Collecting area: Visual culture

After graduating from Massachusetts Agricultural College in 1924, George Edward “Red” Emery taught high school briefly and held a handful of other jobs before deciding to fulfill a childhood dream. Born in Marlboro, Mass., in 1904, Emery turned his love for the circus into a life touring the country as a white-face circus clown. After marrying Virginia Link, a Smith College student, in 1932, he settled down to a stable job in the Alumni Office at his alma mater, later filling in as Veterans Coordinator and as a staff member in the Student Placement Office until his retirement in 1972. Emery never left the circus behind entirely. Throughout his years in Amherst he continued to talk and write about the history of the circus and his personal experiences, and from the late 1940s through early 1960s, he used his show business connections to book talent for the Tri-County Fair. Longtime residents of Leverett, Mass., he and his wife died within a year of one another, Virginia in 1974 and George in 1975.

With his passion for the circus, George Emery’s papers contain material not only from his career as a circus clown in the 1920s but also from his later writings about the history of the circus, his work with the Tri-County Fair, and his long association with UMass Amherst. The collection includes correspondence with friends and family; circus toys and games; posters, photographs, and ephemera; and a library of books on circus history. Of special note are some exceptional photographs, a few posters, and a thick sheaf of material from the Tri-County Fair.

Situated at the confluence of the east and west branches of the Swift River in western Massachusetts, Enfield was the largest and southernmost of the four towns inundated in 1939 to create the Quabbin Reservoir. Incorporated as a town in 1816, Enfield was relatively prosperous in the nineteenth century on an economy based on agriculture and small-scale manufacturing, reaching a population of just over 1,000 by 1837. After thirty years of seeking a suitably large and reliable water supply for Boston, the state designated the Swift River Valley as the site for a new reservoir and with its population relocated, Enfield was officially disincorporated on April 28, 1938.

The records of the town of Enfield, Mass., document nearly the entire history of the largest of four towns inundated to create the Quabbin Reservoir. The core of the collection consists of records of town meetings and of the activities of the town Selectmen, 1804-1938, but there are substantial records for the Enfield Congregational Church. The School Committee, Overseers of the Poor, the town Library Association, and groups such as the local chapter of the Daughters of the American Revolution and the Bethel Masonic Lodge.

Vietnamese children

A worker in the struggle against poverty and racism for five decades, David Entin was raised in New York City environs until his family moved to Jacksonville, Florida in 1953 when he was twelve years old. He began his anti-poverty work with the North Carolina volunteers, a pioneering early effort where he worked with low-come families in Durham, NC. David then joined the North Carolina Fund, a statewide Ford Foundation project where he helped develop and wrote the first rural anti-poverty program under the new Economic Opportunity Act for Craven County (New Bern), NC. From there he helped start the initial anti-poverty program in Jacksonville. His new career was interrupted by Vietnam War service with the United States Agency for International Development (USAID). Stationed in Quang Ngai Province, a Vietcong stronghold, and Da Nang between 1966 and 1968, Entin oversaw redevelopment projects and while not caught up in the fight itself, he was charged with assessing damage in Region One following the Tet Offensive. After returning home to Florida, Entin resumed his antipoverty work.

The collection centers around 51 detailed letters describing the two years that David Entin spent in Vietnam working with USAID; these letters serve as a diary recording Entin’s daily activities and observations and accompany several hundred slides and photographs. Also included in the collection are a series of short autobiographical essays that detail his childhood, early career, and service in Vietnam.

Lucille “Sidney” Eslinger was born in Albany, Missouri, on November 9, 1922, the daughter of Delano R. and Alice M. Willoughby Eslinger. After graduating from high school in 1941, Eslinger turned down an opportunity to attend college to work at Caterpillar Tractor Company in Peoria, lll., partly for the opportunity to play for the Caterpillar Dieselettes, the fast-pitch softball team. Through a co-worker, Eslinger developed an interest in history, becoming an active proponent of historic preservation in central Illinois, including graveyards. After retiring from Caterpillar, she and a friend operated a dog grooming business and she was active in the Humane Society. Sidney died in Peoria on August 14, 2011.

The Eslinger Collection contains materials relating to Sidney Eslinger’s interests in gravestone studies, including four books; a research notebook about Springdale Cemetery in Peoria; a photo album of Old Peoria State Hospital; correspondence and miscellaneous materials about stone quarries and symbolism; and a photo scrapbook, “Coin Harvey: A Legend in His Time.” States represented include Illinois and Indiana.

