Collecting area: Vermont

A successful merchant from Gaysville, Vermont, Merrick Gay (1802-1866) operated a general store in his village for many years, later establishing a woolen factory. Gay served his community variously as postmaster, town clerk, and state senator.

These two daybooks document Gay’s business transactions with local individuals and firms and with the Town of Stockbridge and Narrows School District. The entries record the name of each customer, the method and form of payment (cash and goods), and Gay’s purchases, including labor costs for hauling freight.

Late in the nineteenth century, George and Kent was one among many firms in Barre, Vt., specializing in the supply of granite for grave markers and monuments. Under senior partner William L. George, the firm was located on Seminary Street in the 1880s, supplying a clientele that reached as far away as Iowa. Although the firm was listed in city directories from at least 1883 to 1890, further details are scant.

This small collection consists of receipts and correspondence relating to George and Kent’s trade in granite memorials. Concentrated in a narrow window, mostly 1887-1888, the collection includes three sketches for memorials to be produced by the firm.

An organizer, consultant, and educator in the alternative agriculture movement, Grace Gershuny has been active in the field since the 1970s when she worked for the Northeast Organic Farming Association (NOFA), developing its first organic certification program. As a leader in the movement, Gershuny helped to establish both the Organic Trade Association and the Organic Farmer: The Digest of Sustainable Agriculture. Today she continues to write and teach on the subject, serving as a faculty member at a number of colleges, most recently Green Mountain College.

The collection consists chiefly of printed material from a run of the Organic Farmer to Appropriate Technology Transfer for Rural Areas (ATTRA) publications and organizational newsletters, such as the Rural Education Center. Amongst these publications are a few small but significant groups of materials including notes from Gershuny’s role as the NOFA VT coordinator in 1979 and her drafts and notes for the second editions of The Soul of Soil.

As an undergraduate at Williams College, William (Bill) Harding undertook a research project on the Bennington Centre Cemetery in Vermont to document its stones, through which he became engaged in a longer-term study of the most important carvers represented there in the years after the American Revolution, Zerubbabel Collins and Samuel Dwight. Harding’s work was an important contribution to understanding the transition from death’s head imagery to the gentler cherubs of the early national period and he unearthed significant detail on the lives of noted carvers. Harding went on to study medicine, but remained active in the early conferences of the Association for Gravestone Studies and as a lecturer on the topic for several years until the demands of his professional life gradually intervened.

Centered on his study of Vermont carvers and early gravestone iconography, the Harding collection includes photographs, research and lecture notes, some correspondence, and a sampling of published material. The collection contains Harding’s bachelor’s thesis, “The graveyard at Old Bennigton, Vermont, and the gravestones of Zerubbabel Collins” (1972) and his later, more comprehensive study “Bennington Gravestones” (1975), and notably, two fine prints of gravestones by his colleague, Daniel Farber.

A long-time agricultural and environmental writer and editor, Susan J. Harlow has deep roots in New England and Vermont agriculture and organic farming communities. Harlow Farm, where she lives and grew up, was one of the first organic vegetable farms in New England, and was named Vermont Sustainable Farm of the Year in 1998. Her interests in journalism, communications, and farming have led to numerous publications, projects, and collaborations, including a period as Associate Editor for the Farm Progress Companies, serving as the Director of Communications at Antioch University New England, a published history on the University of Vermont Extension System, and numerous articles, including recurring pieces in American Agriculturalist.

The Susan Harlow Organic Farming Oral History Collection consists of six audio oral histories and additional notes from other interviews conducted by Harlow with Vermont organic farmers. Many of the interviews were part of a 2013 exhibit “Plowing Old Ground: Vermont’s Organic Farming Pioneers,” a collaborative effort with photographer John Nopper, who photographed the subjects of Harlow’s interviews. The visual exhibit featured interview summaries and quotations alongside photographs from six farms and their farmers, all pioneers in the history of organic farm production, marketing, and distribution in Vermont. The collection contains Harlow’s notes and transcriptions along with oral histories and interviews with: Jake and Liz Guest, Jack and Anne Lazor, Joey Klein, Bruce Kaufman, Howard Prussack, Paul Harlow, R. Houriet, Samuel Kaymen, Will and Judy Stevens, Richard Wiswall, and Enid Wonnacott.

