Collecting area: Political radicalism

Five organizers affiliated with the Communist Workers Party were murdered by Klansmen and Nazis in Greenboro, N.C., on Nov. 3, 1979. Although an all white jury acquitted the defendants of murder and a second jury acquitted them of civil rights violations, a civil suit filed by survivors of the assault resulted in eight Klansmen being found liable for wrongful death in 1985. First conceived in 1980 as an organization to support the survivors of the assault, the Greensboro Justice Fund grew to support grassroots organizations and activists working for civil rights, social change, and radical democracy in the South.

The records of the Greensboro Justice Fund offer dramatic testimony to the impact of the Greensboro Massacre of 1979, and the manner in which a community of survivors and supporters cooperated to establish an organization that supplied grants to support grassroots social justice initiatives throughout the South.

A theoretical physicist at University of the Sciences in Philadelphia, Paul Halpern is the author of a dozen popular books on science and dozens of scholarly articles. After spending his undergraduate years at Temple University, Halpern received a doctorate at SUNY Stony Brook, and has since written on complex and higher-dimensional solutions in general relativity theory and the nature of time as well as the history of the modern physical sciences. He has been a Fulbright Scholar and fellow of the John Simon Guggenheim Foundation.

The hundreds of ephemeral publications, fliers, and handbills in the Halpern Collection provide a window into political and social activism in Philadelphia during the late 1970s and early 1980s. The content ranges widely from publications produced by peace and disarmament groups to the literature of anti-imperialist (e.g. CISPES), antinuclear groups (SANE and post-Three Mile Island mobilization), radical political parties, and religious organizations including the Unification Church and the Church of Scientology.

Born in New Zealand in 1907, Bill Holland first traveled to Japan at the age of 21 to take part in the conference of the Institute of Pacific Relations, beginning over thirty years of association with the organization. During his time at IPR, Holland held a number of leadership positions, including Research Secretary (1933-1944), Secretary-General (1946-1960), and editor of its periodicals Far Eastern Survey and Pacific Affairs. He took leave from the IPR twice: to study for a MA in economics under John Maynard Keynes at Cambridge (1934) and, during the Second World War, to become acting director of the Office of War Information in Chungking, China. Founded on an internationalist philosophy as a forum to discuss relations between Pacific nations, the IPR was targeted under the McCarthy-era McCarran act during the 1950s, accused of Communist sympathies. After political pressure led the IPR to disband in 1960, Holland accepted a position on faculty with the newly created Department of Asian Studies at the University of British Columbia (1961-1972), helping to lead that department to international prominence. He remained in BC until the death of his wife Doreen in 1990, after which he settled in Amherst to live with his only child, Patricia G. Holland. Holland died in Amherst in May 2008.

The Holland Papers are a dense assemblage of correspondence of Bill Holland, his wife Doreen, and their family, from his first trip abroad in the 1920s through the time of his death. Although largely personal in nature, the letters offer important insight into Holland’s travel in pre-war Asia, his work with the IPR, the war, and the of the 1950s. The collection also includes a wealth of photographs, including two albums documenting trips to Japan, China, and elsewhere 1929-1933.

A long-time leader in the Communist Party in Massachusetts, Otis A. Hood (1900-1983) was a frequent candidate for public office between the late 1930s and early 1950s. At a time of increasing repression, he stood openly for Communist principles, speaking regularly on the radio and at public forums. In 1954, he was one of several activists arrested for violating the state ban on the Communist Party, winning acquittal, and he was acquitted again after a second indictment in 1956 on charges of inciting the overthrow of the federal government.

The Hood papers are a slender reflection of Communist politics during the height of McCarthy-era repression. The collection centers around Otis Hood’s public espousal of Communist ideals as a candidate for public office in Boston, and particularly his runs for the city School Board in 1943 through 1949, but it includes fliers, handbills, and other materials relating to Communist-led campaigns relating to the war, housing, public transportation, and education, but most importantly, transcripts of radio broadcasts made by Hood during his political campaigns and relating to a variety of social issues.

An advertising man from Brooklyn, and a neighbor and friend of W.E.B. Du Bois, James E. Howard was an active supporter of the Committee for the Negro in the Arts during its brief period of activity. Organized in 1947 with Communist Party support, the Committee was an arts-focused civil rights organization, opposing degregation and promoting the employment of African Americans in the performing and visual arts. Criticized by the House Un-American Activities Committee as a Communist front, the Committee was also criticized by the intellectual Harold Cruse, a former member, as a “sad flop,” a patronizing and opportunistic endeavor of white radical that was so constrained by the desire to appeal to white audiences that it was incapable of exploring work of deeper significance to African American audiences.

