Collecting area: Vermont

Carol A. Perkins was born April 25, 1926 in Rochester, N.Y., where she attended Madison High School. Her father, Vernon Perkins, was a World War I Army Air Service photographer in France, and she became interested in photography through his photograph albums. She graduated from a correspondence program at the New York Institute of Photography and graduated from the Rochester Institute of Technology School of Art in 1950. After matriculating from the Rochester General Hospital School of Medical Photography, she was employed at the Toledo Hospital Institute of Medical Research for twenty-two years, and then by the Medical College of Ohio for eleven years. While searching through New England graveyards for her Perkins ancestors, she became interested in gravestone studies and became a member of the Association for Gravestone Studies.

The Carol Perkins Collection consists of 1.5 linear feet of material, primarily color photographs of grave markers in Connecticut, Indiana, Massachusetts, Michigan, New Hampshire, New York, Ohio, Rhode Island, and Vermont. Box 1 has two indices: one alphabetical by deceased’s surnames, and the other alphabetical by state, then town, then cemetery. Box 2 photographs include transcriptions of the deceased’s names, dates of birth/death, and inscriptions, and are organized by state, then town. The collection includes one folder of genealogical material and 20 black & white photographs of markers in England. Photographs taken at AGS conferences include some AGS members and were taken in the following years: 1980, 1981, 1982, 1987, 1988, 1990, 1991, 1992, 1993, 1995, 1996, 1997, and 2003.

The Plainfield, Vermont, Monthly Meeting began in 1959 as a worship group under the care of the Burlington Monthly Meeting. In 1965, it was set off from Burlington under the care of Northwest Quarterly Meeting. It has since been the source of several other worship groups, including those at Barton-Glover (1984-1990), St. Johnsbury (1987-1990), Montpelier (1992-1993), and Peacham, meeting in Barnet (Vt.) (1995-present).

The bulk of this collection includes minutes and newsletters spanning approximately 40 years. In addition to these records, there is a smattering of correspondence and committee reports as well as information on finances, membership, day camp and various programs.

Klaus Postler was a visual artist and curator who lived and worked in New England. Born Michael Edward Postler on March 23, 1951, he grew up in Yonkers, New York, and Connecticut. He was an avid collector of paper ephemera, which he included in his large-scale paintings and collages. From the late 1970s he was an enthusiastic participant in the international mail art movement, labelling his enterprise the Social Artists Reality Empire (S.A.R.E.). One of the exhibitions he curated was the Ray Johnson Memorial Mail Art Show at UMass Amherst, in 1996, for which he put out an open call and received mailed responses from around the world. Postler traveled in Europe and forged relationships with artists there, especially in Germany. In addition to his art practice, he worked for many years picking apples and pruning trees at New England orchards. Postler pursued his education at a number of institutions, with some difficulty due to his dyslexia, and completed his bachelor’s degree in 1998 through the University Without Walls program at UMass Amherst. He was a MacDowell Colony fellow in 2000, and returned to UMass to earn his MFA in studio art in 2005. Late in his life he cared for the estate of the artist Robert Mallary. He died on January 6, 2013, at his studio in Conway, Massachusetts.

The Klaus Postler collection contains a variety of sketchbooks that also functioned as diaries, as well as daybooks and dream journals; slides of his work; and photographic prints. Also included is an assortment of mail art, some created by Postler but mostly work sent to him by other artists, which Postler included in exhibitions he curated in Brattleboro, Vermont, and at UMass Amherst. Thomas Jahn, known as Horsefeathers, is a prolific contributor of mail art. The collection also includes documentation from posthumous gallery shows and a commemorative book about his work published by his partner, Eileen Claveloux.

Established in 1968, PATCO was certified as the exclusive representative for all FAA air traffic controllers. A little more than a decade later, union members went on strike demanding better working conditions despite the fact that doing so was in violation of a law banning strikes by government unions. In response to the strike, the Reagan administration fired the strikers, more than 11,000, and decertified the union. Over time the union was eventually reformed, first in 1996 as an affiliate with the Federation of Physicians and Dentists union, and later as an independent, national union in 2004.

Correspondence, financial records, notes and memos documenting the activities of the Boston area branch of PATCO. Letters, announcements, and planning documents leading up to the 1981 strike shed light on the union’s position.

Quakers meetings for worship were held in Putney, Vt., from 1942 to 1944, connected loosely to the Connecticut Valley Association of Friends. An independent meeting for worship was established there around 1963, uniting with Bennington Monthly the next year, before being set off as a monthly meeting of its own in 1969. Quaker City Unity Monthly Meeting was set off from Putney in 1993.

