Collecting area: New England

Allen Hale Johnson, known professionally as Hale Johnson, was born on December 25th of 1937 to parents Louise and Lawrence Johnson. Hale reflects on his childhood, writing “The key is to have passion. What a gift that is. My parents gave me a little talent and I’ve tried not to abuse it. I feel lucky”. This appreciative nature and desire to nurture his creativity would go on to define all corners of Hale’s life – from his career, to his marriage, to the way he loved his golden retrievers.

He married his wife, Lorraine Karaffy on October 7, 1961 at Narrow Memorial Methodist Church of Maplewood, New Jersey. Hale spent some of the early years of his marriage stationed at Fort Dix, New Jersey, with both the ins and outs of his experiences there as well as the dynamics of his relationship beautifully encapsulated within the abundance of correspondence within this collection.

Their lives, both as a unit and as individuals, were defined by their love for art, beautiful places, and each other. Lorraine went on to work as a florist, spending her free time giving back to the community through volunteer work at places like the Greenfield Public Library. Hale went on to have a successful career painting very detailed landscapes – booking one-man exhibitions with galleries such as, but not limited to, The Tilting Windmills, The Harrison Gallery, William Baczek Fine Arts, and The Greylock Gallery. The subject matter of these works typically revolve around Western Massachusetts, broadly New England, and coastal Maine, aiming to capture the richness of the landscapes, void of people.

Lorraine and Hale eventually settled at a home in Colrain, Massachusetts, which is where they would stay for the remainder of their adult lives. This property and the many people who would come to visit it over the years, are a recurring subject in his personal photographs.

Hale and Lorraine stayed together until her passing on November 10, 2019. Hale made a large donation of $500,000 in her name to the Greenfield Public Library, which at the time was undergoing a major reconstruction project. The reading room of the Greenfield Public Library is now dedicated to Lorraine Johnson due to this hefty contribution.

The A. Hale Johnson Papers consists of a mix of documents and ephemera spanning from the mid-19th century to 2022. Included in the collection is correspondence, records and photographs covering two main categories: his professional work as a landscape painter and his personal life, spanning from his time as a young man in the military all the way through his older years as an established member of his community.

Father and son wood turners, manufacturers of ladders, and general wood workers from the Loudville section of Westhampton, Massachusetts. Includes names of customers and businesses (bulk of the accounts are with local lumber and furniture dealers S.M. Smith Co., E.H. Lyman, Medad Pomeroy, and Charles Loud & Co.), items sold (such as bureaus, tables, and lumber), furniture that they repaired, and supply items which they acquired (such as varnish, stain, glass, tacks). Also contains documentation of employee payment, flour, tow, sugar, and coffee purchases, and employee lost work days.

Raised on Long Island, Ed Judice embarked on a path in photography at the age of 13 when he took a job sweeping floors in a local photo studio. After picking up work photographing locally and a stint in the army, he moved to New York city, Judice began doing commercial work for ad agencies and magazines and eventually with Polaroid. Through Polaroid, he began developing contacts in western Massachusetts, eventually moving to Wendell in the early 1970s. He maintains an active studio in Northampton.

The Judice collection consists of a series of 59 digital images relating to a photo documentation project at the Rodney Hunt factory in Orange, Mass., in 1973 and 1974; a series of photographs documenting the bicentennial of Wendell in 1981; and two video documentaries of the Three County Fair, Northampton, Mass., 2007, and “Benny and Joe: A friendship,” 2010.

The organization Justice for Woody (JFW) was formed in December of 2001 in the weeks immediately following the death of Robert “Woody” Woodward, a political and environmental activist, social worker, teacher, and mountaineer. JFW seeks not only to honor Woody’s legacy, but also to advocate for a fair an independent investigation. The collection consists primarily of newspaper articles from various New England papers as well as Attorney General Sorrell’s Report and an independent analysis of it.

An artist, writer, and activist for the disabled, Paul S. Kahn was born on Nov. 6, 1945, into a second-generation family of Jewish immigrants in Auburndale, Mass. Early in life, Kahn rebelled against the perceived “powerlessness” of the neuromuscular disorder with which he was born, pursuing an artistic, academic, and activist life. While studying drawing, painting, and sculpture at Boston University and earning a MA in counseling at Northeastern (1982), Kahn became an activist in the independent living movement and a pioneer in advocating for personal care assistance. Living independently from 1979, he worked as staff therapist at the Beth Israel-Deaconess Medical Center, as leader of a support group for the Muscular Dystrophy Association, and as a member of the Massachusetts Governor’s Advisory Commission on Disability Policy. In 1980, Kahn met Ruth Stern, who would become his frequent collaborator and wife of 21 years. As Kahn’s physical condition weakened after 1987 and he became dependent upon a ventilator, his creative focus shifted increasingly from art to writing and editing. The last two decades of his life were remarkably productive, resulting in over twenty plays and dozens of published essays and poems, and he was the long-time editor of the newsletter Disability Issues. Kahn died on Jan. 1, 2010.

Paul Kahn’s papers are a reflection of the intensely creative life of a committed activist. The collection centers on Kahn’s literary work, including manuscripts of his plays, essays, and poetry, but it includes numerous examples of his artwork and a number of home movies and tape recordings from his childhood.

Founded in Amherst, Mass., by Paula Green and associates in 1994, the Karuna Center for Peacebuilding addresses the global challenges of ethnic, religious, and political conflict. Often partnering with other regional, governmental, educational, or religious organizations, the Center regularly conducts courses, workshops, and other programs with the goal of addressing the root causes of conflict, preventing escalation, and fostering reconciliation. From their early efforts in Bosnia and Kosovo, they have branched out to more than twenty countries, including Afghanistan, Nepal, South Africa, and Palestine.