This small collection contains printed materials from the Committee for the Negro in the Arts (CNA), a politically progressive interracial cultural organization. The collection includes CNA newsletters, event programs, invitations, and an assortment of mailings and other items used in publicity and public relations.

Robert A. Irwin is an activist and educator living in Massachusetts. He first became active in social change work with Movement for a New Society (1971-1988), and went on to work with such organizations as the Exploratory Project on the Conditions of Peace (ExPro), and New England War Tax Resistance, and with organizers and activists such as Gene Sharp, Randy Kehler, Elise Boulding, Randy Forsberg, Robert Jay Lifton, and George Lakey. He was an active collector of published materials from these movements. Irwin studied philosophy at Princeton University and Antioch College, and earned a Ph.D. in sociology at Brandeis University. He has taught at Tufts University, Brandeis, College of the Holy Cross, and, for over twenty years, at Massachusetts Institute of Technology’s Writing and Communication Center. In addition to his activism and collecting, Irwin has authored resources on coalition building, nonviolence, and peace, including his book Building a Peace System (1989); a book chapter condensing his book in Mobilizing Democracy (1991), and with Gordon Faison “Why Nonviolence?,” a special Dandelion Issue issued by Movement for a New Society.

The Robert A. Irwin Periodicals Collection consists of publications and periodicals produced by activists and movements for social justice. The collection’s topic area is broad, but it has especially strong representation from movements engaged in peace work, nonviolence, politics, radicalism, socialism, and feminism. Titles with larger runs include WIN (subtitled “Peace and Freedom through Nonviolent Action,”) Liberation, Monthly Review, Our Generation, Peace Work, Radical America, Seven Days, Socialist Revolution, and Telos, among others. The collection also includes Irwin’s own book and other publications.

A New York native with a deep commitment to social justice, Bernard Jaffe was an attorney, confidant, and longtime friend of W. E. B. Du Bois and Shirley Graham Du Bois. In 1951, Jaffe joined Du Bois’s defense team at a time when the civil rights leader was under indictment for failing to register as a foreign agent. Forging a close relationship through that experience, he was retained as a personal attorney, representing the Du Bois family interests after they settled abroad. Jaffe was later instrumental in placing the papers of both W. E. B. Du Bois and Shirley Graham Du Bois and served on the executive board of the W. E. B. Du Bois Foundation, set up by Shirley’s son, David Graham Du Bois.

This rich collection centers on the close relationship between attorney Bernard Jaffe and his friends and clients, Shirley Graham Du Bois and W. E. B. Du Bois. Although there is little correspondence from W. E. B. Du Bois himself, the collection contains an exceptional run of correspondence with Shirley, from the time of her emigration to Ghana in 1961 until her death in China in 1977 and excellent materials relating to David Graham Du Bois and the work of the W. E. B. Du Bois Foundation.

Temporarily stored offsite; contact SCUA to request materials from this collection.

As a university student in Warsaw, Poland, in January 1977, Barbara Jakubowska-Schlatner made the decision to join the democratic resistance to the Communist regime. For more than twelve years, she was an active member of the Solidarity (Solidarnosc) movement, organizing opposition to state oppression, producing and distributing underground literature, and working with the pirate broadcasts of Solidarity radio.

Recognizing the importance of the underground press to the Solidarity movement, Jakubowska-Schlatner went to extraordinary lengths to collect and preserve their publications. At various times, the collection was kept in the basement of her mother’s house, spread around among a series of safe locations, and sometimes even secreted in small caches in back lots. The collection of over 1,500 titles is centered on the underground press in Warsaw, but includes titles published in Wroclaw, Gdansk, Krakow, and other cities. These include a startling array of publications, from fliers, handbills, and ephemera to translations of foreign literature, newspapers and periodicals, a science fiction magazine, and instructions on how to run a small press.

The author, publisher, and radical bookseller Michael Katanka (1922-1983) was a staunch Socialist and historian of British labor. Beginning with his 1868: Year of Unions in 1968, Katanka wrote or edited a series of books and articles on Fabianism, satirical caricature, and trade unionism.

The Katanka-Fraser Political Music Collection consists of audio recordings, sheet music, and songbooks of politically-inspired music in a variety of languages. The works range from the English and German Socialist press of the 1880s to the antiwar movement of the 1960s and 1970s, touching upon labor agitation, proletarian songs, student protest, the anti-imperialist and anti-capitalist struggles, the Spanish Civil War, and Communism and Socialism. The collection also includes a few books and sound recordings from the extreme right in Nazi Germany.

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.