Collecting area: UMass history

The Sleeveless Theatre Company was an innovative political theater company with a strong feminist slant. Founded in 1989 by UMass Amherst alumnae Lisa Channer, Maureen Futtner, K. D. Halpin, and Kate Nugent, and Smith alumna, Terianne Falcone, Sleeveless was an actor-centered, highly collaborative ensemble company that wielded humor in staging original, socially- and politically-charged theater. Based in Northampton, Mass., the company toured nationally and internationally, presenting sometimes controversial works on themes ranging from reproductive rights to the Gulf War. As they evolved, they refined their mission to focus on telling stories about the lives and perspectives of women, but under the strains of growing within their collaborative model, they made the decision to disband in 1997.

In addition to minutes for the company’s formative years (1989-1992), the records of Sleeveless Theater Company include a small selection of production notes, background research, fliers, reviews and newsclippings, and a handful of publicity photos. Among the plays represtened are Womb for Rent (1989), War: The Comedy (1991), The F Word (1992), Emily Unplugged (1995), and Mill America (1996).

A renowned independent film maker and founder of Gabriel Films, Jonathan Stack has written and produced over two dozen documentary films and fifty television programs. Born in New York City in 1957, Stack graduated from UMass Amherst in 1979. From the time of his film Damned in the USA (1992), Stack has taken on challenging subjects, earning a reputation for gaining access into forbidden and often dangerous situations, from crack dens in Harlem to war-torn Liberia. The recipient of numerous honors in his career, Stack has been awarded five Emmy Awards, has twice been nominated for the Academy Award, and his film The Farm, on Angola Prison, won Sundance Film Festival’s Grand Jury Prize in 1998.

The films and videos in the Stack collection include copies of his work in Liberia and Haiti and material from his documentary on prison rodeos at Angola Prison. The collection includes film from Damned in the USA (1992), Final Judgment (1996), and The Farm (1998), as well as footage from Harlem, Angola Prison, St. Gabriel Women’s Prison, and on body piercing, rodeo, and the prisoner Vincent Simmons.

A native of New Jersey, Ronald Steele was devoted to both music and photography from an early age. After a tour of duty with the US Air Force Symphony Orchestra and graduate study in violin performance at the University of Michigan, Steele joined the faculty at the University of Massachusetts in 1963. Active as a conductor as well as a performer throughout his career, he was widely known on campus for his popular course, an introduction to music, which was transformed into an award-winning, nationally-syndicated radio show in the mid-1970s. A founder of the UMass Symphony Orchestra (1963) and the Five College Chamber Soloists, Steele resumed his passion for photography in the late 1970s, opening the Ron Steele Photography Studio, which became an increasing creative outlet after his retirement from the university in 1997.

The Steele collection consists of roughly three linear feet of records documenting his career, including corresponce, programs, notes, teaching materials, and photographs. Reflecting his dual creative interests in music and photography, Steele took dozens of photographs of performers and colleagues.

The research interests of Professor of Botany Otto Stein lay primary in the morphogenesis of higher plants, the effects of chemicals on cell deformation, and the development of apical meristems. After receiving his doctorate from the University of Minnesota in 1954, Stein accepted a position at the University of Missouri, before coming to UMass in 1964, eventually becoming chair of the department. He left Amherst briefly to pursue a NATO Senior Research Fellowship at Imperial College in London, England (1971-1972), and remained active in the field until his retirement in 1990.

The bulk of the Stein collection is comprised of lecture notes on plant anatomy and reprints of Stein’s articles.

Noted for his research in photosynthesis and the redox activity associated with the plasma membrane of plant cells, the plant physiologist Arthur I. Stern served in the Botany and Biology Departments at UMass Amherst for over thirty years. Receiving his doctorate at Brandeis University for a dissertation under Jerome A. Schiff on chloroplast development in Euglena (1962), Stern spent three years as a post-doctoral fellow at the NIH before joining the Botany faculty at UMass. Teaching courses in plant metabolism, he continued his research on chloroplasts and photosynthesis in Euglena and Phaseolus, among other topics. In 1982, Stern helped develop the biology track for the Honors Program and new Commonwealth College. Stern transferred to the Biology Department in 1988 and retired in December 1997.

The Stern Papers contain a range of materials documenting Stern’s research on photosynthesis, particularly in Euglena, notes for research and teaching, and a small assortment of professional correspondence. Also of note are some reminiscences contributed by Stern following Jerome Schiff’s death in 1995.

The composer Robert Stern was Professor of Theory and Composition in the Department of Music at UMass Amherst from 1964 until his retirement in 2006. A native of Paterson, N.J., Stern studied at the University of Rochester and the Eastman School of Music before arriving in Amherst. Noted for his use of Jewish themes and subjects, he has been the recipient of numerous awards and honors, including fellowships from the MacDowell Colony, Yaddo, and the Millay Colony for the Arts.

