Collecting area: Arts & literature

Born in Chicopee Falls, Mass., Aubrey D. Lapolice (1893-1981) was a maintenance superintendent at the Belchertown State School for a forty year period, from the time of its establishment through his retirement in 1961. A veteran of the First World War, he oversaw a campus of nearly 850 acres and a physical plant of nearly one hundred buildings and structures. He died in February 1981.

The Lapolice collection includes 35 images of the physical plant and construction projects at the Belchertown State School during its first two decades of operation and 21 images of the welcome home parade in Belchertown in 1946 for returning American troops.

The composer, photographer, and educator, Le Van Khoa arrived in the United States as a war refugee from Vietnam in May 1975. Largely self-taught as a photographer, he was co-founder of the Artistic Photography Association of Vietnam and has published three books of his work. He holds the distinction of being the first Vietnamese photographer to mount an exhibition at the U.S. Congress building.

The seven photographs in the Le Van Khoa collection are artistic reflections of life in Vietnam, including four taken in the imperial city, Hue.

An accomplished concert pianist and composer, Howard Miles Lebow earned both a BA and MFA at the at the Julliard School of Music. Under the tutelage of Edward Steuermann, a pupil of composer Ferruccio Busoni, Lebow exceled as a pianist, performing throughout Europe and the Americas. Joining the rapidly expanding Music faculty at the University of Massachusetts in September 1965, Lebow mixed lecturing and performing until 1968, when he died in an automobile crash at the age of 32. The Howard M. Lebow Scholarship Fund was established in his name in 1968.

The Lebow Collection contains concert programs of many of Lebow’s performances, copy manuscripts, manuscripts of his own compositions, performance notes, and newspapers clippings about and concert programs of other performers. There are also materials that were interleaved within his extensive sheet music collection, now separated and organized by composition. An extensive collection of sheet music has been added to the Libraries’ general collections.

William J. Lederer began his long career in the Navy in 1930. During his twenty-eight years of service he traveled throughout Asia on some 30 trips, acquiring several books worth of experience, criticisms, and insight. In 1948, Lederer attended the Bread Loaf Writer’s Conference in Vermont and met fellow author and political theorist Eugene Burdick. Disillusioned with the style and substance of America’s diplomatic efforts in Southeast Asia, Lederer and Burdick openly sought to demonstrate their belief that American officials and civilians could make a substantial difference in Southeast Asian politics if they were willing to learn local languages, follow local customs and employ regional military tactics. Together they co-authored two widely influential books, The Ugly American (1958) and Sarkhan (1965).

The collection includes materials related to most of his major publications including, A Nation of Sheep, The Ugly American, Sarkhan, Our Own Worst Enemy, I, Giorghos, Mirages of Marriage, and Martial Choices. A substantial series of correspondence traces Lederer’s associations and communications throughout his entire career. Area files, research materials, and photographs are also include, but not yet fully processed.

A writer, poet, and environmental and historic preservation advocate, David K. Leff worked for many years as an agricultural and environmental policy adviser to the Connecticut legislature and as deputy commissioner of the Connecticut Department of Environmental Protection (DEP). A graduate of UMass Amherst (BA 1975) and the University of Connecticut School of Law (1978), Leff began writing and lecturing from early in his career and in addition to publishing dozens of magazine articles and serving as a regular contributor to the Hartford Courant, he has written nonfiction, including The Last Undiscovered Place (2004), Deep Travel: In Thoreau’s Wake on the Concord and Merrimack (2009), Hidden in Plain Sight (2012), Maple Sugaring (2015), Canoeing Maine’s Legendary Allagash (2016), and Doppelganger: A Memoir of Mirrored Selves (2020); poetry, including The Price of Water (2008), Depth of Field (2010), Tinker’s Damn (2013), The Breach: Voices Haunting a New England Mill Town (2019), and The Blue Marble Gazetteer (2022); and a novel in verse, Finding the Last Hungry Heart (2014). Leff was active as a lecturer and instructor on various topics, ranging from the environment to local history and writing. In 2016, he was named the first Poet-in-Residence of the New England Trail. He passed away in 2022 at the age of 67.

