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Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.

The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.

An historian and photographer, Allan I. Ludwig’s book Graven Images: New England Stonecarving and Its Symbols, 1650-1815 (1966) played a critical role in the rise in interest in gravestone studies in the 1960s. Born in Yonkers, N.Y., in 1933, Ludwig received his PhD in art history from Yale in 1964 and became involved with the Association for Gravestone Studies beginning with the initial Dublin Seminar for New England Folklife in 1976. He received the AGS Forbes Award in 1980 in recognition of his contributions to gravestone studies. He has been a professor of art history at Dickinson College, Bloomfield College, Rhode Island School of Design, Yale University, and Syracuse University. In addition to his books Reflections Out of Time: A Portfolio of Photographs (1981) and Repulsion: Aesthetics of the Grotesque (1986), Ludwig has curated numerous art exhibitions and exhibited his own photographs worldwide.

The Ludwig Collection consists of many hundreds of photographs of New England and English gravemarkers organized either by the deceased’s name or by the town, as well as copies of all photos used in Graven Images. Also included in the collection is a copy of Ludwig’s dissertation on gravestone iconography and offprints of several of his articles.

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.

Consisting of self-published and limited-run compilations of gravestone transcriptions from historical cemeteries, the AGS Cemetery Inscriptions Collection offers rich documentation of epitaphs and memorial language, with an emphasis on colonial and early national-era in New England and Ohio. The collection is arranged by state and town.

Born in December 1931, Friedrich Karl Azzola fled with his family to Germany in 1944. Settling in the state of Hesse, he earned a degree in chemistry at the University of Giessen and doctorate at the Technische Hochschule Darmstadt in 1965. After five years in the chemical industry, he was called to the Fachhochschule Wiesbaden-Russelsheim as professor, teaching chemistry and materials science to engineers until his retirement in 1997. Beginning in the 1950s, Azzola earned a wide reputation for his research on gravemarkers and “cemetery culture,” publishing widely on Medieval and early modern monuments in Germany.

Part of the Association for Gravestone Studies Collection, the Azzola collection consists of a run of Friedhof und Denkmal (2000-2009, with a few earlier issues), along with a suite of offprints of articles and pamphlets by Azzola and others on cemeteries and gravemarkers.

Carol A. Perkins was born April 25, 1926 in Rochester, N.Y., where she attended Madison High School. Her father, Vernon Perkins, was a World War I Army Air Service photographer in France, and she became interested in photography through his photograph albums. She graduated from a correspondence program at the New York Institute of Photography and graduated from the Rochester Institute of Technology School of Art in 1950. After matriculating from the Rochester General Hospital School of Medical Photography, she was employed at the Toledo Hospital Institute of Medical Research for twenty-two years, and then by the Medical College of Ohio for eleven years. While searching through New England graveyards for her Perkins ancestors, she became interested in gravestone studies and became a member of the Association for Gravestone Studies.

The Carol Perkins Collection consists of 1.5 linear feet of material, primarily color photographs of grave markers in Connecticut, Indiana, Massachusetts, Michigan, New Hampshire, New York, Ohio, Rhode Island, and Vermont. Box 1 has two indices: one alphabetical by deceased’s surnames, and the other alphabetical by state, then town, then cemetery. Box 2 photographs include transcriptions of the deceased’s names, dates of birth/death, and inscriptions, and are organized by state, then town. The collection includes one folder of genealogical material and 20 black & white photographs of markers in England. Photographs taken at AGS conferences include some AGS members and were taken in the following years: 1980, 1981, 1982, 1987, 1988, 1990, 1991, 1992, 1993, 1995, 1996, 1997, and 2003.

A resident of New Braintree, Massachusetts, Carol Andrews became interested in the work of gravestone carvers when working on the history of her local cemetery. She has subsequently conducted research on the history and production of carvers from central and western Massachusetts during the eighteenth and early nineteenth centuries.

The Andrews Collection contains photographs and research notes arranged in alphabetical order regarding the work of identified Massachusetts carvers. Among the names represented in the collection are Abercrombie, Codner, Colburn, Daugherty, Geyer, Hartwell, Hastings, Kenfield, Kilburn, Kinney, Lewis, New, Park, Pool, Pratt, Rankin, Reed, Sikes, White, and Woods. Andrews assembled more comprehensive representations of the work of the Soules (Beza Sr. and Jr., Coomer, et al.), William Young, and Thomas Harmon. The collection also includes some correspondence with Vincent Luti and Robert Drinkwater relating to her research.

