Collection of chiefly newspaper clippings compiled by Georgana Foster documenting the response of the western Massachusetts community to a variety of local and national topics such as the Vietnam War, communes, the re-elections of Congressmen Silvio Conte and John Olver, the Amherst Peace Vigil, the Peace Pagoda in Leverett, and the Iraq War.
The present-day Friends Meeting at Cambridge began as an independent, informal, unprogrammed meeting for worship that met between 1899 and 1901, and then again beginning in 1911. After holding joint meetings with neighboring Boston Monthly Meeting starting in 1926, Cambridge became an official independent monthly meeting in 1937, and during the Quaker union of 1944, merged with Boston Monthly to create the new Friends Meeting at Cambridge.
Although records from Cambridge are beset with significant gaps, they nevertheless provide a rich opportunity for examining the growth of a monthly meeting in New England during the post-World War II era and the commitment shown by its members to creating social justice. The collection includes extensive records of the Peace and Social Concerns Committee (and related endeavors), documenting peace activism during the Cold War and Vietnam years, and initiatives to fight poverty and racial injustice.
A noted figure in the alternative press and a former president of the Association of Alternative Newsweeklies, Clif Garboden was a long-time editor and writer for the Boston Phoenix. Arriving as a student at Boston University in 1966, Garboden was drawn into a close-knit, creative community on the BU News staff that included Raymond Mungo, Peter Simon, and Joe Pilati, filling a versatile role that entailed work as writer, editor, and photographer. After graduating in 1970, Garboden moved immediately to the Phoenix where he applied his signature wit and occasional snark to a wide range of topics. Apart from a six year period when he worked for the Boston Globe, Garboden was an indispensable part of the Phoenix editorial team until he was laid off in cost cutting moves in 2009. After a lengthy struggle with cancer, Garboden died of pneumonia on Feb. 10, 2011. He is survived by his wife, Susannah (Price), and children Molly and Phil.
The Garbdoen collection consists of hundreds of photographic prints, including work for both the Boston University News and the Phoenix and many personal images of family and friends.
The New Babylon Times was a politically-informed countercultural literary magazine produced by members of the Montague Farm commune during the fall 1969. Edited by John Wilton, the first issue featured writing by commune stalwarts such as Ray Mungo, Verandah Porche, and Jon Maslow and photographs by Peter Simon, among others. Renamed the Green Mountain Post, the magazine appeared on an irregular basis until issue five in 1977, with writing and artwork by a range of associates of the commune, including Harvey Wasserman, Tom Fels, and Steve Diamond. In 1994, Fels edited a single issue of Farm Notes, in some ways a successor to the Post.
The Famous Long Ago Archive contains a complete run of the magazine, which have been digitized and made available on Credo.
Formed in 1963, the Greenfield Peace Center viewed itself as an educational organization teaching about and advocating for world peace. Their activities included organizing peace marches, warning against the dangers of nuclear war, conducting teach-ins, campaigning against war toys, and counseling on the alternatives to the draft.
Correspondence, administrative documents, and news clippings relating to peace activism centered in Greenfield, Massachusetts and in the upper Pioneer Valley, especially by the Greenfield Community Peace Center, William Hefner, and Turn Toward Peace.
In 1960, William K. Hefner (1915-1993) became one of the first of new breed of radical pacifists to run for elective office, when he ran as a peace candidate for Congress in the 1st district of Massachusetts. An accountant from Greenfield, Hefner was involved at a national level with movements for peace and civil rights. An early member of SANE, a founder of Political Action for Peace in 1959 (now CPPAX) and the Greenfield Peace Center (1963), and an active member of the American Friends Service Committee, War Resisters League, Turn Toward Peace, and the World Without War Conference, Hefner was an energetic force in the movements for peace and disarmament, civil rights, and a more just economic system. He ran unsuccessfully for office in three elections between 1960 and 1964, and supported peace candidate H. Stuart Hughes in his bid for election to the U.S. Senate in 1962.
The Hefner papers offer a remarkable record of politically-engaged activism for peace and social justice in the early 1960s. With an intensely local focus, Hefner was tied in to the larger movements at the state and national level, corresponding with major figures such as A.J. Muste, Bayard Rustin, Benjamin Spock, and Arthur Springer. The collection includes particularly rich documentation of the early years of Political Action for Peace, which Hefner helped found, with correspondence, minutes of meetings, and publications, as well as equally rich materials on Hefner’s bids for congress in 1960 and 1962.
Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.
The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.
See the exhibit Photographer: DMHThe author, publisher, and radical bookseller Michael Katanka (1922-1983) was a staunch Socialist and historian of British labor. Beginning with his 1868: Year of Unions in 1968, Katanka wrote or edited a series of books and articles on Fabianism, satirical caricature, and trade unionism.
The Katanka-Fraser Political Music Collection consists of audio recordings, sheet music, and songbooks of politically-inspired music in a variety of languages. The works range from the English and German Socialist press of the 1880s to the antiwar movement of the 1960s and 1970s, touching upon labor agitation, proletarian songs, student protest, the anti-imperialist and anti-capitalist struggles, the Spanish Civil War, and Communism and Socialism. The collection also includes a few books and sound recordings from the extreme right in Nazi Germany.
A veteran of the peace movement and founder of the Traprock Peace Center (1979), Randy Kehler was active in the National Nuclear Weapons Freeze Campaign, the Peace Development Fund, and the Working Group on Electoral Democracy. Beginning in 1977, he and his wife became war tax resisters, withholding federal income tax to protest U.S. military expenditures, donating it instead to charity. As a consequence, their home was seized by the IRS in 1989, setting up a protracted legal struggle that resulted in Kehler’s arrest and imprisonment and the sale of the house. They remain tax resisters.
The Kehler Papers document the five year struggle (1989-1994) against the seizure and sale of the Kehlers’ home by the IRS. The collection includes meeting minutes, notes, correspondence, newspaper clippings; letters to the editor, essays, articles, plans and strategy documents for the vigil set outside the Kehler home; support committee information and actions; correspondence with government officials, the IRS, and the Justice Department; letters of support; documents from the legal proceedings; and political literature addressing the Kehlers’ situation.
The collection primarily consists of photographs taken by Elaine Kenseth-Abel of Cambodians refugees in Thailand who later relocated to Amherst, Massachusetts during the 1970s-1980s. The collection also includes color prints of drawings by E. Seng Huot depicting Cambodian genocide.
