Collecting area: Photographs

Born on April 15, 1919 in Baltimore, Maryland to David and Minnie Lipshires, Sidney was raised in Northampton, Massachusetts where his father owned two shoe stores, David Boot Shop and The Bootery. He attended the Massachusetts State College for one year before transferring to the University of Chicago and was awarded a BA in economics in 1940. His years at the University of Chicago were transformative, Lipshires became politically active there and joined the Communist Party in 1939. Following graduation in 1941, he married Shirley Dvorin, a student in early childhood education; together they had two sons, Ellis and Bernard. Lipshires returned to western Massachusetts with his young family in the early 1940s, working as a labor organizer. He served in the United States Army from 1943 to 1946 working as a clerk and interpreter with a medical battalion in France for over a year. Returning home, he ran for city alderman in Springfield on the Communist Party ticket in 1947. Lipshires married his second wife, Joann Breen Klein, in 1951 and on May 29, 1956, the same day his daughter Lisa was born, he was arrested under the Smith Act for his Communist Party activities. Before his case was brought to trial, the Smith Act was ruled unconstitutional by the U.S. Supreme Court. Disillusioned with the Communist Party, he severed his ties with it in 1957, but continued to remain active in organized labor for the rest of his life. Earning his masters in 1965 and Ph.D. in 1971, Lipshires taught history at Manchester Community College in Connecticut for thirty years. During that time he worked with other campus leaders to establish a statewide union for teachers and other community college professionals, an experience he wrote about in his book, Giving Them Hell: How a College Professor Organized and Led a Successful Statewide Union. Sidney Lipshires died on January 6, 2011 at the age of 91.

Ranging from an autobiographical account that outlines his development as an activist (prepared in anticipation of a trial for conspiracy charges under the Smith Act) to drafts and notes relating to his book Giving Them Hell, the Sidney Lipshires Papers offers an overview of his role in the Communist Party and as a labor organizer. The collection also contains his testimony in a 1955 public hearing before the Special Commission to Study and Investigate Communism and Subversive Activities, photographs, and biographical materials.

An historian and photographer, Allan I. Ludwig’s book Graven Images: New England Stonecarving and Its Symbols, 1650-1815 (1966) played a critical role in the rise in interest in gravestone studies in the 1960s. Born in Yonkers, N.Y., in 1933, Ludwig received his PhD in art history from Yale in 1964 and became involved with the Association for Gravestone Studies beginning with the initial Dublin Seminar for New England Folklife in 1976. He received the AGS Forbes Award in 1980 in recognition of his contributions to gravestone studies. He has been a professor of art history at Dickinson College, Bloomfield College, Rhode Island School of Design, Yale University, and Syracuse University. In addition to his books Reflections Out of Time: A Portfolio of Photographs (1981) and Repulsion: Aesthetics of the Grotesque (1986), Ludwig has curated numerous art exhibitions and exhibited his own photographs worldwide.

The Ludwig Collection consists of many hundreds of photographs of New England and English gravemarkers organized either by the deceased’s name or by the town, as well as copies of all photos used in Graven Images. Also included in the collection is a copy of Ludwig’s dissertation on gravestone iconography and offprints of several of his articles.

The descendants of Joseph Lyman (1767-1847) flourished in nineteenth century Northampton, Mass., achieving social prominence, financial success, and a degree of intellectual acclaim. Having settled in Northampton before 1654, just a generation removed from emigration, the Lymans featured prominently in the development of the Connecticut River Valley. A Yale-educated clerk of the Hampshire County courts, Joseph’s descendants included sons Joseph Lyman (an engineer and antislavery man) and Samuel Fowler Lyman (a jurist), and three Harvard-educated grandsons, Benjamin Smith Lyman (a geologist and traveler in Meiji-era Japan) and brothers Joseph and Frank Lyman (both trained in the natural sciences).

