Collecting area: Women & feminism

Known in the psychiatric survivors’ movement as Kalisa, Cynthia Miller was a radical activist on behalf of the mentally ill. An ex-patient based in New York, she became a member of Project Release in the early 1970s, one of the first wave of organizations fighting for the civil rights of mental patients and combatting forced institutionalization, and was a contributor to Madness Network News and other publications. A poet, writer, and a committed feminist and out lesbian, she took part in civil disobedience to oppose electroconvulsive therapy, working with Judi Chamberlin, George Ebert, Leonard Roy Frank, and others.

Though varied and fragmentary, Cynthia Miller’s collection is a rich resource for study of the early history of the psychiatric survivors movement and the work of one activist in resisting psychiatric oppression. The collection contains some of Kalisa’s writings and correspondence along with ephemera and a varied collection of newspapers, newsletters, and other publications relating to Project Release and several other organizations that Kalisa supported, including the Mental Patients Liberation Front and the Alliance for the Liberation of Mental Patients.

In 1661, less than a decade after the first Friends arrived in British North America, the precursor to the New England Yearly Meeting was organized as the Rhode Island Yearly Meeting. As one of approximately two dozen yearly meetings in the United States, the NEYM currently comprises eight quarterly meetings and approximately 85 monthlies, which are the basic unit of organization for the Society. Like many Yearly meetings, the NEYM has been diverse in spiritual practice, reflected in a history of separations and reunions. Most famously, Orthodox Friends in New England divided in the 1840s into the increasingly evangelically-oriented Gurneyites, who went by the name Yearly Meeting of Friends for New England (joining Friends United Meeting in 1902), and the Wilburites, sometimes called Conservative Friends. In 1945, the disparate branches formally reunited.

Consolidated beginning in the 1960s, the NEYM collection contains the official records of the New England Yearly Meeting from its founding in the seventeenth century to the present, along with records of most of its constituent Quarterly, Monthly, and Preparative Meetings and records of Quaker schools and trusts. As varied as the Quaker practice they document, these records include minutes of meetings for business; committee records; newsletters, financial records; some personal papers; printed books and serials; and an assortment of photographs, audiovisual materials, microfilm, and electronic records. Of particular note are the vital statistics recorded by the Monthly Meetings, including general information on births, deaths, marriages, membership, and obituaries, and specifically-Quaker information on removals (formal letters written as members moved from one meeting to another), denials, testimonies (beliefs and convictions), and sufferings (penalties suffered by Quakers for following testimonies). The Archives Committee of the NEYM is a partner in records management and on-going documentation of the Meeting and its constituent bodies. The collection also includes several thousand Quaker books and pamphlets, including the libraries of Moses and Obadiah Brown and several individual monthly meetings. The records of most monthly meetings in Maine are held at the Maine Historical Society, while important bodies of records are held at the Newport Historical Society (some Nantucket and Rhode Island Meetings) or at individual Monthly Meetings.

An overview of the NEYM collections and a comprehensive inventory and finding aid prepared by Richard Stattler in 1997 at the Rhode Island Historical Society are available online. Stattler’s inventory includes materials in the NEYM Collection at UMass, as well as NEYM materials held at other institutions. SCUA’s updated inventory will follow in 2017.

New Song Library letterhead

Founded by Johanna Halbeisen in 1974, the New Song Library was a collaborative resource for sharing music with performers, teachers and community activists, who in turn shared with a wide variety of audiences. Based initially in Boston, the Library was devoted to the music of social change and particularly music that reflected the lives and aspirations of workers, women and men, elders and young people, gays and lesbians, other minorities, and Third World people.

This collection contains over forty years of organizational and operational records of the New Song Library along with hundreds of sound recordings, primarily audiocassettes made at concerts, music festivals, song swaps, and gatherings of the People’s Music Network. The Library also collected newsletters and magazines on folk music, and most importantly dozens of privately produced songbooks and song indexes.

Founded in 1975 in Lebanon, NH, by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.
Additionally, the shop functioned as a de facto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.
The New Victoria Publishers Records consist of photographs, newsletters, and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Judy Norsigian is a prominent advocate for women’s reproductive health and was a co-founder of the Boston Women’s Health Book Collective, better known by its later and the title of its best-known book, Our Bodies, Ourselves. Editor of each of the nine editions of the book and executive director of the collective from 2001 to 2015, Norsigian is an important public intellectual on women’s health issues and has served on numerous boards and advisory groups relating to reproductive health, contraception, and medical research.

Consisting primarily of the sort of ephemeral political literature that abounded in the late 1960s and early 1970s, the Norsigian collection offers insight into the feminist movement and the early milieu of Our Bodies, Ourselves. Many of the publications are devoted to issues in contemporary feminism or pertain to women’s conferences, however several (especially those published by the New England Free Press) take on other political and social movements.

Rob Okun, in his office.

Rob Okun is a progressive social activist, writer, and editor who has worked for equality between men and women for over 50 years. Following his awakening to the preponderance of men in leadership roles throughout the anti-Vietnam War movement, he became interested in feminism, masculinity, and gender inequality. He began to work towards promoting healthy ideas of masculinity and challenging harmful stereotypes about men through his work with Steven Botkin and the Men’s Resource Center (MRC), which was founded by Botkin in Amherst, Mass in 1982. Okun was the editor of Voice Male, the newsletter of the MRC, and also served as Executive Director. Following Voice Male’s transition to an independent magazine, he remained its editor. In addition to his work with the MRC and Voice Male, he edited the book Voice Male – The Untold Story of the Profeminist Men’s Movement which was released in 2017 and has written op-eds and commentaries in newspapers and on websites. His writing is syndicated by Peace Voice and has appeared in The San Diego Union Tribune, The Daily Hampshire Gazette, Boston Globe, Albany Times Union, Alternet, Ms., Counterpunch, Women’s eNews and more.

