Collecting area: New England

Temporarily stored offsite; contact SCUA to request materials from this collection.

In the fall 1987, a working group was formed in Boston to help coordinate planning for HIV-related services, prevention, and education. The Boston AIDS Consortium began operations the following January with the goal of ensuring effective services for people affected by HIV/AIDS and enabling them to live healthy and productive lives. In its eighteen year existence, the Consortium worked with over seventy public and private agencies and two hundred individuals.

The Records of the Boston AIDS Consortium provide valuable insight into community-based mobilization in response to the AIDS epidemic.

The Boston Bluegrass Union (BBU) is run by an all-volunteer Board of Directors, with a mission to educate people in the Northeast about bluegrass music.  Formed in 1976, the BBU hosted its first concert on October 3, 1976, with Joe Val and the New England Bluegrass Boys. The BBU is the premier source for bluegrass music activities in the Northeast, presenting concerts, festivals, education programs, and informal music get-togethers. Over its nearly 50 years, the BBU has become the central resource for everything bluegrass in Boston and has, in part, been responsible for creating the vibrant market for bluegrass that exists today in the Boston area. Since its founding, BBU has presented over a thousand shows featuring top national and regional artists, making it one of the longest running such series in the country.  The list of bluegrass bands that have been featured over the years includes such acts as Bill Monroe and the Bluegrass Boys, Ralph Stanley , Jim and Jesse, Tony Rice, the Country Gazette, The Johnson Mountain Boys, The Seldom Scene,  J.D. Crowe and the New South, Hazel Dickens, Laurie Lewis, the Lynn Morris Band, the Good Old Persons, the Lonesome River Band, IIIrd Tyme Out, Special Consensus, Dry Branch Fire Squad, and the Claire Lynch Band. While BBU was first focused on concerts, their signature event is now the annual Joe Val Bluegrass Festival, presented Presidents Weekend at the Sheraton Framingham Hotel.  The Joe Val Festival had its origins in 1985 as a fundraiser to assist the ailing Joe Val with his medical expenses. His untimely passing and his remarkable talents continue to be honored with the three-day festival which bears his name. The event features a star-studded Main Stage, a Showcase Stage which shows off the talents of up-and-coming regional bands, the Joe Val Kids Academy, over 50 workshops, vendors, and round the clock jamming. The festival was awarded the International Bluegrass Music Association’s Event of the Year in 2006. 2026 marks the 40th edition of the Joe Val Bluegrass Festival, the 100^th anniversary of Joe Val’s birth, as well as the 50^th anniversary of the BBU’s founding.  

The Boston Bluegrass Records currently consists of 32 issues of the group’s newsletter, Bluegrass Breakdown, event flyers, and concert recordings. Additions to the collection are expected.

Founded in 1973, the Boston Jazz Society grew from a small group of enthusiasts listening to music in living rooms to a thriving organization that “kept Jazz alive” in New England. As Jazz’s popularity began to fade in the late 1960s, local Jazz societies formed to provide support to artists and give them the means and venues to continue to perform on the road. The Boston Jazz Society was originally inspired by one of the earliest, the Left Bank Jazz Society of Baltimore. Like the Left Bank, BJS produced concerts in clubs, theaters, and hotels but expanded their efforts to include exhibits, television and radio shows, and a Jazz education program for grade school students. The longest running BJS activities, however, were the annual Jazz Barbecues and starting in 1975, the BJS Scholarships. The scholarship program raised funds for young Jazz musicians to attend the New England Conservatory of Music’s Jazz Department and the Berklee School Of Music and began the musical careers of many important musicians, composers, and teachers. BJS was also deeply connected to the local music scene, celebrating Roxbury, Mass. natives Alan Dawson and Roy Haynes, whose brother Vincent was a long-time board member, among many others. After 42 years of promoting Jazz music in Boston, the Boston Jazz Society, Inc. dissolved in 2015.

The Boston Jazz Society Records extensively document BJS’s meetings, events, business dealings, and scholarship administration through meeting minutes, posters, correspondence, photographs, recordings, videos, and BJS’s own propaganda and publications. The majority of the BJS records came from the collection of founding member and longtime president Aureldon Edward Henderson and also represents his involvement in promoting Jazz in the Boston area.