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.

See the exhibit Photographer: DMH

Margaret R. Jenks has been a family genealogist since 1964 and a cemetery transcriber since 1978. A prolific writer, she has published books listing all the cemetery inscriptions of the twenty-seven towns in Rutland County, Vermont, and of Granville, Washington County, New York, and she has conducted research on the stonecarvers of Rutland County. She served six years as a trustee of the Association for Gravestone Studies.

The Jenks collection is comprised of eighteen volumes containing exhaustive documentation of gravestone inscriptions from the following cemeteries in Vermont: Benson, Brandon, Castleton, Chittenden, Clarendon, Danby, Fair Haven, Granville (Washington County), Hubbardston, Ira, Mendon, Middleton, Mount Holly, Mt. Tabor, Pawlet, Pittsfield, Pittsford, Poultney, Proctor, Putney, Rutland, Sherburne, Shrewsbury, Sudbury, Tinmouth, Wallingford, Wells, West Haven, West Rutland.

The organization Justice for Woody (JFW) was formed in December of 2001 in the weeks immediately following the death of Robert “Woody” Woodward, a political and environmental activist, social worker, teacher, and mountaineer. JFW seeks not only to honor Woody’s legacy, but also to advocate for a fair an independent investigation. The collection consists primarily of newspaper articles from various New England papers as well as Attorney General Sorrell’s Report and an independent analysis of it.

Nina Keller riding in the back of a hay truck, Wendell, 1980.

Currently residing in Wendell, Massachusetts, Nina Keller has had an active role in environmental and social activism in the Pioneer Valley and New England area for the better part of 40 years. Since the 1970s, Keller has played an active role in local and regional activism, from the antinuclear movement to hazardous waste disposal. She was an initial member of the Alternative Energy Coalition (AEC), was part of the Friends of the Earth (FOE) environmental organization, and most notably took part in efforts to close the nearby Vermont Yankee Nuclear Power Plant. At 62, Keller currently chairs the Wendell Board of Health, and has had a recent history of participation in local government.

The Nina Keller Collection is largely organized into five subject areas used by Keller to organize her files: Economics; Environmental Issues; Hazardous Materials; Nuclear Power; and Pesticides and Herbicides. Of note within these files are local, state, and federal reports and documents covering topics such as nuclear emergency evacuation plans, chemical sprays and their health effects, and hazardous waste regulation. Several items reflect Keller’s personal life, most notably two journals from Montague Farm, used communally for diary entries, drawings, clippings, photographs, and account keeping. The collection’s focus spans from the 1970s to the 1980s, as well as the early 2000s.

The family of Roxana Kingsbury Gould (nee Weed) farmed the rocky soils of western New England during the late nineteenth century. Roxana’s first husband Ambrose died of dysentery shortly after the Civil War, leaving her to care for their two infant sons, and after marrying her second husband, Lyman Gould, she relocated from southwestern Vermont to Cooleyville and then (ten years later) to Shelburne, Massachusetts. The Goulds added a third son to their family in 1869.

A rich collection of letters and photographs recording the history of the Kingsbury-Gould families of Shelburne, Massachusetts. The bulk of the letters are addressed to Roxana Kingsbury Gould, the strong-willed matriarch at the center of the family, and to her granddaughter, May Kingsbury Phillips, the family’s first historian. In addition to documenting the complicated dynamics of a close-knit family, this collection is a rich source for the study of local history, rural New England, and the social and cultural practices at the end of the 19th and beginning of the 20th centuries.