Collecting area: LGBTQ

The labor educator and activist Dale Melcher was both a graduate of UMass Amherst and a longtime member of staff and faculty. Melcher began her career at UMass Amherst as a student and then staff member in the newly formed program in Women, Gender, and Sexuality Studies, before joining the Labor Relations and Research Center in 1987 as its Labor Extension Coordinator. Interested in leadership development for union women, she taught courses over the years on women and work, immigration, and race and gender. She also maintained an array of other commitments to social justice organizations, including the Northeast Summer School for Union Women, the Women’s Institute for Leadership Development (WILD), and the Professional Staff Union/MTA.

Focused on the year just prior to the Reagan era, this collection contains an assortment of manuscript and printed materials relating to Melcher’s involvement with Socialist feminism and the women’s movement, economic justice, and he movement for Puerto Rican independence. The collection includes particularly valuable materials on feminism in the Pioneer Valley and the Valley Women’s Union, records of the People for Economic Survival, and a significant body of material for the Puerto Rican Solidarity Committee.

In 1982, Steven Botkin, who had done his doctoral work in the social justice program at UMass Amherst’s School of Education, co-founded the Men’s Resource Connection (MRC) in Amherst, Mass., to promote healthy ideas of masculinity and male leadership by challenging harmful stereotypes involving violence, sexism, and oppression and creating a local network of men as well as of men and women. In 1983 MRC started a newsletter, Valley Men, which became the magazine Voice Male, with a circulation of 10,000. Incorporated as a nonprofit in 1988, MRC developed programs to serve and educate men, with a focus on violence and domestic violence in particular, notably Men Overcoming Violence (MOVE), later called Moving Forward. In 1993 the MRC changed its name to the Men’s Resource Center of Western Massachusetts, and by 2005 it was known as the Men’s Resource Center for Change. Both a social service agency and a social justice organization, MRC made an impact in communities around and far beyond western Massachusetts. It offered workshops, classes, support groups, trainings, and consultations for adult men and youths, on issues relating to violence, anger, surviving abuse, emotional well-being, race, fatherhood, sexuality, and more. In 2016, after several years of financial struggle in the wake of the recession of the late 2000s, MRC announced its plans to merge with Men’s Resources International (MRI), founded by Botkin in 2004, to form MERGE for Equality, Inc. Voice Male, now a national magazine, has a robust online presence as an independent publication.

The MRC Records span most of the organization’s history and include correspondence and memos, background reading and training material, fliers and other ephemera, annual reports, newsletters and copies of Voice Male, clippings (including Voice Male articles organized by subject), and audio and video tapes.

The Northampton Monthly Meeting of the Society of Friends (later the Middle Connecticut Valley Monthly Meeting) was formally established in 1939, bringing together the small community of Friends in Western Massachusetts. In 1959, the small preparative meetings in Amherst, Greenfield, Northampton, and South Hadley agreed to consolidate to create a more vital gathering. After five years without a fixed location, a Friend was moved to donate three acres of land on Long Plain Road in Leverett on which to build a proper meetinghouse. When that building opened in 1964, the meeting was renamed the Mt Toby Meeting.

Reflecting a strong history of promoting peace social justice, the Mt. Toby collection documents Friends’ involvement in a wide variety of issues ranging from war tax resistance (Randy Kehler and Betsy Corner), the “Colrain action” when the Kehler/Corner house was seized by the IRS), peace education and civil disobedience, refugee resettlement, the Sanctuary movement, and support for LGBT issues and racial equality. The collection consists largely of fliers and newsletters, ephemera, and newspaper clippings.

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

New Song Library letterhead

Founded by Johanna Halbeisen in 1974, the New Song Library was a collaborative resource for sharing music with performers, teachers and community activists, who in turn shared with a wide variety of audiences. Based initially in Boston, the Library was devoted to the music of social change and particularly music that reflected the lives and aspirations of workers, women and men, elders and young people, gays and lesbians, other minorities, and Third World people.

This collection contains over forty years of organizational and operational records of the New Song Library along with hundreds of sound recordings, primarily audiocassettes made at concerts, music festivals, song swaps, and gatherings of the People’s Music Network. The Library also collected newsletters and magazines on folk music, and most importantly dozens of privately produced songbooks and song indexes.