Although Quakers first worshipped in Boston in 1661, they were late in the game in organizing a formal meeting. A preparative meeting operated in the city for just over a hundred years (1707-1808) under the auspices of the Salem Monthly Meeting, and a second attempt at building a community began in 1870 with authorization of an indulged meeting in Roxbury. Set off formally as the Boston Monthly Meeting Friend in 1883, this meeting continued until 1944, when it merged with an independent meeting in neighboring Cambridge to create the current Friends Meeting at Cambridge.

The records in this collection offer thorough documentation of the Boston Monthly Meeting of Friends from its establishment as an indulged meeting in 1870 through to its merger in 1944 and change of name to the Friends Meeting at Cambridge. In addition to the meeting minutes, the collection includes substantial records of the monthly’s Friends Guild and Women’s Foreign Missionary Society.

L-R: Steven Botkin (MRC Executive Director), Thulanu Nkosi (men's work leader in South Africa), and Rob Okun (MRC Associate Director), ca. 2000

Joining a men’s group soon after his arrival in the Pioneer Valley in 1979, and finding the support and community there important personally, and professionally for his graduate work in anti-oppression education, Steven Botkin began his now decades long work in anti-sexist activism. While doing his doctoral work at the University of Massachusetts Amherst, in 1982, Botkin co-founded the Men’s Resource Connection (MRC) to promote healthy ideas of masculinity and male leadership by challenging harmful stereotypes involving violence, sexism, and oppression and to create a local network devoted to this work. He completed his Ed.D. in 1988 (dissertation entitled Male Gender Consciousness: A Study of Undergraduate College Men) and continued to guide the MRC into a successful non-profit community-based organization, whose programs became a model for men’s organizing in communities around the world. In 2004, Botkin founded Men’s Resources International (MRI) to support the development of masculinity awareness and men’s engagement as allies within a global network. MRI eventually merged with MRC to form MERGE for Equality, Inc. Botkin additionally co-founded the Springfield based Men of Color Health Awareness (MOCHA), and the North American MenEngage Network, and has served as a leader, trainer, educator, and consultant for local, national, and global men’s groups and organizations, including in Africa, Asia, and Europe, and for groups such as the YMCA, Planned Parenthood Federation, Save the Children, the International Rescue Committee, and the Women’s Peacemakers Program.

The Steven Botkin Papers document Botkin’s long career in global men’s organizations and networks and their work in policy, education, empowerment, and organizing around the intersections of masculinity, gender, violence, sexism, oppression, power, politics, and society. Materials related to the men’s movement include significant records from the various groups Botkin co-founded and assisted, including organizational histories, program records and reports, meeting agendas, resource pamphlets, posters, networking and training curricula handbooks and handouts, a full run of the MRC magazine Voice Male, and video tapes and recordings. Botkin’s collection compliments and enriches the materials in the Men’s Resource Center Records.

Born in 1912 in Fargo, North Dakota, Fred W. Boughton was raised in Twin Falls, Idaho. He graduated from the University of Kansas during the Great Depression with a degree in chemical engineering. Unable to find a good job closer to home, he accepted a position at the Eastman Kodak company in Rochester, New York, an up-and-coming firm specializing in photography. At Kodak, he worked with a team that invented a transformative photo paper. Over the years, he rose to the position of Vice President. His career was only half the picture, however, in his spare time, Boughton was an artist. He began taking figure drawing classes at a local gallery, then moved onto watercolors of some of his favorite landscapes. Later, he delved into larger oil paintings in the abstract expressionist mode. Finally, he did a series of portraits of his family and other people, which captured individuals’ essence. Boughton’s grave rubbings were created mostly on family vacations to New England. He thought that these images were worth preserving for ages to come. When he and his wife retired to Florida, he became active in the local art community and was a volunteer docent at an art gallery. Boughton died in 1999; he made his art a work of life, and his life a work of art.

The Fred W. Boughton Collection consists of gravestone rubbings from New England, with an emphasis on Massachusetts, slides and photographs of tombstones, and research files created and collected during the 1970s-1980s.

