Collecting area: Visual culture

Relief program established for unemployed men by President Franklin D. Roosevelt whose main work in Massachusetts through the 1930s and early 1940s was tree planting, fire fighting, insect control, and tree and plant disease control. Contains photographs arranged alphabetically by forest name that depict road building, tree planting, and other developments in the state forests. Includes some images of workers.

The entomologist Charles F. Clagg was born in Barnstable, Mass., in 1904 and received his bachelor of science degree from the Massachusetts Agricultural College in 1927. Although never able to complete his graduate degree, Clagg enjoyed a long and productive career in entomology. Listed as a graduate student at MAC in 1929-1930, Clagg took part in an extensive collecting trip to the Philippines in 1930 and 1931. Beginning in June 1930 near Calian in Davao del Sur (Mindanao), Clagg spent several months collecting flies in and around the active Mount Apo volcano, in the Lawa and Calian river valleys, and in the Lalun mountains, traveling to the eastern peninsula of Davao early in 1931. He remained in the Pacific region later in his career, working as an entomologist for the U.S. Navy.

The twenty photographs taken by Charles F. Clagg in 1930 document his entomological collecting trip to Davao, Mindanao, in the Philippines. Primarily personal in nature, rather than professional, they were taken on Clagg’s visit to a coconut plantation run by American expatriates Henry and George Pahl and illustrate the local sights in Davao, including work in harvesting coconuts and the production of copra, the production of Manilla hemp, a horse fight at Calian, and Manobos who came to the plantation trade. Also included are three photographs of Clagg’s quarters while collecting high in the Lalun Mountains. The captions provided by Clagg on the back of each photograph have been transcribed verbatim.

Ed Cohen is a graduate of UMass Amherst (’75) and has been an active commercial photographer in Western Massachusetts since finishing at UMass. In addition to typical work for hire subject matter, Cohen has specialized in event and concert photography.

The Edward Cohen Photographs of Max Roach collection is comprised of seventeen mounted photographs of Max Roach at UMass in the late 1980s, early 1990s. Roach is depicting in concert, backstage, and interacting with well known musicians, UMass faculty, and members of the UMass community. The photos were purchased by the University and were exhibited in the Student Union.

Husband and wife Paul Francis and Olive (“Tommie” Fox) Colburn were active members of the Association for Gravestone Studies from the 1980s. Natives of Lowell, Mass., and long-time residents of Berwick, Me., the Colburns shared an interest in New England gravestones and marker symbolism, with Tommie enjoying a particular specialty in metal-based markers.

The Colburn collection represents a cross-section of the couple’s work documenting and lecturing about New England grave markers and marker symbolism as well as Victorian funerary practice. Of note are a small number of items reflecting Victorian mourning culture, including images of funeral wreaths and arrangements, three mourning handkerchiefs, and a funeral card.

The daughter of a Scottish immigrant and a 1923 graduate of Smith College, Phebe Hazel Ferris returned to her alma mater to pursue graduate work degree in Geology, but in 1928 she married her instructor, Robert Frank Collins. Settling in Williamsburg, Mass., the couple raised a family of three boys, Frank, Robert, and James. Robert, Sr., remained as a Professor of Geology and Geography at Smith, while Phebe eventually returned to graduate work, though in Physics, and thereafter worked for many years at Smith as a laboratory instructor. Phebe died in 1983, less than two months before her husband.

The Collins collection consists primarily of meticulously maintained scrapbooks assembled by Phebe Collins between the 1920s and the 1960s. The range of materials in these scrapbooks is remarkable, including not only photographs, postcards, and letters received, but children’s drawings, report cards, and the occasional surprise like a quarantine sign hung on the family door for a sick child. In aggregate, they are a rich record of the growth of an intellectually-inclined family across four decades. The collection also includes seventeen photograph albums and hundreds of Collins and Ferris family photographs, along with images taken by Robert during his geological work.

Co-owned by Dorothy Johnson and Doris Abramson, the Common Reader Bookshop in New Salem, Massachusetts, specialized in women’s studies materials, or in their words, “books by, for, and about women.” A couple for almost 40 years and married in 2004, Johnson and Abramson opened the store in 1977 and as they grew, relocated to the town’s old Center School building across the street in 1983. The shop closed for business in 2000.