A wave of experimentation in communal living in New England reached a peak in the late 1960s and early 1970s, with dozens of communities spread across the landscape of western Massachusetts and Vermont. Nina Finestone joined the Johnson Pastures in Guilford , Vermont, in 1969, however after the main house there went up in flames on April 16, 1970, killing four people, she joined a number of its residents who moved to the nearby Montague Farm in Montague, Massachusetts. Nina married a fellow Montague farmer, Daniel Keller, and the couple moved to Wendell in 1980.

Providing exceptional visual documentation of life at Johnson Pasture, the Montague Farm, and Wendell Farm between 1969 and 1990, the Finestone collection is centered on the lives and family of Daniel and Nina Keller. All images were taken by Roy Finestone, Nina’s father, with a medium format camera using color transparency film.

Founded in 1974, the U.S.-China Peoples Friendship Association was among the first American organizations devoted to fostering people-to-people diplomacy between the United States and the People’s Republic of China. The vision of veteran civil rights activist Unita Blackwell, the USCPFA sponsored speakers, seminars, and cultural exchanges, and in the 1970s, was among the first groups to organize tours from the United States to the People’s Republic.

The 449 color slides (35 mm.) that comprise the U.S.-China Peoples Friendship Association collection document one of the group’s early tours, undertaken at the height of the agitation over the Gang of Four. Beyond simple touristic scenes, the collection depicts a state-sponsored version of everyday life in China during the early post-Mao era.

Founded by Betsy Siggins in 2009, Folk New England is an organization dedicated to documenting, preserving, and interpreting the cultural legacy of folk music in all its forms, with an emphasis on New England’s contribution.

The Ephemera Collection consists of dozens of posters, fliers, calendars, and other promotional materials for musical acts collected by Folk New England. Concentrated in the years of the folk revival in the late 1950s to late 1960s, many of the posters were sent to Club 47 in Cambridge, Mass.

Foresty and lumbering have been substantial sectors of the Massachusetts economy for more than 300 years. This collection includes photographs of forests throughout New England and New York, lumbering and related occupations, tools of forestry, and distinguished foresters. Together these images capture the history and traditions of forestry and lumbering in Massachusetts from mill work to Christmas trees.

An East German actor, writer, and film director, and an insightful analyst of German culture and film history, Jörg Foth was born in Berlin on Oct. 31, 1949. After completing military service and working briefly in television, Foth entered the Hochschule für Film und Fernsehen „Konrad Wolf“ in Postdam, graduating in 1977. During his long ascent through the East German film system, he worked as an assistant director at the DEFA Studio and in GDR television and collaborated with Ulrich Weiss and others. His directorial debut came in 1984 with the children’s film Das Eismeer Ruft, however it was another six years before he was permitted to direct his second film, Biologie!, the only DEFA feature ever to deal with environmental issues. A few months after he was promoted to Director, the East German political system collapsed and the DEFA studios were closed. Foth has since worked as a freelance director and writer for both film and television.

The Foth collection provides unique insight into East German cinema; the diverse career of a noted writer, director, and actor; and more generally, the shifting artistic environment during the last years of the DDR. Along with writing and research materials from many of Foth’s films, the collection includes a range of writing, ephemera, and on topics ranging from film theory, the theater, and literature to Marx, Stalin, and Lenin.

Attached to the 20th Air Base Group in 1941, Athol-native Bill Freeman was a first-hand witness to the beginnings of the war in the Pacific. Enlisting in the Army Air Corps in 1940, Freeman was stationed at Nichols Field in the Philippines when the Japanese invaded, and after taken as prisoner or war, he was forced on the Bataan Death March. Freeman died of malaria in Cabanatuan Prison Camp in July 1942.

The Freeman scrapbook and photograph album that Bill Freeman kept offer a visually-intensive perspective on the brief life of an American serviceman in the Second World War. Kept during and immediately after high school, the scrapbook includes notices of his musical performances and other activities; the extensive photograph album documents his service in the Army Air Corps from the start of deployment through his travels in Hawaii and Guam to the early months of his service in the Philippines. The collection also includes a letter written from the Philippines during the summer 1941.