklin, and Hampshire counties in western Massachusetts.