Collecting area: Massachusetts

Marie Alphonse Leopold Jehan Tudor Dedons “Yann” de Pierrefeu was born in 1905, the eldest of four children born into a distinguished family and heir to a French marquisate. After attending the Groton School and Harvard, Pierrefeu settled in Cape Ann, marrying Ellen Hemenway Taintor in 1930.

A dedicated, if idiosyncratic diarist, Pierrefeu left a large number of dense and often impenetrable volumes that can be part dream book, part imagination, and part quixotic engagement with the turbulent events of the 1930s. Laden with references to the Oz novels and replete with nicknames and apparently coded language, the diaries offer glimpses into Pierrefeu’s social life and marriage, and his reactions to the Great Depression, national politics, history, and the growing crises in Europe and Asia.

A 21-year-old carpenter, Phillip N. Pike left his home in North Adams, Massachusetts, in August of 1917 to enlist in the Signal Corps. Ordered first to Fort Sam Houston in San Antonio, Texas for training, and then to France in December of 1917, Pike was assigned to the 78th Aero Squadron of the American Expeditionary Forces, doing construction work on bases where the squadron was stationed. In recognition of his skills, he earned promotion to corporal and then sergeant before the war’s end. The squadron served primarily in Romorantin (Loir-et-Cher) and was redesignated the 490th Aero Squadron before demobilizing in late 1918.

The Pike letters are a relatively voluminous and interesting set of soldier’s letters from the First World War, written from the perspective of a worker on an air base. Although he was not an aviator, Pike’s letters contain many details about life on active duty with the AEF, from the time of his entry into the service in August 1917 through the last days of the war.

Founded in Athol, Mass., prior to1922, the Pine Beach Association operated a summer resort on the northern end of Lake Rohunta, a 383-acre reservoir owned largely by the Rodney Hunt Company. Recognizing the touristic and recreational opportunities, the Association built Pine Beach into a facility that included the Rohunta Inn (the former Elm Lodge Clubhouse), a restaurant, camping facilities, and a lifeguard-patrolled swimming area with water slides and other recreational facilities, all with the intent of becoming the “leading inland bathing beach of New England.” Although the hurricane of 1938 washed away Rodney Hunt’s dam and hydroelectric station, Pine Beach remained a popular destination, freely available to the company’s employees. In the 1980s, the properties were sold to the not-for-profit Lake Rohunta Beach Association, an association of 15 residential properties.

This small collection contains postcards, photographs, and ephemeral material relating to the Pine Beach Association, concentrated in its early years.

The Pines in South Hadley, Mass., was a popular meeting place for men to socialize in the 1920s and 1930s. Employees of Bosch Magneto, the West End Sporting Club, and other groups who enjoyed hunting and fishing held special suppers where they consumed their prey with quantities of alcohol, Prohibition or not.

Using a standard hotel register, The Pines recorded a series of meetings of men’s groups in South Hadley, mostly centered around the activities of hunting and fishing. The Bosch Club (apparently employees of Bosch Magneto in Springfield), the Pines Gang, and the West End Sporting Club — with overlapping membership — held an array of events annually, including Coon Suppers, Deer Dinners, and Game Suppers, as well as occasional Chicken Fries, Piano Suppers, Pig Roasts, Dog Roasts, and special events such as member’s weddings. Summaries at the end of the year in 1926 and 1927, replete with bad verse, provide a sense of their socializing.

Collection of posters and newspaper clippings documenting the work of activists throughout the Pioneer Valley. Although the bulk of the materials relate to protests against the war in Iraq, other issues include rallies and protests at UMass, revival of SDS, the Valley Anarchist Organization, and pro-union demonstrations.

An urban planning firm based in Cambridge, Massachusetts, that assisted New England cities and towns with initiating and managing urban development projects. The firm had two main types of contracts, urban renewal and comprehensive community planning, and many of their projects were supported with funds designated by the Federal Housing Act of 1949.
Includes organizational histories, memoranda, correspondence, proposal guidelines, materials for citizen participation, job inventories and reports, brochures that document urban growth management and the problems of suburbanization in New England, background studies, planning reports, growth management policies, zoning bylaws and amendments, and the files of Katharine Kumala.

A Polish immigrant who arrived in the United States in 1912, Jacob Plata worked in factories in Chicago until the mid-1920s when he relocated to Massachusetts. Plata and his wife Mary operated a dry goods store on Main Street in Indian Orchard until his death in 1947, after which Mary continued in business until her death in 1963.

