Collecting area: New England

A cooper based in South Hadley, Massachusetts, during the first half of the nineteenth century, Cyrus White made tubs and barrels of all varieties: soap tubs, leach tubs, oil barrels and casks, cheese presses, butter churns, and buckets.

Cyrus White’s daybook is a closely focused record of the range of work of one cooper in a country town in Massachusetts. White’s work ranged from repairing wheelbarrows and making washing machines to making all varieties of a cooper’s oeuvre.

A convinced Friend who became an advocate for peace, Willis H. White was a member of the East Greenwich Monthly Meeting. A secretary in the Providence-based real estate firm William H. White & Sons, White was active in several organizations promoting peace and spiritual renewal within the Society of Friends in the years after the First World War.

The bulk of Willis H. White’s papers are concentrated on his activities on behalf of peace, social justice, and the Society of Friends in the period 1919-1922. The collection includes materials documenting White’s work with the American Friends Service Committee and on invigorating the Society through the London Conference of All Friends and the evangelical Forward Movement of Friends, and there is a relatively small, but interesting series of letters from the labor and peace activist, A. J. Muste.

Frederic Allen Whiting at his typewriter

Frederic Allen Whiting Jr., the “Poet Laureate of Perkins Cove”, was born on January 10, 1906 in Boston Massachusetts to Olive Elizabeth Cook, a singer, and Frederic Allen Whiting Sr., a philanthropist and museum director and president of the American Federation of Arts. They moved to Cleveland in 1912 where Frederic Sr. became the director of the Cleveland Museum of Art. Having a father as the director of a cultural heritage institution, exposed young Frederic to the intellectual class. He met poets, scholars, and others from the world of arts and letters including Sir Lawrence Binyon, Langdon Warner, Carl Purington Rollins, and Thomas Whitney Surette. He attended the private Hawken School in Cleveland and Deerfield Academy in Massachusetts, which he referred to later as “redolent of witchcraft and Indian massacres, and compliance with chamber of commerce goals and attitudes”. He went to Harvard for two years before becoming a freelance writer.

Adopting the pen name Allen Whiting, his first foray into writing began when he wrote commentary and criticism for the Magazine of Art, the organ of the American Federation of the Arts, where he was also editor from 1931-1942. Some of his pieces for the magazine were republished in the New York Herald Tribune and The Washington Post. Under his tenure, the circulation rose and he became familiar with all aspects of magazine production and made contacts with members and chapters of the American Federation of Arts, which consisted of artists, writers, teachers, museum officials, art dealers, and officials working with U.S. government cultural projects. On one occasion in 1940, Whiting took charge of the Federation’s annual convention, which met in San Francisco. He left the magazine in May 1942 to participate in the war effort.

Whiting was appointed Chief of the Office of War Information’s Overseas Exhibit Section. Charged with developing programming and staff, Whiting aimed to project positive visual images of the United States to Europeans. He was responsible for planning and carrying through creative programming, administrative duties, and liaison work with other civilian agencies, Army & Navy administrators, business leaders, and the press. Following the end of the war, he was brought to Washington by Elmer Davis to develop an exhibit aimed at explaining to liberated Europe the demand on resources of the continuing war in the Pacific. The project was abandoned following the surrender of Japan in August of 1945.

Following the war, Whiting became a freelance writer and photo editor, wrote two novels, short stories, and non-fiction pieces on a variety of subjects, including politics, the arts, and food. He designed and produced a brochure for a New England children’s camp and was a contracted photo research and editor for the State Department.

In 1951 he was recruited to work as a civilian information specialist with the Department of the Army’s Reorientation Division for occupied areas, which was responsible for supplying materials used to re-educate the people of Japan and the Ryukyu Islands. Out of an office in New York, he supplied the U.S. Information Centers in Japan with musical recordings and other media. The job ended following the end of the U.S. occupation in December, when he resumed freelance writing and editing. He moved his parents from Florida to Ogunquit, Maine in 1952, where he became the Associate Director of the Museum of Art of Ogunquit where he assembled a Winslow Homer exhibit but was later “politely fired” by Henry Strater.

Throughout the 1950s Whiting’s wife Rose suffered from several strokes and eventually died in 1960. Whiting was also caring for his aging parents, which caused much stress and led to excessive drinking where his “control over beverage alcohol had left me behind”. His mother died in 1955. During this time he found solace in the Roman Catholic Church and was committed to the Augusta State Hospital in 1957. Whiting’s battles with alcoholism and simultaneous search for God was explored in his unpublished 1965 autobiographical novel, Minutes of the Days.

The collection contains evidence of an attempt to start an organization called The Society of Servants of Rose Hill, whose aim was to “bring to bear in a practical manner the venerable and curative offices of prayer and work upon those in particular need of them”. The goal was to create cooperatively governed outpatient retreat centers in bucolic settings for people recently released from psychiatric institutions. The mission statement stated that no one would be turned away for financial or religious reasons. There is no evidence that the organization ever came to fruition.

Whiting’s career as a published poet began in the 4th grade. He was eventually published in several magazines including Spirit: A Magazine of Poetry, The American Poetry Magazine, The Harvard Advocate, Voices, and The Cecelian. He spent much of his creative life in Ogunquit, Maine reading his work at informal gatherings of “mostly young people of creative bent, gathered in the vicinity of Perkins Cove”. In 1952 he completed his first novel, The Gift of Merlon Crag.

