Collecting area: UMass faculty

After receiving her B.S. from Massachusetts State College in 1941 and M.S. in microbiology from UMass in 1957, Iona Mae Reynolds embarked upon a teaching career of over 30 years in the Stockbridge School of Agriculture, later serving as the school’s Assistant Director. In 1985 Reynolds was awarded the Chancellor’s Medal for her service to the University as a faculty member and her many years on the associate alumni Board of Directors.

The Reynolds Papers include reunion materials, photographs, and writings, as well as a small collection of UMass memorabilia.

Maida Leonard Riggs, class of 1936, taught women’s physical education at UMass before shifting to teacher preparation. Riggs was a beloved member of the UMass faculty for 28 years before her retirement. An adventurous spirit took Riggs around the globe: to Europe with the Red Cross during World War II; as a bicycling tour leader after the war; on a trek across Nepal at age 62; to Russia, China, Japan, Australia, New Zealand, and Uzbekistan. After retiring, Riggs, a self-described compulsive traveler, embarked on a more personal journey to explore her roots. Riggs transcribed more than 250 letters by her pioneer great-grandmother, Mary Ann Clark Longley, and published them under the title A Small Bit of Bread and Butter: Letters from the Dakota Territory, 1832-1869, an absorbing and sometimes heartbreaking account of life on the frontier. An avid photographer, Riggs took advantage of any opportunity to use her camera. These images, particularly from World War II, tell as many stories as do her correspondence. Her memoir, Dancing in Paratrooper Boots, contains typed copies of her letters from her days as a Red Cross volunteer during the war.

The Riggs Papers are a rich documentary history of the World War II era, both in America and Europe, as well as an engrossing study (in transcripts) of the American frontier. Included with extensive correspondence and photographs are published and unpublished prose, and Lovingly, Lucy: Vignettes of a Pioneer Woman’s Life, an essay on Riggs’s paternal grandmother, Lucy Dodge Riggs. Additional items in the collection include handwritten journals, one detailing a trip to China and Japan in 1982, and Riggs’s photographs of young children at play taken for her book on child development, Jump to Joy: Helping Children Grow Through Active Play. Riggs also took her genealogical research seriously, meticulously charting her family’s 1638 immigration from England to Massachusetts. With camera in hand, she later traveled to England in search of more evidence of the Longleys’ English roots.

Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008. From 1986-1987 he served as Head of the Department of Music and Dance. In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and as a choral member. He actively conducted and composed works for solo performers and ensembles. Rubin was originally from Pittsburgh, and attended Carnegie Mellon University for his undergraduate work. He received a Master’s Degree in Music composition from Brandeis University, and a doctorate in musicology from University of Pittsburgh. Prior to arriving at UMass Amherst, he taught at Ball State University, University of Milwaukee Wisconsin, and Bowling Green State University. His research interests were the relationship between Judaism and music, and the history of glees, which was the topic of his doctoral dissertation.

The Emanuel Rubin Papers contain records of extensive research in the area of Georgian glees, including historical background, scores, lyrics, and correspondence regarding the research. The collection also includes programs and newspaper clippings from many of Rubin’s performances throughout his career, manuscripts of his publications and compositions, as well as some teaching materials and course information from his time at UMass.

Born in Montefegatesi, Italy, in April 1937, Roland Sarti began his academic career as a teaching assistant and instructor at Rutgers University from 1960-1964. In the fall of 1967, he was appointed Assistant Professor of Italian History at the University of Massachusetts Amherst, becoming chair of the University Seminar on Studies in Modern Italy five years later. A scholar of the fascist movement in Italy, Sarti also wrote on topics ranging from rural life in the Apennines to the life of the revolutionary Giuseppe Mazzini. During his tenure at UMass, he served on the Personnel, Curriculum, and Graduate Studies Committees, and played a prominent role in the Faculty Senate and the International Programs Office, particularly with respect to the summer programs in Italy. A past president of the New England Historical Society and the Society for Italian Historical Studies, he was a board member for the European History Quarterly and the H-Italy Network. He retired from active teaching in 2002.

The Sarti Papers document Sarti’s distinguished career as professor, author, and chair of the History Department at the University of Massachusetts Amherst. They consist of professional correspondence, history department records, records of major crises at the University, Italian studies newsletters, student publications, and historical society records. A significant amount of the materials, particularly among the correspondence and periodicals, are in Italian.

For nearly 30 years, Fred C. Sears served as Professor of Pomology at the Massachusetts Agricultural College. Born in Lexington, Mass., in 1866, Sears was raised on the Kansas prairies and educated at Kansas State College. After graduating in 1892, he taught horticulture in Kansas, Utah, and Nova Scotia before returning to Massachusetts and to MAC in 1907. The author of three textbooks and numerous articles on fruit culture and orcharding, he also developed the successful Bay Road Fruit Farm with his colleagues Frank A. Waugh and E.R. Critchett. Sears died at his home in Amherst in October 1949.

