Collecting area: Visual culture

Born in a “howling blizzard” in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living.

Consisting of the original typescripts and manuscripts of ten of Raymond Mungo’s books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.

Coin and medal collection of UMass Amherst graduate Class of 1973 and long-time supporter of the
library, Paul R. Murphy. Collections consists chiefly of coins and medals that commemorate historic moments, achievements, places, and individuals in U.S. history.

Long-time residents of Hadley, Massachusetts, the Nash and Scott families were united in 1881 when John Nash, a farmer, married Lizzie Scott. Of their seven children, Herman B. Nash, graduated from the Massachusetts Agricultural College in 1917, and immediately enlisted in the army, serving in France at the close of World War I. His youngest sister, Helen, kept the family connected during these years by writing and distributing a family newsletter, the Plainville News.

The Nash-Scott Family Papers contain a number of photographs, including an album capturing a trip to the west coast in 1915 and a canoe trip to Labrador in 1920. Herman B. Nash’s scrapbook documents not only his time as a student at M.A.C., but also his service in France, featuring candid photographs taken by Nash during and after the war as well as identification cards, company rosters, and a German propaganda leaflet picked up near the front. Pamphlets, genealogical notes and postcards complete the collection.

Approximately every twenty years, western New England suffers from devastating ice storms, leaving heavy ice coating on trees and buildings and hazardous conditions. Major storms struck in 1921, 1942, 1961, 1983, 1998, and 2008, with the storm of December 29-30, 1942, disrupting power and closing roads throughout a broad swath of the northeast. In northern New York state, ice depths reached six inches.

The collection includes twenty six of an original thirty eight photographs depicting ice storm damage to power lines in the Pittsfield District (Windsor, Middlefield, Washington Mountain to Becket) resulting from the storm in December 1942. The collection also includes a cover letter pertaining to photos (not included) documenting a similar situation in Northampton, affecting the New England Power Service Co.

Founded as a non-governmental, volunteer organization in 1911, the New York Farm Bureau offers resources to support and enrich rural life and encourages farmers to work collaboratively for better marketing and production.

This small collection of photographs documents inspection tours conducted by the New York Farm Bureau of farms, apparently in the Mohawk River Valley, in 1915-1916. The intent, as the caption of one photograph suggests, was to bring “science into the field.”

Howard Prussack at High Meadows Farm in Putney, VT

A farmer for over thirty years along the Connecticut River in Vermont, John Nopper came to photography later in life. Drawn to the challenge of capturing individuals and environments in his and surrounding communities, Nopper focuses on portraits and landscapes, and specializes in 11”x17” or larger printing, emphasizing the depth of tone in his black and white photography. His photograph projects often focus on the instruments and individuals of a specific industry or place, and frequently document subjects and vocations he feels warrant increased attention, either due to their methods, like his work documenting traditional maple sugaring and printing practices, or due to current events, such as a more recent project as an embedded photographer within a Vermont city police department.

The John Nopper Photograph Collection currently consists of twenty-five, 11”x17”, black and white prints from the exhibit “Plowing Old Ground: Vermont’s Organic Pioneers,” along with the descriptions from the project. In a collaborative effort with interviewer and writer Susan J. Harlow, Nopper photographed the subjects of Harlow’s interviews for an exhibit featuring interview summaries and quotations alongside photographs from six farms and their farmers, all pioneers in the history of organic farm production, marketing, and distribution in Vermont. The collection also includes digital photographs not printed, as well as digital versions of most of the prints.

In the late 1920s, the sociologist and prisoner reformer Howard Belding Gill proposed building a “model community prison” at Norfolk, Mass., that would represent a radical new approach to dealing with crime and punishment. Integrating social work and sociological theory into the workings of the prison system, Gill reasoned that it would be possible to diagnose and treat the root problems that led to crime and redirect inmates toward constructive behaviors. Built by inmates themselves, the prison opened in 1932, but with opponents decrying the experiment as a “country club” that coddled prisoners, Gill was forced from the superintendency within just two years.

The collection consists of several drafts of a manuscript by a supporter of Gill’s, Thomas O’Connor, that was intended for publication in The Survey magazine, along with associated correspondence and photographs. Although The Survey’s editor, Arthur Kellogg, was sympathetic enough to pass through several drafts and seek opinions widely, the manuscript appears to have been rejected so as not to cause the governor undue political problems.

During the Second World War, the Nazi occupation and subsequent liberation of the arctic regions of northern Norway resulted in the near total devastation of the existing infrastructure and the displacement of most of the population, including the native Sami (Lapps). The end of the war did not signal an end to hardship: the challenges of post-war resettlement was accompanied by a sustained effort by the Norwegian government to modernize and assimilate the Sami, largely through the systematic suppression of Sami culture. The language was banned from use in schools until 1958 and other forms of suppression persisted longer, and it was decades more before the rights of the Sami as an indigenous people were codified into law.

The dozen photographs that comprise this collection document Sami life in northern Norway during the period just after the end of the Second World War when Sami people were returning home after years as refugees. Taken by the Norwegian Information Service and presumably associated with the Norwegian modernization program, the collection includes images of traditional Sami sod dwellings, men at work on construction of sled and boat, and portraits of women and children.

A student of Bronislaw Malinowski, the Polish ethnographer Jozef Obrebski was a keen observer of cultural change among eastern European peasantry in the years before the Second World War. After working with the resistance in Warsaw during the war, Obrebski went on to do additional ethnographic research in Jamaica (with his wife Tamara), taught at Brooklyn and Queens College and C.W. Post University, and from 1948-1959, he was senior social affairs officer with the United Nations. He died in 1967.

The Obrebski collection consists largely of ethnographic data collected by Obrebski in Macedonia (1931-1932), Polesia (1934-1936), and Jamaica (1947-1948), including field and interview notes, genealogies, government documents relating to research sites, and ca. 1000 photographs; together with correspondence (1946-1974), drafts of articles, analyses of collected data, and tapes and phonograph records, largely of folk music; and papers of Obrebski’s wife, Tamara Obrebski (1908-1974), also an ethnologist and sociologist.

An educational psychologist from Chelsea, Mass., Cora Ott was a poet, writer, and photographer of gravestones.

This small collection consists of snapshots (both color and black and white) of gravestones and cemeteries visited by Cora Ott during her travels, primarily in eastern Massachusetts and Rhode Island, but as far away as Arizona and California. Printed materials that were included with the collection will be transferred to the AGS Book Collection.