Consisting of the scattered correspondence and photographic record of three generations of an intellectually adventurous Northampton family, the Lyman collection explores the ebb and flow of family relations, collegiate education, and educational travel in Europe during the mid-nineteenth century, with important content on antislavery and the Free State movement in Kansas. Although the family’s tendency to reuse names (repeatedly) presents a challenge in distinguishing the various recipients, the focal points of the collection include the geologist Benjamin Smith Lyman, his uncle Joseph (1812-1871), cousins Joseph (1851-1883) and Frank, and Frank’s son Frank Lyman, Jr. Antislavery is a major theme in the letters of Samuel F. Lyman to his son Benjamin, and in the letterbook of the Kansas Land Trust, an affiliate of the New England Emigrant Aid Company, of which the elder Joseph was Treasurer.

A native of Northampton, Massachusetts, Benjamin Smith Lyman was a prominent geologist and mining engineer. At the request of the Meiji government in Japan, Lyman helped introduce modern geological surveying and mining techniques during the 1870s and 1880s, and his papers from that period illuminate aspects of late nineteenth century Japan, New England, and Pennsylvania, as well as the fields of geology and mining exploration and engineering. From his earliest financial records kept as a student at Phillips Exeter Academy through the journal notations of his later days in Philadelphia, Lyman’s meticulous record-keeping provides much detail about his life and work. Correspondents include his classmate, Franklin B. Sanborn, a friend of the Concord Transcendentalists and an active social reformer, abolitionist, and editor.

The papers, 1848-1911, have been organized into nine series: correspondence, financial records, writings, survey notebooks, survey maps, photographs, student notes and notebooks, collections, and miscellaneous (total 25 linear feet). A separate Lyman collection includes over 2,000 books in Japanese and Chinese acquired by Lyman, and in Western languages pertaining to Asia.

In the 1950s, William P. MacConnell (Class of 1943), and his photogrammetry students in the Dept. of Forestry began using aerial photography to map forests, agricultural fields, wetlands, and other land cover in Massachusetts. Their work was eventually expanded to include the mapping of all land use for Massachusetts, making this state the first in the nation to be completely mapped in this fashion, and laying the foundation for the U.S. Fish and Wildlife Service’s National Wetlands Inventory.

The MacConnell Collection includes a comprehensive set of stereopair photographs derived from multiple transects of the state taken between 1950 and 2000. In addition to some original field notes, a stereoscope, and other project materials, the collection includes the following series:

• 1951: Massachusetts, black and white prints (1:20,000 scale)
• 1971: Massachusetts, black and white prints (1:20,000)
• 1985: Massachusetts and Rhode Island, infrared transparencies (1:25,000)
• 1990: Boston, Cape Cod, Buzzard’s Bay, infrared transparencies (1:12,000)
• 1991-1992: Massachusetts, infrared transparencies (1:40,000)
• 1991-1992: Merrimack River Valley, North Shore, MDC-1, infrared transparencies (1:12,000)
• 1993: Massachusetts, Cape Cod, MDC-2, Nantucket, Dukes and Plymouth Counties, Naushon, West Metro, infrared transparencies (1:12,000)
• 1999: Massachusetts. infrared transparencies and prints (1:25,000)

We are in the process of digitizing the aerial photographs — the 1951-1952 photographs are currently available online. Use the searchable map index to find all available digital images.

The Red Cross played an important relief role in Yugoslavia, helping the still volatile region recover from the devastation of the Second World War.

The sketches and essays in this scrapbook, accompanied by a handful of photographs, were apparently made by grade school students in Skopje, Macedonia, just after the Second World War. The images depict the city, countryside, and people, with a handful of more abstract designs. Red Cross imagery is prominent throughout. Although the provenance of the album is uncertain, it seems possible that it was assembled to pay homage to the organization’s relief efforts.