In addition to several offprints, the collection contains a set of articles written by Sears for the Country Gentleman bound with editorial correspondence; the well-edited original manuscripts of Sears’ textbooks Productive Orcharding (1914) and Productive Small Fruit Culture (1920), including correspondence, reviews, and photographs; Reports of the Massachusetts Fruit Growers Association (1911-1912, 1914-1916), and editions of Productive Orcharding (1927) and Fruit Growing Projects (1912) bound with Japanese titles.

Born in 1924, the botanist Seymour Shapiro studied at Brooklyn College and the University of Michigan. After positions at Brookhaven National Laboratory, where he worked on the peaceful uses of nuclear energy, and the University of Oregon, Shapiro was recruited to UMass in 1964 to become head of the Botany Department. A specialist in radiology and the physiology of higher plants, he served as acting dean of two colleges during his time at the university and was one of the administrators credited with reducing tensions during the student unrest in the spring 1970. A recipient of the University Medal for Outstanding Service (1973) and the Distinguished Teaching Award (1984), Shapiro retired in 1990. He died in Henderson, Nev., on March 24, 2016, at the age of 92.

The collection contains the professional correspondence, miscellaneous papers, photographs, scrapbooks, and realia of former UMass botany professor Seymour Shapiro.

A native of New Jersey, Ronald Steele was devoted to both music and photography from an early age. After a tour of duty with the US Air Force Symphony Orchestra and graduate study in violin performance at the University of Michigan, Steele joined the faculty at the University of Massachusetts in 1963. Active as a conductor as well as a performer throughout his career, he was widely known on campus for his popular course, an introduction to music, which was transformed into an award-winning, nationally-syndicated radio show in the mid-1970s. A founder of the UMass Symphony Orchestra (1963) and the Five College Chamber Soloists, Steele resumed his passion for photography in the late 1970s, opening the Ron Steele Photography Studio, which became an increasing creative outlet after his retirement from the university in 1997.

The Steele collection consists of roughly three linear feet of records documenting his career, including corresponce, programs, notes, teaching materials, and photographs. Reflecting his dual creative interests in music and photography, Steele took dozens of photographs of performers and colleagues.

The research interests of Professor of Botany Otto Stein lay primary in the morphogenesis of higher plants, the effects of chemicals on cell deformation, and the development of apical meristems. After receiving his doctorate from the University of Minnesota in 1954, Stein accepted a position at the University of Missouri, before coming to UMass in 1964, eventually becoming chair of the department. He left Amherst briefly to pursue a NATO Senior Research Fellowship at Imperial College in London, England (1971-1972), and remained active in the field until his retirement in 1990.

The bulk of the Stein collection is comprised of lecture notes on plant anatomy and reprints of Stein’s articles.

Noted for his research in photosynthesis and the redox activity associated with the plasma membrane of plant cells, the plant physiologist Arthur I. Stern served in the Botany and Biology Departments at UMass Amherst for over thirty years. Receiving his doctorate at Brandeis University for a dissertation under Jerome A. Schiff on chloroplast development in Euglena (1962), Stern spent three years as a post-doctoral fellow at the NIH before joining the Botany faculty at UMass. Teaching courses in plant metabolism, he continued his research on chloroplasts and photosynthesis in Euglena and Phaseolus, among other topics. In 1982, Stern helped develop the biology track for the Honors Program and new Commonwealth College. Stern transferred to the Biology Department in 1988 and retired in December 1997.

The Stern Papers contain a range of materials documenting Stern’s research on photosynthesis, particularly in Euglena, notes for research and teaching, and a small assortment of professional correspondence. Also of note are some reminiscences contributed by Stern following Jerome Schiff’s death in 1995.

The composer Robert Stern was Professor of Theory and Composition in the Department of Music at UMass Amherst from 1964 until his retirement in 2006. A native of Paterson, N.J., Stern studied at the University of Rochester and the Eastman School of Music before arriving in Amherst. Noted for his use of Jewish themes and subjects, he has been the recipient of numerous awards and honors, including fellowships from the MacDowell Colony, Yaddo, and the Millay Colony for the Arts.

The Stern collection includes six reel to reel audiotapes of performances of Stern’s work at UMass Amherst. These include music of Blood and Milk Songs (1975), music of Burrill Phillips (1975), the New Music Ensemble (1976), and the Pro Musica Moderna concerts (1979, 1980, and 1981).