The records of Putney Monthly Meeting consist of State of Society reports, a member’s directory, a letter of release and series of talks for minister John Calvi, minutes of meetings, and assorted publications.

Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has driven his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.

The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.

An historian of twentieth century social movements, Blake Slonecker received his doctorate at the University of North Carolina in 2009 and joined the history faculty at Waldorf College soon thereafter. In a dissertation examining the utopian impulses of the New Left (published in 2012 as A new dawn for the New Left: Liberation News Service, Montague Farm, and the long sixties), Slonecker explored how the political and cultural activism of the 1960s helped reshape American political culture in the decade following.

In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky. In wide-ranging interviews, the former communards discuss topics ranging from the fraught politics of the era, political and cultural activism, gender roles and sexuality, and daily life on the communes.

The Friends Monthly Meeting at South Starksboro, Vermont, began as Creek Allowed Meeting, and has had a complex organizational history. It became part of New England Yearly Meeting in 1975, and gained status as a monthly meeting for the second time in 1996, operating under Northwest Quarter.

The records of South Starksboro Monthly Meeting date from the period starting shortly before it returned to monthly status in 1982. They consist of minutes of meetings (sparse for later years) and state of the meeting reports, along with a somewhat incomplete run of newsletter.

Eleanor “Nina” Hathaway Swaim (1938-2015) was a feminist, environmental and antinuclear activist, antiwar organizer, and proponent of women’s collective enterprises globally. She was arrested for the final time just a month before her death, chained to the gates of a pipe yard in Williston, VT, protesting a fracked gas pipeline. Born into a conservative family in Sharon, MA, Swaim was radicalized during the mid-sixties by courses at the Free University on the Lower East Side and during the 1968 occupations at Columbia University, where she was an administrator. She joined the It’s All Right to be a Woman Theater in 1970 and toured the country with them before leaving New York City to work in a GI bookstore near a military base in Massachusetts, helping soldiers protesting the Vietnam War. Learning the printing trade, she moved to Vermont and co-founded the women’s collective press, New Victoria Press, worked as a mediation coordinator for the Vermont Supreme Court, and became a strong force in the antinuclear movement, helping found the Upper Valley Energy Coalition (UVCE), and co-authoring a book with Susan Koen, “A Handbook for Women on the Nuclear Mentality.” She met her husband, Douglas Smith, through UVEC, and the pair worked on numerous antinuclear, environmental, and other grassroots campaigns and protests together, including a project in Mozambique on water access, where Swaim worked as a cooperator with the revolutionary Organization of Mozambican Women. Other international work included picking cotton in Nicaragua, visiting Cuba under siege, and touring Gandhian centers in India to learn practical nonviolence and social change techniques. A practicing Buddhist, Swaim was an avid writer, gardener, beekeeper, and hiker, and in addition to her other causes, spearheaded numerous events related to the natural world, food security, and honeybees.

The Nina Swaim Papers offer an intimate look into the life of an indomitable and inspiring grassroots activist focused on both local Vermont issues and global concerns. Unpublished writings, clippings, and correspondence, as well as photographs, tapes, and scrapbooks reflect her international travels and work, as well as her community and concerns in the antinuclear and environmental movements based out of Vermont. Detailed writings, reflections, short stories, travel notes, and a comprehensive set of journals dating from the late sixties make up a large part of the collection. They are full of the musings of an activist pondering the meaning of women’s consciousness raising and conflict settlement, of worker collectives and other community building, of struggles and misunderstandings between lesbian and straight women, of power in organizations like Clamshell Alliance and the Upper Valley Energy Coalition, of motherhood and aging, and of the relationship between action for social change and spiritual practice.

In about 1954, a number of local Quaker meetings and worship groups in Vermont and New Hampshire coalesced to form the independent Vermont and New Hampshire Friends, which joined the New England Yearly Meeting of Friends in 1956 as the Upper Connecticut Valley Monthly Meeting. A loose confederation based in Woodstock, Vt., it included groups in Burlington, Hanover, Middlebury, Rockingham, Rutland, and Springfield during the brief period of existence. In 1959, the Upper Connecticut Valley Meeting was supplanted by the new Northwest Quarter.

This small but interesting collection contains an apparently complete run of newsletters from the evanescent Upper Connecticut Valley Monthly Meeting.