For years, Mitzi Bowman and her husband Pete were stalwarts of the progressive community in Connecticut, and tireless activists in the movements for social justice, peace, and the environment. Shortly after their marriage in 1966, the Bowman’s settled in Newtown and then in Milford, Conn., where Pete worked as an engineer and where Mitzi had trouble finding employment due to her outspoken ways. In close collaboration, the couple became ardent opponents of the war in Vietnam as well as opponents of nuclear weaponry. The focus of their activism took a new direction in 1976, when they learned of plans to ship spent nuclear fuel rods near their home. Founding their first antinuclear organization, STOP (Stop the Transport of Pollution), they forced the shipments to be rerouted, and they soon devoted themselves to shutting down nuclear power in Connecticut completely, including the Millstone and Connecticut Yankee facilities, the latter of which was decommissioned in 1996. The Bowmans were active in a wide array of other groups, including the New Haven Green Party, the Connecticut Coalition Against Millstone, the People’s Action for Clean Energy (PACE), and they were founding members of Fight the (Utility Rate) Hike, the Progressive Action Roundtable, and Don’t Waste Connecticut. Two years after Pete died on Feb. 14, 2006 at the age of 78, Mitzi relocated to Vermont, carrying on her activism.
The Bowman Papers center on Mitzi and Pete Bowman’s antinuclear activism, dating from their first forays with STOP in the mid-1970s through the growth of opposition to Vermont Yankee in the approach to 2010. The collection offers a valuable glimpse into the early history of grassroots opposition to nuclear energy and the Bowmans’ approach to organizing and their connections with other antinuclear activists and to the peace and environmental movements are reflected in an extensive series of notes, press releases, newsclippings, talks, ephemera, and correspondence. The collections also includes extensive subject files on radiation, nuclear energy, peace, and related topics.

The firm of Brackett and Shuff manufactured moldings, doors, and sashes in Lowell, Massachusetts, during the 1840s.

This slender ledger includes sparse accounts (fewer than 30p.) of millwork done by Brackett and Shuff, documenting the manufacture of moldings, doors, and sashes. Crudely kept and only partly filled out, it includes some records of setting up machinery, including tempering plane irons and truing shoulder saws.

A free-lance garden and landscape writer, Georgene A. Bramlage has published widely on garden and food-related topics and has been a member of the Garden Writers Association since 1980. She is the wife of William A. Bramlage, a member of the faculty in Plant and Soil Sciences at UMass Amherst. Long-time residents of Leverett, Mass., the Bramlages relocated to Roanoke, Va., in 2009.

An avid local historian, Bramlage collected pamphlets and ephemeral publications relating to the history of her town. This small collection includes a few items relating to the town’s bicentennial in 1974, newspaper clippings, genealogical information, and articles on its residents, and items relating to civic affairs in town. Several cookbooks donated by Bramlage were transferred to the McIntosh Cookbook Collection.

Frederick William Brazier (1852-1936) began his railroad career in 1877 as a car builder in his hometown of Boston, before working his way up the railroad business in Fitchburg, MA, where he was also involved with politics, including elected positions such as acting mayor of the city in 1893. He and his family then moved in 1893 to Chicago, IL, while he worked for the Illinois Central Railroad, and then left in 1899 for Yonkers, NY, where Brazier had an office in Grand Central Station while working for the New York Central Railroad. He concluded his career as Superintendent of Rolling Stock for the New York Central Railroad.

Brazier kept scrapbooks about the railroad throughout his life, and this collection includes two small (8×10) scrapbooks filled with clippings about the Fitchburg Railroad (and the town of Fitchburg in general), with a few pages about the New York Central Railroad. In addition to clippings, there is a small amount of related ephemera as well as personal items such as correspondence, Christmas cards, a few family photographs, and a 1904 pin recognizing Brazier as president of the Master Car Builders Association. Some scrapbook pages are stuck together and therefore inaccessible. A short biography of Brazier as well as his own essay, “My Railroad Service,” were included by the donor, a great-granddaughter of Brazier’s.