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

Born to Japanese parents in Tacoma, Washington, in 1909, John Maki was adopted as an infant by a white couple and raised on their farm. After receiving both his bachelors (1932) and masters (1936) in English literature at the University of Washington, Maki was persuaded to switch fields to the study of Japan. Following a fellowship from the Japanese government to study in Tokyo in the late 1930s, the war interrupted his plans. After being ordered to internment, he served with the Foreign Broadcast Intelligence Service of the Federal Communications Commission and in psychological warfare planning with the Office of War Information, and after the war, he took a position with the occupation authority, assisting in the drafting of the Japanese Constitution. Returning stateside, he resumed his academic career, earning his doctorate in political science at Harvard in 1948. After eighteen years on the faculty at the University of Washington, Maki moved to UMass in 1966, where he served as chair of the Asian Studies Program and in administrative posts, including as vice dean of the College of Arts and Sciences. In recognition of his efforts to promote relations between the U.S. and Japan, he was awarded the Third Class Order of the Sacred Treasure by the emperor of Japan in 1983. Although he retired from the faculty in 1980, Maki remained active as a scholar until the time of his death in Amherst in December 2006.

The Maki Papers reflect a long career in the study of contemporary Japanese politics and culture. Beginning with his earliest academic work on Japan in the 1930s, the collection documents the range of Maki’s interests, from the origins of Japanese militarism and nationalism to the development of the post-war Constitution and his later studies of William Smith Clark and the long history of Japanese-American relations. The collection includes valuable documents from the early period of the Allied Occupation, including the extensive correspondence with his wife Mary (1946).

A specialist in human genetics, Arthur P. Mange studied the population genetics of small villages, the genetics of fruit flies (Drosophila), worked on early computer applications of genetic models and statistics, wrote textbooks on genetics, taught in the Biology and Zoology departments at the University, and is a published photographer of gravestones and whimsical signs. Mange was born in St. Louis, Missouri in 1931 and earned a B.A. in physics from Cornell, and an M.S. and Ph.D. from the University of Wisconsin. Mange joined the University faculty in 1964, teaching genetics until his retirement in 1995.

The Arthur Mange Papers are comprised of his extensive documentation of the inhabitants of villages in the northern United States and southern Canada, including information about certain genetic factors and their result on the population. His records cover the 1960s and in some cases the early 1970s. Mange was also a talented photographer, and his collection includes approximately 200 of his photographs, including abstract and nature photos and images of New England scenery and the UMass campus.

Arthur P. Mange taught in the Biology Department at University of Massachusetts Amherst for 31 years before retiring in 1995. A co-author of numerous works in human genetics, Mange served on the chair of the Conservation Committee in Amherst, and currently serves on the Burnett Gallery Committee. In 1983, his New England images were featured in Across the Valley (from Cummington to New Salem) held at the Burnett Gallery. This exhibition was followed at the Hitchcock Center in 1984 with Delight in Familiar Forms (celebrating some well-known plants and animals), with Ring Bell to Admit Bird at the Jones Library and Net Prophet at Cooley Dickinson Hospital. Architectural Sights — Big and Small, Mange’s most recent show (2002), appeared at the Burnett Gallery. In addition to exhibitions, Mange has also donated collections for fund-raising auctions at New York University, the Cooley Dickinson Hospital, the University of Massachusetts Fine Arts Center, the Amherst Historical Society, Jones Library, and the Amherst Community Arts Center.

His photographic collection spans more than half a century of subjects reflecting his varied interests in animals, plants, our region, gravestones, what he calls “whimsical signs,” and attention-grabbing shadows.

To celebrate its tercentenary in 1930, the Commonwealth of Massachusetts organized over two thousand events in 253 communities, drawing over eleven million visitors. One of the most elaborate of these events was the Exposition of Governmental Activities held at the Commonwealth Armory in Boston between September 29 and October 11. A celebration more of contemporary governmental activity than the historical precedents, the exposition featured displays representing nearly every branch of government, from the Department of Education to the state police, mental and public health, public welfare, transportation, agriculture, labor, and industry.

P.E. (Paul) Genereux (1892-1977), a commercial photographer from East Lynn, was hired to document the exhibits and displays in the Exposition of Governmental Activities, producing commemorative albums containing silver gelatin prints, carefully numbered and backed on linen. This disbound album includes 88 of the original 175 prints, including interior and exterior shots, with an additional image by Hildebrand.