You searched for: "Women " (page 9 of 34)

Mount Ida College was a regional, co-educational college with 1500 students, over forty majors, and a graduate program designed for working adults. The college began in 1899 when George Franklin Jewett and his wife Abigail Fay Jewett purchased a property on a hill in Newton Corner named Mount Ida and began a college prep and finishing school program, the Mount Ida School for Girls, that steadily grew, adding a junior college curriculum in 1917. Under the financial stress of the Great Depression, the school closed in 1935, but was purchased four years later by William F. Carlson and reopened on the newly acquired Robert Gould Shaw II estate in Newton Centre. Mount Ida officially became a college in 1967, began admitting men in 1976, and in the late 1980s it merged with Chamberlayne Junior College and the New England Institute of Funeral Service Education. However, after a period of protracted financial difficulties in the early 2000s, Mount Ida College closed its doors on May 17, 2018, and the land and campus buildings were purchased by the University of Massachusetts Amherst.

The Mount Ida College Records contain the historical records of the college, including photographs, yearbooks, course catalogs, student scrapbooks and memorabilia, publicity materials, the college’s web and social media presence, and artifacts that document Mount Ida’s athletic programs. The records of the New England Institute of Funeral Service were moved with the program itself to Cape Cod Community College.

Printers and bibliographers use a bevy of terms to refer to works printed on one side (or sometimes both sides) of a single sheet, classified primarily by size. From large to small, posters, broadsides, and fliers refer to works used to convey a more or less focused message to an audience, often using illustrations or inventive typography to grab the attention.

Posters from Communist world, with an emphasis on the political and cultural transformations of the late 1980s through mid-1990s. The majority of posters originated in the Soviet Union, although there are examples from East Germany, China, and elsewhere.

Temporarily stored offsite; contact SCUA to request materials from this collection.

An anti-white supremacist, working class intellectual and activist, Theodore W. “Ted” Allen was one of the most important thinkers on race and class in the twentieth century. He developed his pioneering class struggle-based analysis of “white skin privilege” beginning in the mid-1960s; authored the seminal two-volume The Invention of the White Race in the 1990s; and consistently maintained that the struggle against white supremacy was central to efforts at radical social change in the United States. Born in Indianapolis, Indiana, Allen was raised in Kentucky and West Virginia, where he was “proletarianized” by the Great Depression. A member of the American Federation of Musicians and the United Mine Workers, and a member of the Communist Party, Allen moved to Brooklyn after injuring his back in the mines, and spent the last fifty years of his life at various jobs including factory work, teaching, the post office, and the Brooklyn Public Library. In the 1960s, having broken from the Communist Party, Allen set out on his own independent research course. Inspired by the work of W. E. B. Du Bois he wrote on the “white blindspot” and “white skin privilege” and began what became forty years of work focused on white supremacy as the principal retardant of class consciousness among European-American workers. Over his last thirty years, Allen wrote hundreds of published and unpublished articles and letters challenging white supremacy, capitalist rule, sexism, and U.S. Imperialism, as well as numerous poems.

The Theodore W. Allen Papers are a comprehensive assemblage of correspondence, published and unpublished writings, audio and video materials, and research by one of the major theorists on race and class of the twentieth century. The Papers offer important insights on the Old and New Left and their relation to the labor and Civil Rights/Black Liberation Movements and have much to offer students, scholars, researchers, and activists.

The dissolution of the Soviet bloc after 1989 was hastened in the Baltic republics by mass popular resistance waged through non-violent cultural and political means. In Lithuania, the revolutionary efforts that began in the spring 1988 culminated in a formal declaration of independence in March 1990. After demands to submit to Soviet authority were ignored, the Soviets sent troops to occupy key buildings in Vilnius killing fourteen protesters in the process. In the face of a resilient resistance and international pressure, the Soviets held on to power for several months, until turmoil at home forced them to recognize Lithuanian independence on September 6, 1991.

This small collection contains a selection of publications dating roughly from the time of the Lithuanian revolution of 1988-1991. Along with a series of mostly pro-independence newspapers and magazines, the collection includes some interesting ephemera, including a series of scarce appeals for independence issued by Sajudis and their Latvian and Estonian partners, a pair of buttons, posters, fliers, and pamphlets. Although most of the materials are in Lithuanian, the collection includes a few written in Russian or English, and there are a few items relating to Lithuania reflecting a Soviet provenance.

A theater company of older adults based in Oakland, Calif., Stagebridge is recognized as a pioneer in the field of creative aging. Founded by Stuart Kandell in 1978, the organization sponsors workshops, performances, and other opportunities for lifelong learning that provide a creative means to transform the lives of older adults and their communities through the performing arts. Organized “for and of” older adults, Stagebridge is testimony to the ways in which elders enrich our culture and communities.

The Stagebridge collection contains scrapbooks, photograph albums, news clippings, and some scripts beginning in the earliest years of the organization. Digital materials in the collection are even richer, ranging from videos of performances to promotional materials and organizational records.

