The University of Massachusetts Amherst
Robert S. Cox Special Collections & University Archives Research Center
CredoResearch digital collections in Credo

Page 87 of 168

Haley, Michael

Michael Haley Papers

1968-2003
18 boxes 27 linear feet
Call no.: MS 670
Depiction of Mike Haley
Mike Haley

Temporarily stored offsite; contact SCUA to request materials from this collection.

An actor and motion picture assistant director and producer, Michael Haley was born in Pittsfield, Mass., in 1942. While an undergraduate student at UMass Amherst, Haley became involved in theater, joining the avant garde Buffalo Meat Company that performed original works in Massachusetts and New York City. Following a chance call from a producer looking for local help in 1969, Haley worked on his first film, the low-budget crime drama Honeymoon Killers. After work on several other film and television productions, Haley was among ten people selected for the Directors Guild of America’s Assistant Directors Training Program. During his forty year career, Haley’s credits have included work with a number of noted directors, including Sidney Lumet, Barry Levinson, and Penny Marshall, and he has enjoyed a particularly long and productive association with Mike Nichols. His films have included The Taking of Pelham One Two Three, The Stepford Wives, Biloxi Blues, True Colors, A League of Their Own, Groundhog Day, Primary Colors, and Closer. He was the recipient of two Humanitas Prizes (for Wit and Angels in America), and among others awards, the Christopher Award (for Wit), the Directors Guild of America award, Producers Guild of America award, and an Emmy (for Angels in America), a Directors Guild of America plaque (Working Girl), and the Berkshire International Film Festival Life-Time Achievement Award. He was named Artist of the Year at UMass and has been selected for a Bateman Fellowship.

Reflecting a diverse career in film, the Haley collection consists of scripts, photographs, memorabilia, and diaries, with a small quantity of notes and correspondence. The scripts, approximately 110 of them, are from films ranging from The Godfather Part II to Charlie Wilson’s War and Angels in America, may include several drafts. The photographs are both numerous and particularly rich, including some particularly interesting candid shots taken on film sets, as well as official shots taken by photographers such as Mary Ellen Mark.

Subjects

ActorsMotion picture producers and directorsMotion picturesNichols, Mike

Contributors

Haley, Michael

Types of material

PhotographsScreenplays
Stuart, Alastair M.

Alastair M. Stuart papers

ca.1960-2004
9 boxes 12.5 linear feet
Call no.: FS 147

A leading researcher on communication and social behavior in termites, Alastair MacDonald Stuart (1931-2009) was born in Glasgow, Scotland in Jan. 4, 1931. After study at Glasgow University and the University of Auckland, he entered Harvard to study entomology under E.O. Wilson, completing his dissertation, Experimental Studies on Communication in Termites, in 1960. Among the early students of the role of pheromones in termite communication, Stuart held appointments at North Carolina State and Chicago before joining the faculty of the Department of Biology in 1970, where he remained until his retirement in 2004.

The Stuart Papers document the career of the entomologist, Alastair Stuart, from his days as a graduate student at Harvard through his long tenure at UMass Amherst. The collection includes a full range of correspondence, manuscripts, and research notes, with some documentation of his teaching responsibilities.

Subjects

EntomologyTermites--BehaviorUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Biology Department

Contributors

Stuart, Alastair M.

Types of material

Laboratory notesPhotographs
W.H. Grindol and Son

W.H. Grindol and Son

1895-1900
1 letterbook 0.25 linear feet
Call no.: MS 705
Depiction of Monument design
Monument design

A great-grandson of Revolutionary War general Henry Haller, William H. Grindol (1840-1927) settled with his family in Decatur, Illinois, in 1864, building a successful career in the retail marble trade. Beginning in partnership with Paul F. Jones, and later with his son, Grindol advertised his firm as dealers in “all kinds of foreign and American monuments,” selling marble and granite monuments, building stone, and iron reservoir vases. He was one of the founders of the Retail Marble and Granite Dealer’s Association of Illinois, serving as President of the Central District in 1897. Grindol died in Decatur in 1927 and is buried at Fairlawn Cemetery.

Grindol and Son’s letterpress copy book contains approximately 900 outgoing letters, 1895-1900, to marble and granite suppliers, in Vermont, Massachusetts, and other states. The majority of the correspondence consists of orders for gravemarkers, with many letters including measurements and other details, along with rough sketches of monuments, decorative motifs, and inscriptions.

Subjects

Marble industry and trade--IllinoisSepulchral monuments--Illinois

Contributors

W.H. Grindol and Son

Types of material

Letterpress copies
Peace Development Fund

Peace Development Fund Records

1981-2010
53 boxes 79.5 linear feet
Call no.: MS 427
Depiction of Traprock Peace Center and PDF<br />arms race flip chart
Traprock Peace Center and PDF
arms race flip chart

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

First conceived in 1980, the Peace Development Fund (PDF) was founded by a small group of activists and donors with a vision: to raise money to fund grassroots organizations promoting peace, global demilitarization, and non-violent conflict resolution. During the foundation’s first funding cycle, PDF awarded 19 grants to projects designed to increase understanding of the arms race; some to organizations as nearby as Deerfield and Northampton and others to organizations as far away as California. With the end of the Cold War in the late 1980s, PDF changed focus. Instead of thinking of peace as the absence of war, the Foundation began to see peace as “the presence of equitable relationships among people, nations, and the environment.” Since that time, PDF has developed a new perspective on peacework, one centered on fostering social, environmental, and economic justice.

