Collecting area: Social change

Cheryl Evans singing at Medford High School, ca. 1962

A lifelong activist, performer, and educator, Cheryl Lorraine Evans was born in 1946 in west Medford, MA, the eldest of five. As a high school student, Evans attended the march on Washington in 1963, and was then the first in her family to attend college, in 1964 joining the largest class at UMass Amherst to date. She graduated four years later as a pivotal organizer of African American students across campus, the Five Colleges, and in the region – during the period when Black student groups, the Black Cultural Center, and the Black Studies department all had their origins at UMass. Evans was the first elected president of an African American student organization at UMass, and remains an organizer to this day, particularly as a key connector for Black alumni and through her UMass Black Pioneers Project.

Evans went on to work at UMass as an assistant area coordinator of Orchard Hill, an area housing the majority of the students of color and CCEBS students on campus at the time, and then for the Urban University Program at Rutgers University. She worked for over a decade in early childhood education, mostly in New Jersey and New York City, then while working for the State of Massachusetts received her MA in Communication from Emerson College, partially to help her public radio show, “Black Family Experience.” Evans was the first African American woman to run for City Council in Medford, and was appointed to the Massachusetts Area Planning Council by Governor Dukakis. She taught for five years at Northshore Community College, received her PhD from Old Dominion University in 1997, and ended her career at Bloomfield College, where she was a professor for 18 years until her retirement in 2016. A prolific singer as a child and young adult, Evans was, and continues to be, a performance artist, with several theater pieces focused on Black history, all in addition to her outreach, organizing, and workshops, many focused on increasing the number of Black graduate and doctoral students.

The Cheryl Evans Papers document over 60 years of the life of the educator and activist, including childhood report cards and essays, clippings from the civil rights movement she followed and joined as a high school student, undergraduate records and ephemera, documentation of Black UMass alumni events, and records from her careers in public advocacy, education, and the theater. Evan’s time at UMass is especially well documented, including schoolwork, numerous photographs of student life on campus, social and political organization records, including contact lists of and correspondence with Black students, and the original protest demands from the 1970 Mills House protest and march to Whitmore.

The radiologist Frederick Exner settled in the Pacific Northwest after receiving his MD from the University of Minnesota in 1927. Concerned about proposals to fluoridate water in Seattle, he and his collaborator George Waldbott became national figures in opposing fluoridation by the early 1950s and for decades, were considered among the most effective scientific voices in the movement. A prolific writer and lecturer, Exner is particularly remembered for his influential book, The American Fluoridation Experiment (1957), co-written with Waldbott.

The Exner collection contains a number of mimeographed and printed articles by Exner on the environmental dangers and toxic effects of fluoride, dating from the early years of the antifluoridation movement.

Members of the Fall River Loom Fixers Association included some of the most skilled workers in the New England textile industry. The association, on behalf of its members, sought to improve poor working conditions, to provide assistance for members affected by pay reductions or layoffs, and to intervene in conflicts between members and management. The union also served a social function, organizing parades, social gatherings, and excursions. In the 1910s it became affiliated with the United Textile Workers for America.

Records of the Loom Fixers Association include executive committee minutes (1900-1901 and 1911-1917), a treasurer’s book (1901-1905), and six dues books (1895-1907).

Ray Mungo’s Famous Long Ago (1970) and Steve Diamond’s What the Trees Said (1971) are classic visions of late 1960s counterculture and of life in New England communes. The communes on which Mungo and Diamond settled, Packer Corner and the Montague Farm, became the center of what might be considered a single extended community, embracing the Wendell Farm and Johnson Pasture and Tree Frog Farm in Vermont. The Farmers themselves were, and remain, a diverse group, including photographers, novelists, and poets, artists, actors, and activists.