Jakob Plata’s autobiographical account, Pamietnik emigranta w Stanach Zjednoczonych (Memoirs of an emigrant to the United States), includes a literate and interesting account his emigration from Poland and transition into American life. This photocopy (114p.) was retained by the Plata family from a manuscript originally written for the Institute for Social Management in Warsaw in 1936.

Pleasant Street Monthly Meeting was formed in 1952 when a group from the programmed Worcester Monthly Meeting sought unprogrammed worship. After more than a decade as an independent meeting, Pleasant Street came under the care of Connecticut Valley Quarterly Meeting in 1963, and a decade later, they began to hold joint meetings with Worcester, formally merging in 1979 to form the Worcester-Pleasant Street Monthly Meeting (later Uxbridge Monthly).

This small collection consists of photocopies of the two original minutebooks compiled by Pleasant Street Monthly Meeting prior to its merger with Worcester to form the Worcester-Pleasant Street Monthly Meeting (now Uxbridge Monthly Meeting).

Lynne Pledger became active in waste management issues when Casella Waste Systems, a New England-based landfill company, applied to expand operations in Hardwick, Mass., potentially threatening the public water supply. Organizing a grassroots campaign, Pledger succeeded in getting Casella to drop plans to rezone the landfill in 2007, after the company failed to garner the necessary support in town meeting. Pledger has remained active in zero waste and waste reduction efforts, serving on the Zero Waste Committee for the Sierra Club, on the Clean Water Action Campaign, on the Massachusetts Department of Environmental Protection Solid Waste Advisory Committee, and co-founding Don’t Waste Massachusetts, an alliance of 25 environmental organizations supporting waste reduction measures.

This small collection contains documentation of grassroots opposition to the expansion of the landfill at Hardwick, Mass. Collected by Pledger, the material includes environmental and site reports, some filings, background information on the site and landfills, and some correspondence relating to the controversy.

Judy Polan, ca. 1984

Judy Polan was a folk musician who performed primarily throughout Western Mass and New England in the 1980s and 1990s. Born in 1948 in Albany, New York, she graduated from Barnard College in 1970 with a degree in Russian. She worked as a translator in Cambridge, Massachusetts and taught guitar lessons part-time before eventually moving to teaching and performing full time. She married Michael Schonbach in 1975 and moved to Western Mass two years later, living first in Northampton and then Chesterfield. During this period, her music career blossomed. She quickly became a favorite at local coffeehouses and other venues such as the Iron Horse Music Hall in Northampton the Sounding Board Coffeehouse in West Hartford, and Passim in Cambridge, playing both original songs and covers from a wide variety of genres. She was a four-time recipient of the “favorite musician” award in the Valley Advocate Reader’s Poll in 1985, 1993, 1994, and 1995. She was frequently played on radio stations throughout New England and Upstate New York. Polan also performed at weddings and children’s events. Her husband, Michael Schonbach often accompanied her on violin.

She released her first album, Judy, Judy, Judy in 1984 on her own record label, Ruby Slippers Records. The name was an homage to her love of the Wizard of Oz, songs from which would often feature in her shows. She was known by her fans as the “Folk Glitter Queen of New England”, due to her eclectic style of both music and costume, which often featured glittery red high heels fashioned after Dorothy’s ruby slippers from the Wizard of Oz. Over the course of her career she released two more full-length albums and one EP, Look to the Starsin 1986, Dream Dances in 1992 and Daffodils in 1996. Also in 1996, she released a musical interpretation of the poem “I Wandered Lonely as a Cloud” by William Wordsworth, which was used in a tourism campaign for the Lake District in Northwest England. During the early 2000s, Polan’s career shifted to writing, and she worked as an editor and writer for magazines such as Style 1900, Modernism and Jewish Ledger. She mainly wrote about design and travel and maintained a website and blog, Mad for Mod, throughout the 2010s. She also wrote humorous audio memoir essays that were featured on the Albany, NY NPR affiliate, WAMC. She also published a book of poetry, Glasgow Colours at a Decorative Arts Programme at the University of Glasgow. Her husband Michael passed away on June 16, 2022.

The Judy Polan Papers contain material from throughout Polan’s career as a working musician. This includes promotional materials such as concert flyers, profiles in local publications, business and personal correspondence, sheet music, and lyrics. It also contains several dozen recordings contained on different formats such as reels, cassette tapes, records and CDs. These consist of commercial releases, live shows, radio appearances, demo recordings, and master tapes. Polan’s ruby slippers, that she wore during performances, are also part of the collection.