Collecting area: Counterculture

Born in 1948 in Boston, Paul Williams was an avid reader of science fiction and published his first fanzine, Within, in 1962 at the age of 14. A few years later, after completing his first semester at Swarthmore, Williams hitchhiked to New York City. There he wrote and published—typing up the mimeo stencils himself—the first issue of Crawdaddy! With the birth of this publication, Williams is widely recognized as the founder of serious rock and roll journalism. He left Crawdaddy! in 1968 and went on to establish Entwhistle Books with David Hartwell, Chester Anderson, and Joel Hack. Williams continued to write, collecting his early works on rock and roll in two books and contributing articles as a freelancer for Rolling Stone. During the early 1970s, Williams lived on several intentional communities, including the Fort Hill Community in Cambridge, and wrote the surprise best seller Das Energi and its follow-up, Apple Bay during this period. In 1975, his profile of friend Philip K. Dick launched P.K.D. to a national audience, and Williams later served as the literary executor of the Dick estate following the death of his friend in 1982. His extensive writing on Bob Dylan spanned forty years and resulted in a significant body of publications including a multi-volume work on the artist. In 1995, Williams suffered a near fatal bike accident that left him partially disabled. A remarkable initial recovery proved to be short-lived and within a few years after the accident, Williams began exhibiting symptoms of early-onset dementia, a result of the traumatic brain injury he sustained. He died in 2013 leaving behind a tremendous legacy as author, editor, and publisher.

The Paul Williams Papers is comprehensive collection of materials that documents the writings and relationships that shaped the field of rock and roll journalism. Alongside manuscripts of the numerous books and articles Williams wrote are notebooks, correspondence, and media. Early issues of Crawdaddy! and Williams’s writings on science fiction author Philip K. Dick (including audio cassette tapes of the 1974 P.K.D. interview) are featured as well as his working files on Bob Dylan. Correspondence includes Theodore, Sturgeon, Chester Anderson, David Hartwell, Susan Ann Protter, Julian Moody, Raymond Mungo among many others.

A photographer from Washington, D.C., Lloyd Wolf is a well known photojournalist and documentarian who often works on topics in social change. During the course of a career that began in the late 1970s, Wolf has worked on projects ranging from documenting the impact of the Vietnam Memorial in Washington, D.C., to Jewish mothers and fathers, Moroccan Jewry, drug rehabilitation in prison, and Black-Jewish dialog.

The 13 images in the collection are part of Wolf’s series, “Acid Reign,” a project conducted in 1989 with a sociologist from UNC-Greensboro, Rebecca Adams, exploring the lives of dedicated Deadheads. The prints were made for exhibition at the symposium, Unbroken Chain: the Grateful Dead in Music, Culture, and Memory, held at UMass Amherst in November 2007. All rights remain with Lloyd Wolf.

A 1968 graduate in mathematics from MIT, Ferd Wulkan has been a fixture in activist circles for many years. A member of SDS in college and a rank-and-file clerical union leader at Boston University, Wulkan moved to Amherst in 1989. His passion has been the intersection of the labor movement with other progressive movements; he served for 15 years as a field representative with Locals 509 and 888 of SEIU, working with non-faculty professional personnel at UMass Amherst and Boston, and then as a representative and organizer for the Massachusetts Society of Professors from 2004 to 2016. In 2007, Wulkan became organizing director for the Public Higher Education Network of Massachusetts (PHENOM), a grassroots advocacy organization for affordable and accessible public higher education.

The Wulkan Collection consists of a fascinating array of material from Leftist and radical political movements during the late 1960s and early 1980s, with an emphasis on the Cambridge-Somerville area. In addition to a rich assemblage of formally published pamphlets and magazines, the collection includes a large number of fliers, handouts, informally published works, and underground newspapers on Socialist, Feminist, and anarchist topics and relating to the war in Vietnam, the labor movement, civil rights, and Black Power. The collection also contains three unprocessed boxes of material related to the clerical/technical union at Boston University. This union was affiliated with District 65, UAW, and District 65 had been part of the Distributive Workers of America, and affiliated with the United Auto Workers in the early 1980s. Related to this collection is a thesis by Leslie Lomasson, who worked at BU and completed her Master’s at UMass Amherst: “We Built the Union Ourselves: A Feminist Model of Unionism at Boston University” (1994).