Collecting area: Social change

Novelist Jodi Picoult is known for taking on compelling social and ethical issues and weaving them into the works of fiction that have won her a devoted readership. From her first novel, Songs of the Humpback Whale (1992), to her recent bestseller By Any Other Name (2024), Picoult has grappled with a range of topics: fractured families, eugenics, school violence, teen suicide, spouse abuse, a child’s legal rights, childhood cancer, gay rights, the death penalty, war criminals, vengeance, justice, faith, the value of life. To Picoult, a passionate researcher, no issue is simple. Through her characters and her stories she engages the complications, considering provocative questions from different angles. Born in 1966, Picoult graduated from Princeton, where she majored in creative writing, and Harvard, where she earned her M.Ed. A longtime supporter of LGBTQ+ rights, especially for queer youth, who also speaks out against censorship and book bans, she and her husband have three grown children and live in Hanover, N.H.

The Jodi Picoult Papers, richly documenting the author’s work process, include research files for Picoult’s novels—correspondence, notes, manuscript pages, and other background material—as well as some drafts, editorial correspondence, clippings, publicity material, early stories, and student material. Also in Special Collections is a comprehensive collection of Picoult’s publications, including the novels in American and foreign-language editions.

Founded in Athol, Mass., prior to1922, the Pine Beach Association operated a summer resort on the northern end of Lake Rohunta, a 383-acre reservoir owned largely by the Rodney Hunt Company. Recognizing the touristic and recreational opportunities, the Association built Pine Beach into a facility that included the Rohunta Inn (the former Elm Lodge Clubhouse), a restaurant, camping facilities, and a lifeguard-patrolled swimming area with water slides and other recreational facilities, all with the intent of becoming the “leading inland bathing beach of New England.” Although the hurricane of 1938 washed away Rodney Hunt’s dam and hydroelectric station, Pine Beach remained a popular destination, freely available to the company’s employees. In the 1980s, the properties were sold to the not-for-profit Lake Rohunta Beach Association, an association of 15 residential properties.

This small collection contains postcards, photographs, and ephemeral material relating to the Pine Beach Association, concentrated in its early years.

Collection of posters and newspaper clippings documenting the work of activists throughout the Pioneer Valley. Although the bulk of the materials relate to protests against the war in Iraq, other issues include rallies and protests at UMass, revival of SDS, the Valley Anarchist Organization, and pro-union demonstrations.

An urban planning firm based in Cambridge, Massachusetts, that assisted New England cities and towns with initiating and managing urban development projects. The firm had two main types of contracts, urban renewal and comprehensive community planning, and many of their projects were supported with funds designated by the Federal Housing Act of 1949.
Includes organizational histories, memoranda, correspondence, proposal guidelines, materials for citizen participation, job inventories and reports, brochures that document urban growth management and the problems of suburbanization in New England, background studies, planning reports, growth management policies, zoning bylaws and amendments, and the files of Katharine Kumala.

Born in Brooklyn in 1933, Gerald Platt worked his way through Brooklyn College as a stevedore at the Navy Yard and went on to earn a PhD in Sociology under Ralph Turner at UCLA in 1963. Interdisciplinary in approach from the outset of his career, Platt became known for linking psychoanalytic theory and sociology in analyzing large-scale events, such as revolutions and mass social movements. After beginning his academic career at Harvard, he joined the Sociology Department at UMass Amherst in1970. He was the author of two noted works in psychoanalytic sociology, The Wish to Be Free: Society, Psyche and Value Change, with Fred Weinstein (1969) and Advances in Psychoanalytic Sociology, with Jerome Rabow and Marion Goldman (1987), and was co-author with Talcott Parsons of The American University (1973). Platt died of complications of Alzheimers disease on May 7, 2015.

Active in his academic field and in departmental and university administration, Platt left a substantial record of his years on faculty at UMass Amherst. His collection includes substantial professional correspondence, research materials on his study of the civil rights movement, Martin Luther King, and other topics, grant applications, and annual reports. As chair of the Department, Platt also left a body of materials relating to his administrative duties, including work on university committees.