The Karuna Center collection is a record of an industrious organization committed to building peace internationally. The Center retains records of each international program, including copies of materials used during training and workshops and photographs and summary reports of their activities.

Temporarily stored offsite; contact SCUA to request materials from this collection.

Denise Karuth and Fred Pelka are activists and historians of the disability rights movement based in Massachusetts. Both are graduates of SUNY Buffalo, while Karuth holds a masters in rehabilitation counseling from Boston State College and a masters in divinity from the Episcopal Divinity School in Cambridge. Karuth came into activism through her church’s involvement in the civil rights movement and her own experience as a student dealing with blindness and multiple sclerosis at the State University of New York at Buffalo. After moving to Boston, her activism continued in efforts by the disability community to secure accessible and affordable mass transit in Massachusetts, and she has been involved with a broad spectrum of disability campaigns and organizations, serving as a peer counselor for people with disabilities, as Executive Director of Boston Self-Help Center, as a consultant on disability issues for the Human Genome Initiative, as a grant writer at the Stavros Center for Independent Living, and as Chair of the Governor’s Commission on Accessible Transportation under Gov. Michael Dukakis. She has also been an advocate for people who are homeless and was a principal founder of the First Church Shelter of the First Church in Cambridge. Karuth’s lifelong partner Fred Pelka, himself a person with disabilities, became involved in disability rights activism in 1983 while working at the Boston Center for Independent Living, and has made an impact as an editor and prolific author since. A 2004 Guggenheim Fellow, he has written three books on disability issues: The ABC-CLIO Companion to the Disability Rights Movement (1997), The Civil War Letters of Charles F. Johnson, Invalid Corps (2004), and What We Have Done: An Oral History of the Disability Rights Movement (2012). His fourth book, A Different Blaze, was published by Hedgerow Books in 2014, and is his first published poetry.

The Karuth and Pelka collection documents thirty years of social justice activism in Massachusetts centered on the movement for disability rights. Beginning in the1980s struggle for accessibility in transportation, the collection reflects the breadth of Karuth’s commitments and work on issues ranging from apartheid and US imperialism to homelessness and HIV/AIDS, and her work with organizations such as First Church in Cambridge, Amnesty International, Not Dead Yet, the Governor’s Council of Accessible Transportation, and the Boston Self Help Center. Pelka’s part of the collection contains extensive research and background material, notes, and drafts for each of his books, including lengthy transcripts of interviews with pioneers in disability rights.

A veteran of the peace movement and founder of the Traprock Peace Center (1979), Randy Kehler was active in the National Nuclear Weapons Freeze Campaign, the Peace Development Fund, and the Working Group on Electoral Democracy. Beginning in 1977, he and his wife became war tax resisters, withholding federal income tax to protest U.S. military expenditures, donating it instead to charity. As a consequence, their home was seized by the IRS in 1989, setting up a protracted legal struggle that resulted in Kehler’s arrest and imprisonment and the sale of the house. They remain tax resisters.

The Kehler Papers document the five year struggle (1989-1994) against the seizure and sale of the Kehlers’ home by the IRS. The collection includes meeting minutes, notes, correspondence, newspaper clippings; letters to the editor, essays, articles, plans and strategy documents for the vigil set outside the Kehler home; support committee information and actions; correspondence with government officials, the IRS, and the Justice Department; letters of support; documents from the legal proceedings; and political literature addressing the Kehlers’ situation.

Sharon Keim has been active in the arts in Washington, D.C., as a photographer, independent curator, adjunct professor and lecturer at Georgetown University, and lecturer at the Washington Center for Photography and The Martin Gallery. The recipient of an MA from the National Louis University, Keim studied studio photography and art history at the School of the Art Institute of Chicago, working in papermaking, screenprinting, and letterpress. From 1981 to 1986, she was director of In The Mind’s Eye, Inc., a fine art photography dealership in Washington, and she founded, and served as executive director of The Washington Center for Photography.

The Keim Collection includes a copy (8/10) of her artist’s book, Stones: Standing in the Shadow of Time, which was printed at the Hand Print Workshop International in New Baskerville Italic on Somereset and Vellum paper. Accompanying the volume is a portfolio of forty gravestone rubbings on rice paper made on Cape Cod between 1995 and 1997, using D. H. George and M.A. Nelson’s book Epitaph and Icon (1983) as a guide.

Nina Keller riding in the back of a hay truck, Wendell, 1980.

Currently residing in Wendell, Massachusetts, Nina Keller has had an active role in environmental and social activism in the Pioneer Valley and New England area for the better part of 40 years. Since the 1970s, Keller has played an active role in local and regional activism, from the antinuclear movement to hazardous waste disposal. She was an initial member of the Alternative Energy Coalition (AEC), was part of the Friends of the Earth (FOE) environmental organization, and most notably took part in efforts to close the nearby Vermont Yankee Nuclear Power Plant. At 62, Keller currently chairs the Wendell Board of Health, and has had a recent history of participation in local government.

The Nina Keller Collection is largely organized into five subject areas used by Keller to organize her files: Economics; Environmental Issues; Hazardous Materials; Nuclear Power; and Pesticides and Herbicides. Of note within these files are local, state, and federal reports and documents covering topics such as nuclear emergency evacuation plans, chemical sprays and their health effects, and hazardous waste regulation. Several items reflect Keller’s personal life, most notably two journals from Montague Farm, used communally for diary entries, drawings, clippings, photographs, and account keeping. The collection’s focus spans from the 1970s to the 1980s, as well as the early 2000s.