Founded in 1975 in Lebanon, NH, by Beth Dingman, Claudia McKay (Lamperti), Katie Cahill, Nina Swaim, and Shelby Grantham, New Victoria Printers became one of two all-female print shops in New England at the time. Believing strongly that “the power of the press belongs to those who own it,” they began to solicit work from non-profit and politically-oriented groups. Like its namesake Victoria Press, an 1860s women run print shop in London owned by Emily Faithful, an early advocate of women’s rights, New Victoria was also committed to feminist principles. The shop offered work and training in printing, machine work, and other traditionally male dominated fields; initially focused on printing materials from the women’s movement; and was organized as a collectively owned and democratically run organization.
Additionally, the shop functioned as a de facto women’s center and lesbian hub for Lebanon and the surrounding area, often overlapping with the lesbian social club Amelia Earhart’s Underground Flying Society, (a.k.a. the Amelia’s). The print shop was a place of education, community, creativity, and activism, and soon publishing opportunities, as the group founded New Victoria Publishers in 1976 to publish works from their community. The print shop closed in 1985, with Dingman and McKay taking over the running of the non-profit publishing company out of their home in Norwich, VT, with an emphasis on lesbian fiction in addition to other women-focused works. An early bestseller, Stoner McTavish by Sarah Dreher, put them on the map, with the company publishing over a hundred books by and about lesbians, winning three Lambda Literary Awards and several other honors.
The New Victoria Publishers Records consist of photographs, newsletters, and cards put out by the collective, materials printed by the press, marketing and promotional materials, author correspondence, graphics and cover art, book reviews, financial and legal records, histories of the organization, news clippings, and an almost full run of the books published by the company. The collection is particularly rich in documenting the work and production of a women owned business within the feminist press movement as well as the lesbian publishing industry.

Established in 1995 to gain city-wide support for a domestic partnership ordinance, the Northampton Domestic Partnership Coalition’s campaign included fund raising and neighborhood canvassing. Their early efforts succeeded, and in May 1995, the Northampton City Council passed an ordinance recognizing domestic partnerships in the city allowing people of either gender to register as a couple and entitling them to visitation and child care rights in schools, jails, and health care facilities. After a summer of campaigning on both sides, the measure failed by fewer than one hundred votes.

Consisting chiefly of newspaper clippings covering both sides of the debate over Northampton’s domestic partnership ordinance, this collection includes perspectives extending from Northampton and Boston to Washington D.C. Among the publications represented are The Catholic Monitor, The Washington Blade, and Boston Magazine.

Founded in Chicopee, Massachusetts in 1949 under another name, Our Hideaway was the oldest women’s bar on the east coast, offering the local lesbian community a safe haven in which to socialize for fifty continuous years. Before the bar was forced to close after losing its lease in 1999, it was home to a diverse community of women from those known as “old timers,” comprised of women patronizing the bar for upwards of 25 years, to college students new to the area.

As part of a project to research the lesbian bar as a social institution, Smith College student Heather Rothenberg conducted interviews of the women who frequented Our Hideaway. During the course of her research an unexpected announcement was made: the bar was closing. As a result, Rothenberg’s efforts to document Our Hideaway extended far beyond her original intent, and she was able to capture the final days of the bar as both a physical place as well as a community of women assembled over five decades. The collection consists of interview transcripts, emails, photographs and Rothenberg’s written reports. Transcripts of the interviews were modified to protect the privacy of the women interviewed; the original transcripts are restricted.

The Pioneer Valley chapter of Parents & Friends of Lesbians and Gays (PFLAG) was established in 1986 by Jean and James Genasci, parents of a gay son and advocates of civil rights for gays and lesbians. As the group’s local coordinators, the Genascis conducted workshops on homosexuality and homophobia, and offered support to gays and lesbians and their families.
The collection consists chiefly of newspaper clippings containing articles about the work of PFLAG as well as announcements for upcoming meetings and events. Bulletins and newsletters issued by PFLAG document their activities, in particular their support of the 1989 Massachusetts gay rights bill, as do photographs featuring demonstrations and exhibits.

Eileen McCarthy Rakouskas is a personal historian and founder of Mosaic Memoirs, a service that assists people in recording, editing, and producing oral histories, memoirs, and other family stories. A graduate of Mount Holyoke College and Holyoke Community College, she has been particularly interested in recording “ordinary lives” and lives connected with social justice struggles.

On May 17, 2004, the Supreme Judicial Court ruled in Goodridge v. Department of Public Health that it was unconstitutional to prohibit same-sex marriage in Massachusetts. On the first day of legalized same-sex marriage, Rakouskas conducted interviews with couples waiting in line to apply for marriage licenses, city clerks, and others. Her collection also includes an assortment of other materials documenting the first day of full marriage equality.