Lynne Pledger became active in waste management issues when Casella Waste Systems, a New England-based landfill company, applied to expand operations in Hardwick, Mass., potentially threatening the public water supply. Organizing a grassroots campaign, Pledger succeeded in getting Casella to drop plans to rezone the landfill in 2007, after the company failed to garner the necessary support in town meeting. Pledger has remained active in zero waste and waste reduction efforts, serving on the Zero Waste Committee for the Sierra Club, on the Clean Water Action Campaign, on the Massachusetts Department of Environmental Protection Solid Waste Advisory Committee, and co-founding Don’t Waste Massachusetts, an alliance of 25 environmental organizations supporting waste reduction measures.

This small collection contains documentation of grassroots opposition to the expansion of the landfill at Hardwick, Mass. Collected by Pledger, the material includes environmental and site reports, some filings, background information on the site and landfills, and some correspondence relating to the controversy.

Founded and chaired by Norman Thomas in 1942, the Post-War World Council sought to lay the groundwork for a democratic and anti-imperialist end to the Second World War. As the face of the organization, Thomas promoted the pacifist ideals of internationalism, disarmament, and decolonization, however his failing health in the early 1960s led to the decline of the Council and its formal dissolution in 1967.

This collection consists of pamphlets from the Post War World Council that document a range of opinions concerning the war and the world, including titles such as “Saboteurs of Victory,” “The Case Against Compulsory Peacetime Military Training,” “The Future of the Far East,” and “Disarmament in the Post War World.”

Klaus Postler was a visual artist and curator who lived and worked in New England. Born Michael Edward Postler on March 23, 1951, he grew up in Yonkers, New York, and Connecticut. He was an avid collector of paper ephemera, which he included in his large-scale paintings and collages. From the late 1970s he was an enthusiastic participant in the international mail art movement, labelling his enterprise the Social Artists Reality Empire (S.A.R.E.). One of the exhibitions he curated was the Ray Johnson Memorial Mail Art Show at UMass Amherst, in 1996, for which he put out an open call and received mailed responses from around the world. Postler traveled in Europe and forged relationships with artists there, especially in Germany. In addition to his art practice, he worked for many years picking apples and pruning trees at New England orchards. Postler pursued his education at a number of institutions, with some difficulty due to his dyslexia, and completed his bachelor’s degree in 1998 through the University Without Walls program at UMass Amherst. He was a MacDowell Colony fellow in 2000, and returned to UMass to earn his MFA in studio art in 2005. Late in his life he cared for the estate of the artist Robert Mallary. He died on January 6, 2013, at his studio in Conway, Massachusetts.

The Klaus Postler collection contains a variety of sketchbooks that also functioned as diaries, as well as daybooks and dream journals; slides of his work; and photographic prints. Also included is an assortment of mail art, some created by Postler but mostly work sent to him by other artists, which Postler included in exhibitions he curated in Brattleboro, Vermont, and at UMass Amherst. Thomas Jahn, known as Horsefeathers, is a prolific contributor of mail art. The collection also includes documentation from posthumous gallery shows and a commemorative book about his work published by his partner, Eileen Claveloux.

The American Civil Liberties Union has played a significant role in working with the courts, legislatures, and the public to protect civil liberties in the United States. Founded in 1920, the organization has a membership of more than a million.

An extensive run of press releases issued by the national office of the ACLU between 1961 and 1984, this collection reflects the organization’s priorities and public communications strategies during a critical time in the struggle for civil liberties. The topics range from organizational changes within the ACLU to the major issues in civil liberties of the day, including those pertaining to the civil rights movement, civic unrest, freedom of the press, the Vietnam War, and the counterculture.

A pioneer of African dance in the United States and a vital scholarly voice, Pearl Primus burst onto the scene in the early 1940s as a choreographer, performer, composer, and teacher. Born in Trinidad in 1919 and raised in New York City, Primus was introduced to performance through the National Youth Administration and the New Dance Group. Her interest in the dance cultures of Africa and the African diaspora formed the conceptual center of her work throughout her career, drawing upon her deep scholarly research. In addition to her creative work, Primus earned a doctorate in anthropology from NYU and taught at a number of universities, including the Five Colleges. She died in New Rochelle, N.Y., in October 1994.

Conducted with Pearl Primus’ fellow dancers, musicians, friends, and collaborators between 1995 and 2005, the interviews comprising this collection were recorded by Peggy and Murray Schwartz for use in their book, The Dance Claimed Me: A Biography of Pearl Primus (New Haven, 2011). The oral histories provide insights into Primus’s sometimes controversial life career, her performances, teaching, and legacy.