An umbrella collection, the Famous Long Ago Archive contains a growing number of collections relating to the communes at Montague Farm, Packer Corners, Johnson Pasture, Wendell Farm, and Tree Frog Farm. These range from the papers of Steve Diamond, Raymond Mungo, and Jonathan Maslow to Randy Kehler and Betsy Corner (the latter of whom lived at Montague Farm), the records of the Liberation News Service, the Alternative Energy Coalition, and Musicians United for Safe Energy, to the photographic collections of Roy Finestone and Stephen Josephs. View all the Famous Long Ago Collections.

Collections include:

• Alternative Energy Coalition Records
• Antinuclear Activism Collection
• Susan Dalsimer Papers
• Stephen Diamond Papers
• Roy Finestone Collection
• Green Mountain Post Films Collection
• Anna Gyorgy Papers
• Stephen Josephs Collection
• Randy Kehler Papers
• Steve Lerner Papers
• Liberation News Service Records
• Jon Maslow Papers
• Kevin McVeigh Papers
• Montague Nuclear Power Station Collection
• Raymond Mungo Papers
• Musicians United For Safe Energy Collection
• Carl Oglesby Papers
• Stephen L. Saltonstall Collection
• Peter Simon Collection
• Paul Williams Papers

Dedicated to a broad range of social justice and human rights issues, Theodore “Ted” Fay is a leading national and international activist, advocate, and scholar on the integration and inclusion of athletes with disabilities into mainstream sport. His focus on exposing practices of exclusion, inequity, and marginalization in sport faced by individuals based on race, gender, and disability—and his unique perspective on this intersectionality—would serve as the basis of most of his scholarly work including his 1999 doctoral dissertation. Fay played a key role in creating Project Interdependence (1981-1987), a one-of-a-kind statewide training program sponsored by the California State Departments of Rehabilitation and Education, as well as in the creation of the U.S. Disabled Ski Team (USDST) and the effort to integrate the USDST into the U.S. Ski Team in 1986. Involved in the founding and development of the International Paralympic Committee (IPC), he served in multiple capacities related to Nordic skiing from 1988 until 2010. Fay also helped draft Article 30.5 of the 2007 United Nations Convention on the Human Rights for Persons with a Disability (CRPD) and, in 2013 and 2019, contributed to revisions of Acts of Congress concerning the inclusion and equitable treatment of students with disabilities and the integration of Olympic and Paralympic athletes. With degrees from St. Lawrence University, the University of Oregon, and UMass Amherst (Ph.D. 1999), Fay retired as a Professor Emeritus of Sport Management in 2018 after a distinguished two-decade career at the State University of New York at Cortland.

Chronicling a personal story of more than five decades of activist work while highlighting Fay’s 40-year involvement in more than ten Paralympic and Olympic Games and four U.S. Olympic/Paralympic Bids, the Fay Papers include correspondence, scholarly articles, research and background materials, drafts, writings, reports, student papers, photographs, scrapbooks, and memorabilia.

Attorney and UMass alumnus Kenneth R. Feinberg, well known as a mediator, special master of compensation funds, and dedicated public servant, is a longtime devotee of opera and classical music. Since his days as a law student in New York in the late 1960s, continuing through his career practicing law in Washington, D.C., Feinberg has regularly attended operas, concerts, musical theater, and other musical performances. He has also served as president of the Washington National Opera and led a private opera appreciation group.
This extensive collection of more than 1,000 items encompasses a wide range of composers, productions, concerts, companies, and venues, mainly in the United States, with some European performances represented. Documenting more than five decades of concert- and opera-going, and arranged in rough chronological order according to Feinberg’s numbering system, many of the programs are searchable by composer in an accompanying card index created by Feinberg (more recent programs are simply filed chronologically). There is also a small amount of related ephemera, including some vintage programs. Additions to the collection are ongoing.

