Collecting area: UMass history

Born June 27, 1875 in Petersham, Massachusetts, Allen Bradford Cook graduated from Massachusetts Agricultural College as a member of the class of 1896. Cook was a member of the MAC Shakespearean Club, Young Men’s Christian Association, Washington Irving Literary Society, and the Clark Cadets Band. Immediately upon graduation, Cook began a career with facets as a landscape gardener, farm manager, tree warden, and state park supervisor. He was a life-long member of the Grange, active on both the state and national level, and helped to revitalize several Connecticut chapters. Cook met his wife, Emma Louise Shepardson, through her brother and Cook’s college friend, William Shepardson. Allen and Emma married on July 23, 1899, and had five children. Allen Cook died May 24, 1965 at his home in West Hartford, Connecticut.

The Cook papers include three oversized photographs of the MAC class of 1896, Shakespearean Club, and the Clark Cadets Band; Cook’s wooden flute and piccolo from his time in the Clark Cadets; two MAC wool felt pillow covers; Cook’s academic reports; and a large set of ephemera, including material from the Shakespearean Club and programs and cards from commencement, class day and military exercises, dances and banquets, and various oratory contests.

Maurice Elmer Cook: studio portrait, Massachusetts Agricultural College, 1895

Born in Marlborough in 1876, Maurice Elmer Cook moved to Shrewsbury at the age of two, when his father, Herbert, purchased property on Floral Street for his market gardening and greenhouse flower and vegetable business. Maurice Cook stayed in the family business, and joined the Massachusetts Agricultural College class of 1897 to further his education in agriculture and market gardening. He worked at the plant house while attending MAC, and often took trips with classmates to hike local fields and ranges in the Pioneer Valley area to collect specimens. Cook was a member of the College Shakespeare Club, the YMCA, the Natural History Society, the Washington Irving Literary Society, and Sergeant in Battalion Org, Company A on campus. He roomed with Harry T. Edwards, of Chesterfield, in South College his first year, and in North College with Charles Adams Peters, from Greendale, for his second and third years. Cook left college early, in November 1895, on account of rheumatism, and did not return. After a trip to Pasadena, CA for his health, Cook returned to Shrewsbury, where he would live and work for the rest of his life. He built a new property and greenhouses there after his 1906 marriage to Carrie Harrington. Both died in Shrewsbury in 1931, leaving behind their three daughters, Gertrude, Elizabeth (class of 1934), and Florence.

The Cook Papers present a detailed view into the daily life and activities of an early MAC student, as well as a look into the infrastructure and organization of the MAC campus. Cook wrote home regularly, and the over 80 letters from his two and half years at the college offer significant coverage of his classes and studies, his living arrangements and financial needs, activities on campus and in Amherst, natural and agricultural locales, travel logistics for students, and updates on MAC buildings. In addition to the rich set of correspondence, the collection includes a small but unique set of photographs of MAC grounds and students, additional photographs taken by Cook, several MAC produced postcards, and Cook’s 1894 College Shakespearean Club certificate.

A scholar of eighteenth century British literature and culture, Thomas W. Copeland began what would become more than half a century of research on the statesman and political philosopher Edmund Burke while studying for his doctorate at Yale (1933). After publication of his dissertation in 1949 as Our Eminent Friend Edmund Burke, Copeland was named managing editor of the ten-volume Correspondence (1958-1978). After academic appointments at Yale and the University of Chicago, he joined the faculty at UMass in 1957, remaining here until his retirement in 1976. A chair was established in his name in the Department of English.

The Copeland Papers are a rich collection of personal and professional correspondence, journals and writings from Copeland’s Yale years, manuscripts, typescripts, notes, and draft revisions of his works on Edmund Burke, and a journal chronicling Copeland’s four-year exercise in the daily practice of writing.

Guy Chester Crampton was an insect morphologist who taught at the University from 1911 until his retirement in 1947. Crampton earned his B.A. from Princeton in 1904, his M.A. from Cornell in 1905, and a Ph.D. from the University of Berlin in 1908, then began his professorship at the University, where he was a dedicated teacher and active researcher. A life-long bachelor, Crampton died from a heart attack in 1951.

The Guy C. Crampton Papers include published articles by Crampton, including a guide to the insects of Connecticut, published in 1942, as well as Crampton’s lecture notes for one of his courses in the Department of Entomology.

A former Professor of English at UMass Amherst and contributor to the Program in Women’s Studies, Margaret (Margo) Culley was a specialist in women’s literature, particularly in women’s autobiography and diaries as a literary form. Her research drew variously upon work in literature, history, American studies, and religion, exploring gender and genre, language, subjectivity, memory, cultural diversity, and narrative. Between 1985 and 1994, she edited three volumes on American women’s autobiographical writing, and another on feminist teaching in the college classroom.

The Culley Papers offer a somewhat fragmentary glimpse into Culley’s academic career and her commitments to women’s literature. The collection includes selected notes for research and teaching, annotated bibliographies of women’s literature, a performance script for The Voices of Lost New England Women Writers, a federal grant proposal for The Black Studies/Women’s Studies Faculty Development Project (1981), and notes related to a study on minority women in the classroom. Letters collected by Culley’s students (late 18th and early 19th century) have been separated from the collection and designated as manuscript collections.