In addition to his work with the MRC and Voice Male, Okun served as Director of the nearly decade-long traveling art exhibition, book, and documentary film project known as Unknown Secrets – Art & the Rosenberg Era. The project dealt with the origins of the Cold War through the story of the arrest, trial, and execution of Julius and Ethel Rosenberg. The Rosenbergs were convicted of conspiring to pass atom bomb secrets to the Soviet Union and were both electrocuted in June of 1953. The tragedy was examined in the exhibit via the images and words of dozens of artists such as Picasso, Sue Coe, Arthur Miller, David Wojnarowicz, Adrienne Rich, and many others. Okun coordinated showings of the exhibit, fundraised, was the editor of the book about the exhibit, and was a co-producer/director of a 30 minute documentary film, produced by Green Mountain Post Films. A Zoom celebration of Rob’s career at the Men’s Resource Center and as editor of Voice Male magazine was held in January of 2024 and is available via You Tube.

Okun’s papers document his extensive efforts related to the Rosenberg era art exhibit through correspondence with galleries, project members, universities, donors, artists, advisory board members, and funding agencies, as well as grant proposals, posters, photographs, drafts, clippings, press releases, pamphlets, and more. The collection also includes copies of the Rosenberg anthology.

Okun’s work with the Men’s Resource Center and Voice Male is represented through clippings, correspondence, photographs, pamphlets, writings, drafts, and more. Copies of the magazine—from its newsletter days up through its redesign as a four-color magazine, and copies of the Voice Male anthology—are also part of the collection.

Temporarily stored offsite; contact SCUA to request materials from this collection.

Born into a Jewish Lithuanian family in Williamsburg., N.Y., on May 10, 1914, Phyllis Rodin was drawn to the struggle for peace and social justice from early in life. Her widowed mother set an example as an antiwar activist and advocate for women’s rights, and after marrying at age 18, Phyllis and her husband ran a dairy farm that they reorganized on cooperative principles in the 1930s. A watershed in her life came after witnessing the suffering of war first hand while engaged as a psychiatric aid worker for the Red Cross during the Second World War. From that point, Rodin was an unrelenting activist for peace, traveling internationally and remaining vocal through the McCarthy era and Vietnam War and diving headlong into the second wave of the feminist movement. Returning to school late in life, she completed an undergraduate degree at Wisconsin before moving to Amherst in 1980 to study for a doctorate in Future Studies through the UMass Department of Education. Her activism barely skipped a beat as she worked closely with Quaker groups and stalwart activists such as her friend Frances Crowe to oppose nuclear weapons and violence in all forms. Rodin died in Amherst on Jan. 2015.

The Rodin Papers are the product of a long life of a woman devoted to the struggle for peace, feminism, and social justice. Richer in documenting Rodin’s latter decades and the philosophy of world peace she honed, the collection contains an abundance of correspondence, ephemera, and audiovisual materials related to international work in peacebuilding.

Feeling the frustrations of millions of women and girls in rural America who lacked the support or resources necessary to combat unemployment, inadequate medical care, and domestic violence, Jane Threatt along with several other women decided to form a non-profit organization that would unite these women and give them a national voice. Established in 1978, Rural American Women (RAW) was organized to promote the interests of rural women in the areas of equal rights, employment, education, family life, and freedom of all forms of discrimination.

In 1981 RAW held a series of five regional conferences throughout the country, and the bulk of this collection consists of records relating to the New England meeting. The records also include some materials documenting the group’s activities at their national headquarters in D.C., such as minutes, correspondence, newsletters, and pamphlets.

At the height of the antiwar struggle in the late 1960s, a group of scientists and engineers based in Cambridge, Mass., began to turn a critical eye on the role of their fields in the larger political culture. Calling themselves Scientists and Engineers for Social and Political Action (SESPA), the group took the slogan “Science for the People,” which in turn became the name of their organization. With a collective membership that spread nation-wide, Science for the People was a voice for radical science and an active presence framing several of the scientific debates of the day. Through its vigorous publications, SftP explored issues ranging from the impact of military and corporate control of research to scientific rationalization of racism, sexism, and other forms of inequality; and they contributed to the discussions of recombinant DNA, sociobiology, IQ and biological determinism, women’s health care, nuclear power, and the rise of biotechnology. Many members were engaged in supporting anti-imperialist resistance in Central America and Asia during the 1980s. The organization gradually waned in the 1980s and published the last issue of its magazine in 1989.
Donated by several members of the organization, the Science for the People collection provides a window into the organization and operation of a collective devoted to radical science. In addition to meeting minutes and notes, and some correspondence, the collection includes a nearly complete run of the Science for the People magazine, and a substantial representation of the national and Nicaragua newsletters and topical publications. Photographs from the group’s trip to China and other areas abroad in 1978 are available online, along with videos of the talks and sessions from a 2014 conference on the history and legacy of SftP.

Concerned women in upstate New York joined together in the summer 1983 to form the Seneca Women’s Encampment for a Future of Peace and Justice, occupying a site near the Seneca Army Depot in Romulus, N.Y., where nuclear weaponry was stored. Taking a radical stance against militarism, violence, and oppression and modeling their approach after the women’s encampment at Greenham Common in England, the Seneca Encampment drew participants from a large number of women’s peace groups. In 1994, the Encampment transitioned into the Women’s Peace Land, remaining an active center of resistance to militarism and nuclear power for several years.

Maintained by attorney Alaine T. Espenscheid, the collection consists primarily of legal records relating to the Seneca Encampament, including filings documenting health and saftey, sanitation, water, and finances and materials relating to the arrest of several women for civil disobedience in 1985. Also included is a folder of ephemera and clippings on the Encampment from local media.