One of the most prominent and dedicated attorneys of our time, Kenneth R. Feinberg has assumed the important role of mediator in a number of complex legal disputes, often in the aftermath of public tragedies. Frequently these cases necessitate not only determining compensation to victims and survivors but also confronting the very question of the value of human life. A native of Brockton, Massachusetts, and a graduate of UMass Amherst (1967) and New York University School of Law (1970), Feinberg served as a clerk to Chief Judge Stanley H. Fuld, as a federal prosecutor, and as Chief of Staff for Senator Edward M. Kennedy. After acting as the mediator and special master of the high-profile Agent Orange settlement, he administered the September 11th Victim Compensation Fund, Virginia Tech’s Hokie Spirit Memorial Fund, and the BP Gulf Coast Claims Facility (GCCF). Feinberg has taught at several law schools; is the author of the books What is Life Worth? (the basis of the film Worth) and Who Gets What and numerous articles; and is a devotee of opera and classical music. He practices law in Washington, D.C., and continues to be guided by a commitment to public service.

The Feinberg Papers contain correspondence, memos, drafts, reports, research files, and memorabilia. The collection is arriving in stages and is being processed. Some materials will be restricted.

Temporarily stored offsite; contact SCUA to request materials from this collection.

Ann Ferguson began her tenure at UMass as an Instructor in 1964 as she completed the last year of her doctoral work at Brown under supervision of R.M. Chisolm. With academic interests in ethics, aesthetics, women’s studies, and social and political philosophy, Ferguson has been politically engaged in human rights and social justice initiatives since the 1960s, supporting organizations such as Feminist Aid to Central America, Marxist Activist Philosophers, and the Radical Philosopher’s Association. In 1995, Ferguson accepted a three-year term as Director of Women’s Studies, describing the program as one with the “roots in political activism to fight social injustice.” Despite her 2008 retirement, Ferguson continues to teach in both Philosophy and Women’s Studies.
The Ferguson Papers document Ann Ferguson’s academic career at the University of Massachusetts Amherst as well as her commitment to political activism and social change. The papers include material relating to campus politics, the women’s movement and other social movements, Philosophy Department files (1971-1997) from Ferguson’s tenure as Head of the Philosophy Department, and course materials from both Women’s Studies and Philosophy. Also included among the papers are professional correspondence, feminist pamphlets (1970s-1980s), and several posters from Ferguson’s office.

The University’s first Dean of Students, William F. Field held the post from 1961 until his retirement in 1988. The 27 years Field was Dean of Students was a critical time of growth and unrest, as the University’s student population more than tripled in size and the nation-wide movements for civil rights and against the Vietnam War were reflected through student activism and protest on the University’s campus. Responsible for ending student curfews and overseeing all dorms becoming co-ed, Field also worked with minority students and faculty to support the Black Arts Movement on campus and the founding of the W.E.B Du Bois Afro-American Studies Department.

The William F. Field Papers document Field’s career as an administrator at the University of Massachusetts and specifically his role as Dean of Students from 1961-1988. The correspondence, memoranda, reports, notes, and other official printed and manuscript documents are a rich resource for one of the most important and volatile eras in the University’s history. Of particular interest are extensive files on student protests and activism in the late 1960s and early 1970s and the growing diversity of the campus student population, flourishing of the Black Arts Movement on campus and the founding of the W.E.B. Du Bois Afro-American Studies Department.

A wave of experimentation in communal living in New England reached a peak in the late 1960s and early 1970s, with dozens of communities spread across the landscape of western Massachusetts and Vermont. Nina Finestone joined the Johnson Pastures in Guilford , Vermont, in 1969, however after the main house there went up in flames on April 16, 1970, killing four people, she joined a number of its residents who moved to the nearby Montague Farm in Montague, Massachusetts. Nina married a fellow Montague farmer, Daniel Keller, and the couple moved to Wendell in 1980.

Providing exceptional visual documentation of life at Johnson Pasture, the Montague Farm, and Wendell Farm between 1969 and 1990, the Finestone collection is centered on the lives and family of Daniel and Nina Keller. All images were taken by Roy Finestone, Nina’s father, with a medium format camera using color transparency film.