Collecting area: UMass faculty

Bronislaw Honigberg was a parasitologist who, though studying the intestinal parasites of amphibians, provided research for the U.S. Department of Public Health’s infections diseases lab. Born in Warsaw, Poland in 1920, Honigberg fled to the United States at the beginning of World War II, cutting short his Polish medical education to become an undergraduate at the University of California Berkeley, where he earned his B.A. (1943), M.A (1946) and Ph.D. (1960). Honigberg joined the University faculty in 1961 and taught in the zoology department until his death in 1992.

The collection is comprised of Honigberg’s lecture notes, including exams, lab exercises, and illustrative material. There is also five folder of reprints spanning the years 1949 to 1991 and thus representing Honigberg’s research throughout his career.

A member of the Massachusetts State College Class of 1936, Leonta Gertrude Horrigan was affiliated with UMass Amherst throughout her long career in academia. After receiving he MA from Smith College in 1942 for a thesis on DeQuincy and Milton, Horrigan taught creative writing, composition, among writing classes, to UMass undergraduates, and was frequently singled out as a favorite instructor on campus. In 1964, she was appointed Assistant Dean in the College of Arts and Sciences, and retired to emeritus status in 1986.

The Horrigan Papers contain nearly a half century record of instruction in writing education at UMass, with a wide array of other materials relating to Horrigan’s varied interest, events on campus, and to the evolution of the university in the post-war years.

David R. Inglis enjoyed a distinguished career in nuclear physics that ranged from theoretical work on the structure of the nucleus in the 1930s to the development of the atomic bomb in the 1940s and work on renewable energy in the 1960s and 1970s. A Professor of Physics at UMass from 1969-1975, Inglis was a founding member of the Federation of American Scientists and from the mid-1940s on, he dedicated himself to informing public policy on the dangers of nuclear technologies.

The Inglis Papers offer a perspective on the life and career of a theoretical physicist who grew from an early involvement in the Manhattan Project to becoming a committed critic of nuclear weaponry and nuclear power. Although the collection is relatively sparse in unpublished scientific work, it includes valuable correspondence relating to Inglis’s efforts with the Federation of American Scientists and other organizations to influence public policy on issues relating to disarmament and nuclear power.

Beginning with his dissertation in theoretical astrophysics “Local irregularities in a universe satisfying the cosmological principle” (Harvard, 1961), William M. Irvine enjoyed a distinguished career as an astronomer and a role as one of the primary figures in developing astronomy at the Five Colleges. Arriving at UMass in 1966, Irvine helped build the graduate program in astronomy and beginning in 1969, he was a motive force in establishing the Five College Radio Astronomy Observatory. Focused largely on the chemistry of dense interstellar clouds and the physics and chemistry of comets, and with a broad interest in bioastronomy/astrobiology, Irvine has been a prolific contributor to his field, and has served as President of the Commission on Bioastronomy at the International Astronomical Union, Chair of the Division for Planetary Sciences at the American Astronomical Society, a Councillor of the International Society for the Study of the origin of Life, and a member of the Royal Astronomical Society.

The Irvine Papers offer a thorough record of the establishment of the Five College Radio Astronomy Observatory from 1969 through its dedication in Oct. 1976, along with insights into the growth of astronomy at UMass and the Five College Astronomy Department. Correspondence, memoranda, grant applications, and many dozens of photographs offer insight into the financial and political challenges of building the Observatory in the Quabbin watershed. The collection also includes notes for teaching Astronomy 101 and 223 (planetary science). His history of the department, Reflections on the Growth of Astronomy at the University of Massachusetts and the Five College Astronomy Department (2006), is filed with the Physics and Astronomy Department records and a copy is included in this collection. Irvine’s published works are listed in the Libraries’ ScholarWorks author gallery.

Frederick Painter Jeffrey was born in the coal mining town of Trauger, Pennsylvania in February 1911. Jeffrey received a BA in poultry husbandry at Pennsylvania State College in 1932 and then an MS in poultry genetics at Massachusetts State College in 1934. Jeffrey became a professor of Poultry Science at Rutgers University from 1935-1944; after leaving Rutgers, Jeffrey became a professor in the Poultry Science Department at the University of Massachusetts, a department he later headed. In 1954 he became the Dean of the Stockbridge School of Agriculture, a position he held until his retirement in 1971. Frederick Painter Jeffrey died in September 1997.

The Frederick Painter Jeffrey Papers include materials about his work with Bantam chickens and document his tenure at the University of Massachusetts Amherst. There are also limited materials related to his family and schooling.

John Edward Higginson retired from the Department of History, University of Massachusetts Amherst in 2024, where he taught since 1989. Higginson received a B.A. in Journalism from Northwestern in Chicago, where he was also a student activist alongside John Bracey (UMass W.E.B. Du Bois Department of African American Studies) in 1968. He went on to receive his Ph.D. in History from the University of Michigan, with research focusing on the history of Southern Africa and comparative labor history. His publications include The Hidden Cost of Industrialization: State Violence and the Economic Transformation of Southern Africa, 1900-1980 (forthcoming), Collective Violence and the Agrarian Origins of South African Apartheid, 1900-1948 (Cambridge University Press, 2014), and A Working Class in the Making: The Union Miniere du Haut-Katanga and the African Mineworkers, 1907-1949 (University of Wisconsin Press, 1989). In 1993-94, he was the recipient of the Research and Writing Fellowship from the MacArthur Foundation.