A renowned independent film maker and founder of Gabriel Films, Jonathan Stack has written and produced over two dozen documentary films and fifty television programs. Born in New York City in 1957, Stack graduated from UMass Amherst in 1979. From the time of his film Damned in the USA (1992), Stack has taken on challenging subjects, earning a reputation for gaining access into forbidden and often dangerous situations, from crack dens in Harlem to war-torn Liberia. The recipient of numerous honors in his career, Stack has been awarded five Emmy Awards, has twice been nominated for the Academy Award, and his film The Farm, on Angola Prison, won Sundance Film Festival’s Grand Jury Prize in 1998.

The films and videos in the Stack collection include copies of his work in Liberia and Haiti and material from his documentary on prison rodeos at Angola Prison. The collection includes film from Damned in the USA (1992), Final Judgment (1996), and The Farm (1998), as well as footage from Harlem, Angola Prison, St. Gabriel Women’s Prison, and on body piercing, rodeo, and the prisoner Vincent Simmons.

Gene Bruskin arrived at Princeton in 1964 as a basketball player and left as a political radical. After taking part in the Second Venceremos Brigade, Bruskin got involved in antiracist and labor organizing in Boston. As president of the United Steelworkers of America local during the busing crisis of the 1970s, he helped win overwhelming support among the city’s bus drivers to have the union represent them, leading successful campaigns for better wages and working conditions. In the years since, he has held numerous high-profile positions nationally and internationally, including as labor director for Jesse Jackson’s Rainbow Coalition, Secretary Treasurer for the Food and Allied Service Trades Department of the AFL-CIO, and co-convener of U.S. Labor Against the War, an organization promoting peace and the demilitarization of U.S. foreign policy. Bruskin was a major figure in the largest private union election in the history of the United Food and Commercial Workers when he led the successful campaign to unionize 5,000 workers at Smithfield Foods in North Carolina. Since retiring in 2012, he has continued to consult with unions. In addition he has returned to some of his earlier undertakings in producing cultural works as a poet, songwriter, and playwright, centered on social justice and working class themes.

Documenting nearly fifty years of activism, Gene Bruskin’s papers are an exceptional resource for the labor movement in the 1970s through early 2000s, and particularly its radical end. Although Bruskin’s early years are relatively sparsely represented, there is a significant run of Brother, the first anti-sexist, “male liberation” journal that he helped found while in Oakland, and the collection includes important material from his work in Boston with the Hyde Park Defense Committee, the Red Basement Singers, and especially with the School Bus Drivers and their tumultuous three-week strike in 1980. The collection also contains a rich assortment of material on labor left and antiwar organizing in the 1990s and 2000s, the Justice at Smithfield campaign, and Bruskin’s work on behalf of single payer insurance, for International Solidarity, the American Federation of Teachers, and the Brotherhood of Maintenance of Way Employees.

Born in Germany in 1866, Annie C. Horsch worked for many years as a servant and housekeeper in the home of the Dummer family in Rowley, Mass. Listed as a domestic in the Rowley City Directories as early as 1888, Horsch began to work for the miller Nathaniel N. Dummer (1824-1907) and his wife Elizabeth (b. 1839) prior to 1900 and was retained well into the 1940s. Horsch died of cerebral arteriosclerosis in Newburyport on Jan. 23, 1956, at the age of 89.

Scrappy and well used, the Horsch cookbook was the working reference for a domestic employed by an old Rowley family, the Dummers. The cookbook consists primarily of recipes for breads and desserts, with a slight nod to healthy eating (including Graham Bread and “Health bread”) followed by a succession of pies, cakes, and puddings. The book includes recipes for Spider Johnny Cake; lemon, raisin, various minces (mock mince, pear mine, tomato mince), sour milk, rhubarb, cranberry, coconut, pineapple, and caramel pies; and then the cakes: dark cake, French cake, fruit cake, apple sauce cake, Harrison cake, chocolate cake, ribbon cake, Bangor cake, and marble cake, among many others.

Established in 1863 as the Massachusetts Agricultural College, the University of Massachusetts Amherst is a national research university and the flagship campus of the states five-campus University system. UMass, one of the founding members of the Five College Consortium established in 1965, offers reciprocal student access among the University and Amherst, Hampshire, Mount Holyoke, and Smith Colleges. The University currently enrolls approximately 24,000 undergraduate and graduate students, and offers 87 bachelor’s degree programs, 6 associate’s, 73 masters, and 51 doctoral programs in 10 schools and colleges.

Collocated for reasons of preservation and convenience of storage, the sound recordings in this series were produced under a variety of circumstances by a range of individuals and units in the university. Although they represent only a small proportion of the audio materials in UMass collections, they include a handful of recordings of administration activities, such as the Board of Trustees meetings and the Chancellor’s Committee investigating the women’s occupation of the Daily Collegian offices, along with selected recordings from the Distinguished Visitors Program.

When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances.

Assembled by Folk New England, the collection contains a complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy.