Collections: bks

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

View the full Black collection in the library’s catalog.

A constructed language developed by a Polish physician, L.L. Zamenhof, and first published in 1887, Esperanto is the most widely spoken auxiliary language in the world. Fundamentally utopian in origin, Esperanto is a simplified and highly rationalized language derived from a pastiche of languages, primarily European. By creating a universal second language, Zamenhof hoped that Esperanto would help transcend national and cultural boundaries and thus promote peace and understanding in a fractious world. Allan Boschen, an engineer with General Electric in Pittsfield, was a student and teacher of Esperanto and longtime officer with the Esperanto Society of New England.

The Esperanto book collection includes instructional materials in the language from around the world along with a diversity of imprints ranging from novels and poetry to travel books, histories and biographies, political writings, materials on China and Vietnam, children’s literature, and even a cookbook. We expect to add to the collection in future.

Sparked in January 1789 by the efforts of Holy Roman Emperor Joseph II to remake politics in the Austrian-dominated Low Countries, the Brabant Revolution began with a series of intense riots coupled with rising political opposition to foreign rule. After a rebel army defeated Austrian forces at the Battle of Turnhout in Oct. 1789, the revolution gained steam and by December, the Brabant declared its indepedence, forming the new United States of Belgium. Although resistance to Austrian rule spread throughout the region and several key towns fell to the rebels, the new state was fragile and gained little support from foreign powers. After dissension began to afflict the revolutionary ranks, pitting conservative “Statists” against allegedly anticlerical “Vonckists,” Emperor Leopold II (successor to Joseph) moved in in force. By the end of 1790, the rebellion was crushed.

The Brabant Revolution produced a vigorous literature on all sides, favoring and opposing revolution, representing the various factional interests, and the wide range of ideologies and political ideas wrapped up in the revolutionary struggle. The collection (also known as the Collection Brabançonne) consists of dozens of pamphlets and books issued in the years 1789 and 1790, many of exceptional scarcity, reflecting a rising national consciousness that resulted in the formation of the modern state of Belgium. The publications are written primarily in French or Dutch.

Printers and bibliographers use a bevy of terms to refer to works printed on one side (or sometimes both sides) of a single sheet, classified primarily by size. From large to small, posters, broadsides, and fliers refer to works used to convey a more or less focused message to an audience, often using illustrations or inventive typography to grab the attention.

Posters from Communist world, with an emphasis on the political and cultural transformations of the late 1980s through mid-1990s. The majority of posters originated in the Soviet Union, although there are examples from East Germany, China, and elsewhere.

Publishers in Western Massachusetts engaged in a brisk trade in books intended for children during the antebellum years, producing chapbooks to teach reading, didactic works on morals and comportment, and toy books for reward and entertainment. Brief and most often simply produced, the books are noted for their diminutive size, stock woodcut illustrations and characteristic moralistic tone, but they are rich sources for understanding popular conceptions of childhood, education, religious life, and marketing in the book trade, among other subjects.

The majority of the works in the Early Children’s Literature Collection were products of the antebellum press in western Massachusetts, produced and distributed by printers such as John Metcalf (Wendell and Northampton), Anson Phelps (Greenfield), and A. R. Merrifield (Northampton). There are examples of chapbooks from other printers, most notably Mahlon Day of New York and the American Sunday School Union in Philadelphia.

From the official optimism of the post-war years in East Germany through the dynamic press of the 1970s to the end of the regime in 1989, the state and its critics developed a distinctive print culture that was reflected in its literary and artistic output and in its popular and academic works.

The DDR collection contains miscellaneous volumes printed in East Germany, including literature and drama, touristic books, popular history, works on the arts, and a variety of academic and reference works.

View the full DRR collection in the library’s catalog.

An author, scholar, and librarian, James Fraser had a voracious intellectual appetite that ranged from visual culture to the inter-war avant garde to Communist-era eastern Europe. Born April 30, 1934, Fraser earning his doctorate in Library Science at Columbia University and enjoyed a career of nearly 50 years in academic libraries. A specialist in international children’s literature, he and Sibylle von Holstein, his wife of 56 years, became known for building research collections at a number of university libraries, drawing upon their extraordinary knowledge of 20th century book arts, graphic design, photography, political ephemera, and East German culture, among other areas. Fraser was also an energetic exibitions curator, often based upon material he had collected. Jim Fraser died at home after a short illness on Nov. 25, 2013.

The product of two active and eclectic collectors, the Fraser collection contains over 1200 imprints on art and design in Communist-era eastern Europe, East Germany, 1960s radicalism, and other subjects, along with ephemera on radical movements in both the United States and Europe.

For seven years after the end of World War II, the United States led an occupation force in Japan that oversaw comprehensive reforms of the country’s military, economy, politics, and social order. Under the direction of Gen. Douglas MacArthur, the Supreme Command of Allied Powers (SCAP) dismantled and disarmed the military, conducted a series of war crimes trials, and undertook significant reforms in land tenure, industry, and the economy, culminating in the imposition of new pacifist constitution that shifted power from the Emperor to parliament. In the face of the rise of the Cold War and change in international priorities, the U.S. brokered a final peace settlement with Japan that formally ended the occupation in 1952, leaving American bases and bilateral security pact intact.

Focused on the period 1945-1952, this collection includes a sampling of printed materials aimed at average American servicemen and their dependents involved in the occupation and reconstruction of Japan. The collection includes histories and guidebooks, picture books aimed at tourists, and a few examples of instructional materials and propaganda.

The heart of the Kress Collection lies in the lively pamphlet literature regarding Anglo-American political economics in the late eighteenth and early nineteenth centuries. Although somewhat miscellaneous, the collection contains thousands of titles touching on many of the major issues in trade, finance, political reform, and public policy in Britain and to a lesser degree America. Topics range from tariffs and free trade to public debt and taxation, imports and exports, banking, unionism, and socialism. Nearly three quarters of the collection dates from before 1848.

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A poet, critic, and essayist, and close friend of Coleridge and Wordsworth, Charles Lamb was a popular figure in literary circles in late Georgian Britain. Born in London in 1775, Lamb began working in the accounting office of the British East India Company at the age of seventeen. Despite struggling with mental illness in his family, he built a reputation as a writer. With an elegant, eccentric, and somewhat antiquated style, he became known first for his poetry, but soon gained notice for prose and criticism. Written with his sister Mary, Tales from Shakespeare (1808) achieved notable success, however Lamb’s fame rests primarily on the essays he wrote during the 1820s under the pseudonym Elia. Lamb died from erysipelas on Dec. 29, 1833.

From the 1960s through 2010s, Rocco and Barbara Verrilli built this extensive collection of first and early editions of Charles Lamb’s writing. Among the volumes they acquired are Lamb’s personal copy of his first publication, Poems on Various Subjects; a rare copy of his first book for children King and Queen of Hearts (1806); and a presentation copy of his best known work, Elia (1823). The twenty-five manuscript items in the collection are particularly noteworthy. Displaying a characteristic combination of charm, wit, and insight, these include a long letter to Robert Southey discussing poetry; humorous letters to his admirer John B. Dibdin; an acrostic by Lamb on the name of Sarah Thomas; and two particularly fine letters to the poet Edward Dyer, including an eye-witness account of the agricultural rebellion known as the Swing Riots.