The Stern collection includes six reel to reel audiotapes of performances of Stern’s work at UMass Amherst. These include music of Blood and Milk Songs (1975), music of Burrill Phillips (1975), the New Music Ensemble (1976), and the Pro Musica Moderna concerts (1979, 1980, and 1981).

Born in Hadley, Mass., in 1820, Levi Stockbridge was one of the first instructors at Massachusetts Agricultural College and President from 1879-1882. Known for his work on improving crop production and for developing fertilizers, Stockbridge was an important figure in the establishment of the college’s Experiment Station. After filling in as interim President of MAC in 1879, he was appointed president for two years, serving during a period of intense financial stress. After his retirement in 1882, he was named an honorary professor of agriculture.

The Stockbridge Papers include correspondence, personal notebooks, travel diary, journal as a farmer (1842-1845), writings, lectures, notes on experiments, clippings, photocopies of personal and legal records, and biographical material, including reminiscences by Stockbridge’s daughter. Also contains auction records, notebook of Amherst, Massachusetts town records (1876-1890), and printed matter about Amherst and national elections, including some about his candidacy for Congress on Labor-Greenback party ticket 1880. Also contains papers (13 items) of Stockbridge’s son, Horace Edward Stockbridge (1857-1930), agricultural chemist and educator, including a letter (1885) from him to the elder Stockbridge, written from Japan while he was professor at Hokkaido University.

A member of the Massachusetts Agricultural College class of 1919, Ervin Sidney Stockwell, Jr. (1898-1983) was born in Winthrop, Mass., to Grace Cobb and E. Sidney Cobb, Sr., a successful business man and owner of a wholesale dairy. Entering MAC as a freshman in 1915, Stockwell, Jr., studied agricultural economics and during his time in Amherst, took part in the college debate team, winning his class award for oratory, and dramatics with the Roister Doisters. He performed military service in 1918 at Plattsburgh, N.Y., and Camp Lee, Va. Stockwell went on to found a successful custom-house brokerage in Boston, E. Sidney Import Export, and was followed at his alma mater by his son and great-grandson.

The extensive correspondence between Sidney Stockwell and his mother, going in both directions, provides a remarkably in-depth perspective on a typical undergraduate’s life at Massachusetts Agricultural College during the time of the First World War, a period when MAC was considered an innovator in popular education. The letters touch on the typical issues of academic life and social activity, Stockwell’s hopes for the future, his military service and the war. Following graduation, Stockwell undertook an adventurous two year trip in which he worked his way westward across the country, traveling by rail and foot through the Dakotas, Wyoming and Montana, Washington state and California, taking odd jobs to earn his keep and writing home regularly to describe his journey. An oral history with Stockwell is available in the University Archives as part of the Class of 1919 project.

A visionary of modern wind power, Forrest “Woody” Stoddard was a graduate in aeronautics from MIT (BS, 1966; MS 1968) and an early member of the UMass Amherst “wind power mafia.” After service with the Air Force, Stoddard returned home to Amherst, Mass., in 1972 to pursue a doctorate in Ocean Engineering and to take part in the emerging field of alternate energy. Joining the vibrant, interdisciplinary group at UMass gathered around William Heronemus, he began a dissertation in wind turbine dynamic analysis (1979), earning selection as lead developer of the famed 25kW Wind Furnace 1 (WF-1) turbine. To carry research into practice, Heronemus, Stoddard, and other UMass graduates joined US Windpower (later Kenetech), the country’s first producer of large wind turbines and promoter of early wind farms. A tireless advocate for wind power and alternative energy, Stoddard was highly regarded as a researcher but also as a teacher and mentor of a generation of engineers who populate the industry. Nearly coincident with his untimely death on Jan. 25, 2007, the American Wind Energy Association awarded Stoddard its Lifetime Achievement Award.

As a participant in the early years of the wind power group at UMass, Stoddard’s papers offer insight into an engineer’s experiences in the fitful growth of the wind power industry. The collection is rich in engineering data on turbine dynamics and other aspects of wind power and the extension of academic research into the nascent wind power industry, and it includes an interesting array of both personal and professional photographs and correspondence.

Professor of Botany, Massachusetts Agricultural College.

Correspondence, lecture notes, reports, notes on experiments, drawings depicting original apparatus, scrapbooks of printed botanical illustrations, student papers, genealogies, memorabilia, and photographs; together with papers reflecting administrative and official duties; correspondence, notes, and news clippings on psychic phenomena; and autobiographical notes, including reflections on Massachusetts Agricultural College and on Emily Dickinson.