Comprised of two scrapbooks and folder of ephemera, the collection highlights the Common Reader Bookshop not only as a place for buying antiquarian books, but also for the community it fostered.

In May 1985, a group of activists in Western Massachusetts opposed to the interventionist U.S. foreign policy of the Reagan era formed a construction brigade to assist with basic human needs and express solidarity with the people of Central America. Modeled on the Venceremos Brigade, Construyamos Juntos, Building Peace of Nicaragua, raised over $20,000 for construction supplies in addition to funds for individual travel. Between January and March 1986, the 17 activists joined a smaller brigade from West Virginia in constructing the Carlos Armin Gonzales elementary school in San Pedro de Lovago. During their first month in Nicaragua, they witnessed a Contra assault on the town that left one assailant dead and two residents of the town wounded.

This exhibit includes 55 mounted images and 99 35mm slides taken during the brigade’s time in Nicaragua, documenting the brigade’s construction work and providing a valuable visual record of life in Nicaragua during the Contra war. Used in public talks about Contruyamos Juntos, the collection includes exhibit labels that explain the purpose and activity of the brigade, the history of Nicaragua, and the Contra attack in January 1986.

In 1923, Katherine Frazier established the Playhouse-in-the-Hills as a venue for theatrical performances in the small Berkshire County town of Cummington, Mass. Frazier’s vision, however, soon led her to expand the project into the Cummington School of the Arts (later the Cummington Community of the Arts), which she envisioned as “an environment congenial to creative activity.” Over its seventy years of operation, the School emphasized creative collaboration across the fine arts, offering not only performances, but summer residencies and six-week courses where writers, artists, performers, and musicians could study and practice under the guidance of visiting artists. Among its noted alumni were luminaries such as Helen Frankenthaler, Willem de Kooning, Diane Arbus, Marianne Moore, and Archibald Macleish, and the school was a starting point for Harry Duncan’s renowned Cummington Press. The increasing financial challenges facing not-for-profit organizations led a cessation of operations in about 1993.

The records of the Cummington School of the Arts offer a cross-sectional view of the School across its years of operation. In addition to a very small selection of personal material from Katherine Frazier, the collection includes valuable correspondence and ephemera relating to the school’s philosophy and founding, and nearly a third of the collection consists of records of students, often including their applications, comments on the work accomplished in Cummington, and occasionally, copies of work produced. The balance of the collection consists of many of the school’s publications, administrative materials (including curricula and planning documents), and financial and fundraising materials.

Raised in a Polish American family from Greenfield, Mass., Janina Smiertka Davenport was the epitome of a life-long learner. After graduating from Greenfield High School in 1933, Davenport received degrees from the Pratt Institute in Food Management and from the Franklin County Public School for Nurses (1937). In 1938, she began work as a nurse in the U.S. Navy, receiving two special commendations for meritorious service during the Second World War. She continued her formal and informal education later in life, receiving degrees from Arizona State University in 1958 and UMass Amherst in Russian and Eastern European Studies (1982). Davenport died in Greenfield in March 2002.
The Davenport Papers contain a thick sheaf of letters and documents pertaining to her Navy service before and during World War II, along with assorted biographical and genealogical data, materials collected during educational trips to Poland and elsewhere, and approximately one linear foot of family photographs and photo albums.

A native of Providence, R.I., Bobby Davis arrived in Amherst in 1977 and soon afterward entered the University Without Walls program at UMass to earn his college degree. A talented jazz musician, Davis became immersed in the vibrant local arts scene, learning photography while writing for the student publications Nummo News and the Collegian, and covering performances by a steady stream of jazz and R&B acts touring through the area. Working later as a photographer for Smith College and traveling for the yearbook company, Delmar Studios, Davis eventually settled in Northampton, where he remains active as a photographer.

The Davis collection contains ten exhibition prints of jazz musicians performing in Amherst, including Art Blakey, Angela Bofill, Ray Charles, Miles Davis, Dizzy Gillespie, Yusef Lateef, Oscar Peterson, Max Roach, Gil Scott-Heron, and Archie Shepp.