The records of the Peace Development Fund consist chiefly of grant-making files documenting the many organizations that submitted and received awards. Also included is a nearly complete run of PDF’s annual reports, newsletters, and other publications, which together offer a full picture of the foundation’s funding and programmatic history. Exchange Project files record PDF’s efforts to provide training, not just money, to organizations lacking the skills necessary for effective fund-raising, strategic planning, instituting sound organizational structures, and dismantling racism.

Gift of the Peace Development Fund, 2001, 2011

Subjects

Antinuclear movementCharitable uses, trusts, and foundations--United StatesPeace movements--United StatesSocial change--United StatesSocial justice--United States

Contributors

Peace Development Fund
Foucher, Lynnette E.

Lynnette E. Foucher Cookbook Collection

1902-2000
429 items 8 linear feet
Call no.: MS 684
Depiction of 1929 cookbook
1929 cookbook

Assembled by Lynnette E. Foucher, this collection consists chiefly of cookbooks produced by food companies between the 1920s-1970s. These cookbooks reflect the changing role of women in the home as well as new food trends and innovative technology. Taken together, the collection offers a glimpse into the way meal preparation changed in the U.S. during the second half of the twentieth century and how this change transformed the way we eat today.

Subjects

Convenience foods--United States--History--20th centuryCooking, American--History--20th centuryCooking--Social aspectsDiet--United States--HistoryFood--Social aspectsWomen consumers--United States--HistoryWomen in advertising--United States--History

Contributors

Foucher, Lynnette E

Types of material

Cookbooks
Brann, Clinton

Clinton Brann Papers

1891-1963
4 boxes 1.5 linear feet
Call no.: MS 594
Depiction of Clinton Brann
Clinton Brann

In 1918, Clinton Melville Tilman Brann, a dentist by training, served with in the 17th Field Artillery of the American Expeditionary Forces in France, a unit cited for gallantry in five critical engagements of the First World War. During his time overseas, Brann maintained an intense correspondence with Rhea Oppenheimer, despite fears that their different religious (he Presbyterian, she Jewish) and family backgrounds would prove an obstacle. After demobilization, Brann returned home and on Sept. 17, 1919, married Rhea. He went on to build a successful practice in dentistry in Iowa, raising a son and daughter. Clinton Brann passed away on Sept 8, 1961, in Orlando, Fla., with Rhea following on December 29, 1987 in Winter Park, Fla.

In two regards, the Brann collection presents an unusual glimpse into families affected by the First World War. First, Brann’s letters home offer a sense of his unusual role in the service, as a junior officer and dentist, and second, his letters are marked by his unusual relationship with Rhea Oppenheimer and their concerns over the future prospects for a mixed marriage. The collection also includes a wealth of photographs of the Branns’ life together, a family scrapbook, and a handful of mementoes and miscellaneous documents.

Subjects

Brann familyCourtshipDentists--IowaWorld War, 1914-1918--Medical care

Contributors

Brann, ClintonBrann, Rhea Oppenheimer

Types of material

PhotographsScrapbooks
Mange, Arthur P.

Arthur P. Mange Photograph Collection

1965-2010
3 boxes 4.5 linear feet
Call no.: PH 044
Depiction of Fern fronds
Fern fronds

Arthur P. Mange taught in the Biology Department at University of Massachusetts Amherst for 31 years before retiring in 1995. A co-author of numerous works in human genetics, Mange served on the chair of the Conservation Committee in Amherst, and currently serves on the Burnett Gallery Committee. In 1983, his New England images were featured in Across the Valley (from Cummington to New Salem) held at the Burnett Gallery. This exhibition was followed at the Hitchcock Center in 1984 with Delight in Familiar Forms (celebrating some well-known plants and animals), with Ring Bell to Admit Bird at the Jones Library and Net Prophet at Cooley Dickinson Hospital. Architectural Sights — Big and Small, Mange’s most recent show (2002), appeared at the Burnett Gallery. In addition to exhibitions, Mange has also donated collections for fund-raising auctions at New York University, the Cooley Dickinson Hospital, the University of Massachusetts Fine Arts Center, the Amherst Historical Society, Jones Library, and the Amherst Community Arts Center.

His photographic collection spans more than half a century of subjects reflecting his varied interests in animals, plants, our region, gravestones, what he calls “whimsical signs,” and attention-grabbing shadows.