While working as caretaker for veterans’ graves in 1966, Edward H. Duane became concerned about the deterioration he saw affecting the older tombstones. A resident of Leicester and (after 1968) Paxton, Mass., Duane was employed for many years as a shipper for companies in nearby Worcester, but preserving the information on tombstones became his calling. Over the following years, he made hundreds of rubbings of New England tombstones, teaching the technique at workshops and classes throughout the region. Among other works, he was author of The Old Burial Ground, Rutland, Mass., 1717-1888 (1983).

The Duane Collection contains an array of materials used by Edward Duane in his stone rubbing workshops in the 1970s and 1980s, along with newsclippings and short publications on New England gravestones and gravestone preservation. Among other items is an early essay of his, “Old New England Headstone, 1668-1815” (1967), accompanied by related correspondence from Allan Ludwig.

A senior archives and records management specialist at the New York State Archives, Warren F. Broderick has published extensively on topics ranging from gravestone carving to the history of the upper Hudson River Valley. He is co-author of Pottery Works (1995), editor of a new edition of Granville Hicks’s Small Town (2004), and a contributor of numerous journal articles of historical subjects.

The Broderick Collection includes photographs of tombstones in Old Catholic Cemeteries in, Lansingburgh and Lebanon Springs, N.Y., and St. Josephs Cemetery, Pittsfield, Mass. The collection includes a folder of slides taken of St. Josephs Cemetery by Barbara Rotundo.

The editor, writer, and photographer Gray Williams was born in New York City in 1932, and spent most of his life in Chappaqua (Westchester County), N.Y. A 1954 graduate of Yale, Williams worked in the publishing industry for many years, including for the Metropolitan Museum of Art and the Museum of Modern Art, and since 1988, he has been a freelance writer, editor, and photographer. Long dedicated to history and historical preservation, he has served as New Castle Town Historian, chair of the New Castle Landmarks Advisory Committee, trustee of the Westchester County Historical Society, and as a member of the Property Council at the National Trust property Lyndhurst. He is the author of Picturing Our Past: National Register Sites in Westchester County (Westchester County Historical Society, 2003). A specialist in the early stone carvers of New York and Connecticut, as well as the use of grave monuments to illuminate and enrich the study of American history, art, and culture, Williams is a former trustee of the Association for Gravestone Studies and has contributed articles to its annual journal, Markers, and its Quarterly. In 2007, he was awarded the Association’s Harriette Merrifield Forbes Award for contributions to scholarship and preservation in the field.

The photographs and research materials he has contributed to the Association for Gravestone Studies are largely devoted to the subjects of three articles in the AAGS journal, Markers: “‘Md. by Thomas Gold’: The Gravestones of a New Haven Carver,” in collaboration with Meredith M. Williams, Markers V (1988); “Solomon Brewer: A Connecticut Valley Yankee in Westchester County,” Markers XI (1994); “By Their Characters You Shall Know Them: Using Styles of Lettering to Identify Gravestone Carvers,” Markers XVII (2000). The collection also includes photographs taken during AGS conferences, principally in New England, as well as a small group taken in Natchez Cemetery in Mississippi.

Born in Cheshire, Conn., in 1822, Joseph Dudley learned “the marble business” from his father Elias, who had in turn been trained by David Ritter of New Haven. A staunch Methodist swept up in the religious ferment of the Second Great Awakening, Dudley joined his father’s business as a stonecutter in about 1845 and notes that he was among the first to letter tombstones in the rural Ever Green Cemetery in Woodstock, Conn., when it opened in 1848. He later worked in Meriden, Conn.

By generations, this volume has served as an account book, diary and memorandum book, memoir, geneaological record, and scrapbook, with each layer accumulated over all previous. Dudley’s memoir (beginning p. 78) includes a discussion of his upbringing in Cheshire, the tumultuous religious revivals during the 1840s and his reception into the Methodist Church and the Millerites, and much on his introduction to the marble business and work as a stonecutter through about 1853. The diary somewhat erratically covers the years 1873-1893.