The collection consists of copies, drafts, published and unpublished copies of Whiting’s poetry written throughout his lifetime. The manuscript of his unpublished autobiographical novel, Minutes of the Days is also contained herein. Some biographical information, written by Whiting while planning to release Minutes of the Days, is in the collection as well.

Shortly after graduating from college in 1920, Martha Richardson married Philip F. Whitmore, a market gardener from Sunderland, Mass., and 1915 graduate of Massachusetts Agricultural College. As a housewife and mother of three, Martha supported Philip, who became a Trustee of his alma mater and a representative in the State House (1950-1962). Philip Whitmore died in 1962, with Martha following nineteenth years later.

This small collection includes six scattered diaries of Martha Whitmore, kept somewhat irregularly during the years 1937, 1947, 1950, 1953, 1957, and 1962. Largely personal in nature, they are centered on home and family life, husband and children, and Martha’s love of nature, but they include occasional references to Philip Whitmore’s political activities and the University of Massachusetts.

Wagonwright and celebrated inventor of a machine that made cotton and wool cards from West Cambridge (now Arlington), Massachusetts. Includes records of services provided, such as repairing, cleaning, painting and varnishing chaises; providing wheels, springs, waterhooks, whippletrees, bellybands, and carpet; and mending reins and harnesses. Also contains lists of customers (including many prominent families from the town) and records of cash transactions.

Born in the Quabbin town of Enfield, Mass., Bob Wilder (1933-2015) rose from a life of poverty to a successful career in the Marine Corps and the aerospace industry. Becoming an avid local historian in his retirement, he drew upon his rural childhood while working later as an interpreter at Old Sturbridge Village and became a popular lecturer on topics in regional history.

This small collection consists of materials relating to Wilder’s family and his research into the history of the Swift River Valley and the Quabbin Reservoir. In addition to some Wilder family photographs, the collection includes hand-drawn maps, newspaper clippings, town reports, magazine articles, oral histories, and poems about the towns of the Swift River Valley. Of particular note are several video recordings of Wilder’s lectures and an extensive series of oral histories with Wilder recorded by Marc Peloquin.

Wilderness Monthly Meeting originated out of an independent worship group in Shrewsbury, Vermont, in 1972. Moving to the Farm and Wilderness Camps at Plymouth, Vt., in 1977, it came under care of Bennington Monthly as the Wilderness Meeting, setting off as a monthly meeting in the following year. It has subsequently moved to Ludlow, Rutland, Tinmouth, Wallingford, and (currently) Cuttingville, Vt.

The records for Wilderness Monthly Meeting in SCUA consist solely of state of the society reports, 1991-1994.

The human geographer, Richard Wilkie received his doctorate from the University of Washington in 1968, the same year he joined the faculty at UMass Amherst. His research has included a long-term longitudinal study of the assimilation of Argentine migrants, a study of the periodic market system in the Guatemalan highlands, and other projects that range from the European Mediterranean to Hawaii, Malaysia, and Ecuador. Beginning in the 1990s, he turned increasingly to analyzing the concept of attachment to place and the importance of place in the lives of people. Wilkie retired in 2009, but has remained active in teaching, mentoring graduate students, travel, and photography.

This collection consists of town maps excised from mid-nineteenth century atlases, including Smith’s Map of Hartford County (1855), Clark and Tackabury’s New geographical map of the State of Connecticut (1860), and F.W. Beer’ Atlas of Litchfield County (1874).

During the early decades of the nineteenth century, Roger Williams ran a ferry in West Springfield, Mass., carrying passengers and freight across the Connecticut River.

The Williams ledger is a combination daybook and account book, recording several dozen transactions of a Connecticut River ferryman, centered on the years around the War of 1812. Most of the entries are brief records of trips carrying individuals or freight across the river, however a few provide indications of other economic activity, including framing and joining, making a coffin, fixing sleds, and cidering.

A philosopher, writer, activist, and artist, Douglas Wilson founded the Rowe Conference Center affiliated with the Unitarian Universalist camp in Rowe, Mass. Born in Vancouver, B.C., in 1946, but raised primarily in California, Wilson earned degrees at UC Santa Barbara (1967) and the Starr King School for the Ministry in Berkeley (1970), before being ordained at the First Uniarian Congregational Society in Brooklyn. He first came to Rowe in 1971 to work as assistant director of the Junior High summer camp, but soon proposed building a center at Rowe modeled on the Esalen Institute which would offer year-round retreats and workshops founded in Unitarian Universalist principles of equality, justice, freedom, peace, and the respect for the interdependent web of all existence. Serving as Executive Director (and after 1985, as co-Executive Director with his partner Prue Berry), Wilson brought together people who were “politically aware, psychologically sophisticated, and religiously based,” ranging from the Berrigans and Nearings to Jean Houston and Abbie Hoffman. The Wilsons retired from Rowe in December 2012.

The Wilson collection contains nearly forty years of files accumulated during Douglas Wilson’s time as Director of the Rowe Conference Center. In addition to a nearly complete run of the Center newsletter, Wilson retained materials on dozens of the thinkers, writers, and activists who came to Rowe, with each file containing correspondence (usually both directions), background notes and clippings.