A member of the Massachusetts Agricultural College class of 1907, Frederick A. Cutter participated in football, basketball, and baseball as a student, and was a member of Phi Sigma Kappa fraternity.

The Cutter collection contains photographs of the 1907 football team, the 1906 and 1907 members of Phi Sigma Kappa, and it includes a uniform from the M.A.C. basketball team, 1907, Massachusetts pennants and banners, a Lowell High School sweater from 1902, and early M.A.C. football equipment, including cleats and a nose guard.

With a law degree from Yale in hand in 1968, Peter d’Errico began work as a staff attorney with Dinebeiina Nahiilna Be Agaditahe Navajo Legal Services in Shiprock, Arizona, representing indigenous People’s interests in the US courts. Stemming from his frustrations with a stilted legal system, however, he evolved into an “anti-lawyer,” and in 1970 returned to academia. Joining the faculty at UMass Amherst, d’Errico focused his research and writing on the legal issues affecting indigenous Peoples, and he regularly taught courses on indigenous People’s law and the role of the law in imposing state systems on non-state societies. His impact was instrumental in establishing the Department of Legal Studies. Both before and after his retirment in 2002, d’Errico also remained active as a practitioner in indigenous People’s law.

The d’Errico collection contains a significant record of d’Errico’s high profile legal work in indigenous People’s law, including his work with Western Shoshone land rights and on the case Randall Trapp, et al. v. Commissioner DuBois, et al. In Trapp, a long-running, but ultimately successful First Amendment case, he and Robert Doyle represented prisoners in the Massachusetts Department of Corrections seeking to establish a sweat lodge.

The microbiologist and genomics researcher Shiladitya DasSarma, a UMass Amherst faculty member from 1986 to 2001, was born in Kolkata, India, in 1957. His father was a chemistry professor and his mother a high school English teacher; the family immigrated to the United States in 1966, shortly after the passage of the Hart-Celler Act of 1965, which opened US immigration to Asians. His father joined the faculty of West Virginia State College, and young DasSarma attended public school nearby, graduating first in his high school class. His first scientific publications were with his father, in coordination chemistry, when he was a teenager. At Indiana University, DasSarma majored in chemistry, did research in DNA mapping and transposition, and graduated with honors in December 1978. In the biochemistry program at MIT, he worked as a National Science Foundation fellow under Nobel laureate HG Khorana and earned his PhD in 1984. After postdoctoral work at Harvard Medical School, DasSarma joined the department of microbiology at UMass Amherst. His research focused on the molecular biology and genetics of halophilic Archaea, building on pioneering work he had started as a graduate student. In his fifteen years at the university, DasSarma was busy with teaching, mentoring, research grants, publications, patents, launching the company HaloGenetics, and was promoted to full Professor. He made news with his group’s work on the genome sequencing of the first halophilic Archaea and one of the first microbial genomes, in 2000. In 2001, DasSarma moved his research lab to the University of Maryland.

The Shiladitya DasSarma Papers document the life of a pioneering scientist from his childhood in India and West Virginia through his education and his UMass Amherst career. Consisting of correspondence, memorabilia, photographs, photograph albums, family scrapbooks, news clippings, publications, and material related to research and teaching, the papers also include materials from and about DasSarma’s parents and family history and DasSarma’s mother’s compilation of Indian folktales and stories.

A native of Providence, R.I., Bobby Davis arrived in Amherst in 1977 and soon afterward entered the University Without Walls program at UMass to earn his college degree. A talented jazz musician, Davis became immersed in the vibrant local arts scene, learning photography while writing for the student publications Nummo News and the Collegian, and covering performances by a steady stream of jazz and R&B acts touring through the area. Working later as a photographer for Smith College and traveling for the yearbook company, Delmar Studios, Davis eventually settled in Northampton, where he remains active as a photographer.

The Davis collection contains ten exhibition prints of jazz musicians performing in Amherst, including Art Blakey, Angela Bofill, Ray Charles, Miles Davis, Dizzy Gillespie, Yusef Lateef, Oscar Peterson, Max Roach, Gil Scott-Heron, and Archie Shepp.

Chester Davis was a scholar of African American education and media, one of the first core faculty members of the Afro-American Studies Department at UMass Amherst and a major architect of that department’s development, and an avid photographer. Davis was born in Gary, Indiana and attended Roosevelt High School. He was among the first African American graduates of the University of Chicago, where he earned his BA and MA, and then earned his PhD from Syracuse University. After several positions in academia, Davis joined the African American think tank Institute of the Black World, right after its establishment by Coretta Scott King in 1969. His work there influenced the growth of Black Studies programs across the US and he was soon recruited by the University of Massachusetts to help build its newly founded Afro-Am. department. Davis retired from the University in 1992 and moved to Tallahassee, Florida, where he passed away in 2016.

The Chester Davis Papers reflect his research, teaching, and administrative work as a member of the Afro-American Studies Dept. at UMass. In addition to UMass-related lecture notes, correspondence, and research materials, the collection documents his post-retirement activities in Tallahassee and a longstanding research project on Roosevelt High School, which includes a rich cache of historical materials. There is also a significant collection of Davis’s photographs, including prints, negatives, and slides. Davis was an avid amateur with an artistic eye and his topics range from family photographs to concerts, demonstrations, and other activities at the University.