The John Higginson Papers include documents collected from the South African National Archives, the Historical Papers of the University of Witwatersrand, the Sterling Library at Yale University, Archives africaine in Brussels, Belgium, and Arquivó Historico Ultramarino in Lisbon, Portugal. The papers also include published articles by Professor Higginson and the manuscript versions of his monographs A Working Class in the Making: Belgian Colonial Labor Policy, Private Enterprise and the African Worker, 1900-1947 (Madison, Wisconsin: University of Wisconsin Press, 1989) and Collective Violence and the Agrarian Origins of South African Apartheid, 1900-1948 (Cambridge and New York: Cambridge University Press, 2015). It includes correspondence, class material, readings, lecture notes, course syllabi and materials for his teaching in the History Department, copies of research materials from South African and Congo archives, journal articles on South Africa and Katanga, WPA slave narratives, and minutes and notes from Goodwin AME Zion Church 1993-2005. It also contains William Burr’s dissertation on the Cold War and the Marshall Plan in Europe. These papers were a gift of John Higginson, 2024.

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

A poet, expert on the works of Ernest Hemingway, Robert Francis, and D.H. Lawrence, and a 1953 graduate of the University of Massachusetts, Donald Junkins directed the Master of Fine Arts in English program from 1966. Junkins juggled his career as a poet with his work at the University, focusing his teaching energy on literature, not creative writing, to save his creative resources. Before turning to poetry, Junkins studied theology at Boston University School of Theology. Through meeting poet Robert Francis and taking courses with Robert Lowell, Junkins discovered his love of poetry, and his life path was forever changed. After leaving Boston University, Junkins taught creative writing at Chico State University before returning to UMass to teach.

The Donald Junkins Papers document his youth in Saugus, Mass., his experiences as a student at UMass, and his professional and creative life. The collection includes correspondence with his family throughout his life, photographs documenting his family in Eastern Mass., his records as head of the MFA in English program, and his personal and professional correspondence.

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

An eminent scholar of African American history and activist, Sidney Kaplan was raised in New York City and graduated from City College in 1942. After wartime service as a Lieutenant in the Army, Kaplan returned to his education, completing an MA in history from Boston University (1948) and PhD at Harvard (1960), taking up the study of African American history at a time when few white scholars showed interest. Joining the English Department at UMass in 1946, Kaplan’s influence was widely felt at UMass Amherst and in the local community: he was among the founders of the Department of Afro-American Studies, a founder of the UMass Press, a founder and editor of the Massachusetts Review, and he was the editor of Leonard Baskin’s Gehenna Press. Over more than thirty years at UMass, he worked on diverse projects in history, literature, and the arts, often in partnership with his wife Emma Nogrady, a librarian at Smith College whom he married in 1933, ranging from studies of Poe and Melville to a biographical dictionary of African Americans and a study of Shays’ Rebellion. In 1973, they were co-authors of the first comprehensive study of depictions of African Americans in the visual arts, The Black Presence in the Era of the American Revolution (based on an exhibition planned for the National Portrait Gallery), and in 1991, the UMass Press published a collection of Sidney’s essays, American Studies in Black and White. A Fulbright lecturer in Greece and Yugoslavia and exchange Professor at the University of Kent, Kaplan was the recipient of the Bancroft Award from the Association for the Study of Negro Life and History for best article of the year in the Journal of Negro History, and he was awarded the UMass Amherst Chancellor’s Medal in 1979, one year after his retirement. Sidney Kaplan died in 1993 at age 80 and was followed by Emma in 2010.

The Kaplan Papers document a long career devoted to the study of African American history and life. The extensive correspondence, research notes, and drafts of articles and other materials offer important insight into the growth of African American studies from the 1950s through 1970s as well as the growth of UMass Amherst into a major research university.

Joseph Langland with his wife, Judith

The poet Joseph Langland was raised on the family farm in northeastern Iowa, and earned both a BA (1940) and MA (1941) from the famed writing program at the University of Iowa, before being inducted into the military service during the Second World War. While still in Germany serving with the Allied military government, Langland had printed for his family his first book of poetry, a chapbook titled For Harold (1945), for his younger brother who had been killed in action in the Philippines. Returning home, he taught part-time at Iowa, then joined the faculty at the University of Wyoming (1948-1959), and finally UMass Amherst. Part of a wave of energetic young writers and scholars to arrive on campus, Langland became active in the early years of the Massachusetts Review and became founder the university’s MFA Program for Poets and Writers. A prolific writer, he contributed regularly to literary magazines and was author of The Green Town (1956), The Wheel of Summer (1963), The Sacrifice Poems (1975), Any Body’s Song (1980), and Selected Poems (1991). Langland was recipient of the National Council of the Arts Award, the Melville Cane Award, the Amy Lowell Traveling Poetry Fellowship, and a Ford Faculty Fellowship, among other honors. After his retirement from UMass in 1979, he served as emeritus until his death in 2007.

The Langland Papers include a substantial number of original manuscripts of poetry, many unpublished, correspondence with major poets, and an extensive run of Langland’s letters written home to his wife and family during the war. Other Langland Papers are housed at Luther College in Iowa.