Subjects

Amherst (Mass.)--Pictorial worksCemeteries--Pictorial worksHadley (Mass.)--Pictorial worksNew England--Pictorial worksNew Salem (Mass.)--Pictorial worksNew York (N.Y.)--Pictorial works

Types of material

Photographs
New WORLD Theater

New WORLD Theater Records

1979-2010
41 boxes 61.5 linear feet
Call no.: RG 025/F2/N4
Depiction of Photo by Edward Cohen, 2002
Photo by Edward Cohen, 2002

New WORLD Theater was founded at UMass Amherst in 1979 by Roberta Uno with the mission of presenting innovative works of theater by contemporary artists of color, with the goal of fostering creative communities, promoting cultural equity, and embracing diverse cultural backgrounds, social engagement, and a commitment to justice. For more than thirty years New WORLD Theater produced many dozens of plays and other dramatic works representing new voices in the theater, as well as plays from the traditional multicultural repertory, and they have supported the arts through performance residencies, conferences and colloquia, and a variety of initiatives aimed at the diverse communities they serve, youth, and theater professionals. New WORLD Theater has contributed significantly to national conversations on cultural equity. After more than three decades of acclaim and recognition, New WORLD Theater was closed by UMass Amherst in summer 2010.
The bulk of the New WORLD Theater collection consists of administrative records documenting the day-to-day activities of the theater, however, it also contains an extensive and exceptionally rich archive of taped interviews, conferences, and theatrical productions. Taken together, the audiovisual material traces the history of New WORLD through the words and performances of artists who both contributed to and benefited from the theater.

Subjects

African Americans--DramaAmerican drama--Minority authorsAsian Americans--DramaEthnic groups--United States--DramaHispanic Americans--DramaMinorities--United States--DramaUniversity of Massachusetts Amherst

Contributors

New WORLD TheaterPage, PriscillaUno, Roberta, 1956-

Types of material

Audiovisual materialsSound recordings
Rausch, Jane M., 1940-

Jane M. Rausch Papers

1968-2009
6 boxes 9 linear feet
Call no.: FS 146

A long-time historian at UMass Amherst, Jane Meyer Rausch was widely recognized for her work on the frontier history of Colombia. A graduate of DePauw University (1962), Rausch joined a growing program in Latin American studies at UMass in 1969, shortly after receiving her doctorate in comparative tropical history from the University of Wisconsin Madison. The recipient of a Fulbright Award in 1987, she taught widely in the history of Latin America and the Caribbean, and wrote four major monographs on the Colombian frontier in the colonial and national periods: A Tropical Plains Frontier : the Llanos of Colombia, 1531-1831 (1984); The Llanos Frontier in Colombian history, 1830-1930 (1993); Colombia : Territorial Rule and the Llanos Frontier (1999); and From Frontier Town to Metropolis: A History of Villavicencio, Colombia, Since 1842 (2007).

Centered on the research and teaching, this collection documents the career of Jane Rausch from her days as a graduate student in the late 1960s through her retirement. In addition to a range of professional correspondence, unpublished works, teaching materials, and student notes, the collection includes several hundred 35mm slides taken by Rausch while traveling in Colombia.

Gift of Jane Rausch, 2010-2013

Subjects

Colombia--HistoryLatin America--HistoryUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Department of History

Contributors

Rausch, Jane M., 1940-
Cohen, Alvin P.

Alvin P. Cohen Collection

1957-1968
2 boxes 1.6 linear feet
Call no.: FS 145
Depiction of Free Speech Movement newsletter
Free Speech Movement newsletter

As an undergraduate at the University of California Berkeley in the late 1950s, Alvin P. Cohen planned on a career in engineering, but after earning his bachelors degree and working as a laboratory technician, he returned to undergraduate status and then to graduate school in Chinese. Cohen’s time at Berkeley coincided with the turbulence of the first wave of student revolt, the civil rights and antiwar movements, and the Free Speech Movement, however as a married man with children, he was more an observer than activist. After completing his dissertation, The Avenging Ghost: Moral Judgment in Chinese Historical Texts, in 1971, he joined the faculty at UMass Amherst, initially with a split appointment teaching Chinese and working as East Asian bibliographer in the library. Over the next three and a half decades, he helped build the Program in Asian Languages and Literature, becoming its Chair in the 1990s and President of the Warring States Project.

Consisting of newsclippings, fliers, and other ephemera collected as the Free Speech Movement was at its height, the Cohen collection provides a valuable window on 1960s activism and the cross-fertilization between the various student movements. The materials cover a range of issues from free speech on campus to the California legislature, civil rights, the war in Vietnam, and the House Un-American Activities Committee. Of particular interest is a letter received by Cohen from a friend Doug Wachter in 1960, shortly after Wachter had been called before HUAC.

Subjects

College students--United States--Political activityStudent movements--CaliforniaUniversity of Massachusetts Amherst--FacultyUniversity of Massachusetts Amherst. Program in Asian Languages and LiteraturesVietnam War, 1961-1975

Contributors

Cohen, Alvin P.
« Older posts Newer posts »