In addition to containing a nearly comprehensive collection of the published writings of David Leff, the collection includes selected correspondence, unpublished poetry and short stories, a draft of an unpublished novel (Hungry Heart), talks, interviews, notes, newsclippings, more than 400 pages of interviews with sugarmakers that Leff conducted for his book on maple sugaring, and selected materials relating to Leff’s work with the DEP in Connecticut and other endeavors. The collection also includes several thousand photographs (mostly digital) taken by Leff and used to illustrate his publications and lectures. Leff’s extensive daily journals are closed for five years after his death.

Born in Russia in 1903, the realist painter Michael Lenson emigrated to the United States at the age of eight, and from early in life, took an interest in art. While a student at the National Academy of Design in 1928, Lenson was awarded the Chaloner Paris Prize, enabling him to spend four years of study in Europe and leading to his first three one man shows. With the Great Depression in full effect upon his return to America, he accepted a position as director of mural projects for the Works Progress Administration in New Jersey, through which he built a reputation as one of the most important muralists in the eastern states. Exhibited widely, he was productive as both an artist and critic until his death in 1971. His works are included in the collections of the RISD Museum, the Maier Museum of Art, the Johnson Museum of Art, the Newark Museum, the Montclair Art Museum, and the Wolfsonian Collection, among others.

Consisting of pencil portraits of poets, each approximately 12 x 18″, the Lenson Collection contains twelve late works by Michael Lenson that were included in an exhibition held at the Montclair Art Museum in 1970. The subjects of the portraits include William Blake, Robert Browning, George Gordon Lord Byron, Robert Burns, Geoffrey Chaucer, John Donne, T.S. Eliot, John Keats, John Milton, Sean O’Casey, Alexander Pope, and Percy Bysshe Shelley.

Fred Lerner is a librarian, bibliographer, and historian who has written extensively on American science fiction. After earning three degrees from Columbia University, including his MLS and DLS (1981), Lerner worked for many years in information science for Spectra, Inc., and the National Center for Posttraumatic Stress Disorder. His diverse including work in radio, writing about the history of psychiatry, libraries, Rudyard Kipling, and science fiction.

The Lerner collection contains a cross-section of American science fiction writing concentrated largely in the 1960s through mid-1980s.

Polish immigrants Jan Lesinski and his wife Weronika (Rusin) settled in Easthampton, Massachusetts, in 1909 and worked in the textile mills there for decades. Married in 1922, the couple raised a son and daughter in their home on Franklin Street. Weronika Lesinski died in Northampton in 1961, her husband following twelve years later.

The Lesinski and Rusin family collection reflect the lives of an average working-class Polish family from Easthampton, Mass., during the early twentieth century. Numerous family photographs document important occasions for the families, such as baptisms, first communions, and weddings, and the photographic postcards and commercial postcards document their relationships, interests, and travel.

The co-owner with Alan Peterson of Krackerjacks, a psychedelic clothing store in Boston, Donald “Jack” Levy grew the boutique he started in 1966 into a staple of the counterculture in the Boston area and eventually a franchise. Levy was at the center of a controversy in Cambridge when the city tried to ban “obscene” buttons. Though several stores removed the buttons, Levy refused and with community support, fought the city’s ban. Levy also opened several clothing stores in the Boston-area: Garbo, a women’s clothing store; Dazzle in 1973, a vintage clothing store; Goods in 1976, a natural fiber and novelty store; and purchased and refurbished the Blue Diner in 1986 (now the South Street Diner). He currently owns diners in Newton, Framingham, and Watertown Mass.

The Donald Levy Papers contain ephemera, photographs, and clippings primarily documenting Krackerjacks as well as Levy’s other clothing stores and the opening of Blue Diner. Of particular interest is a petition circulated by Levy during the city’s attempt to ban “obscene” buttons. Included among the signatures is a 15-year-old Jonathan Richman, who called the button ban, “an example of lingering Victorianism.”

When Leonard Lewin’s satire Report from Iron Mountain was published in November 1967, as the U.S. was ramping up its involvement in Vietnam, it struck an immediate chord. Purporting to be a document leaked from a special study group in the highest level of the government, the Report examined the peril that would result to the economy and social stability of the nation should a condition of “permanent peace” break out.

The Lewin Papers offer insight into the history of the reception of Report from Iron Mountain and on Leonard Lewin’s career as a writer. Included in the collection are materials relating to his education at Harvard, his social and political background, his writing, and the copyright infringement legal case concerning the Report. Of additional interest are letters from his wife Iris, a union organizer during the late 1930s and early 1940s, and from his father, who ran sugar plantations in Puerto Rico and the Dominican Republic and a refinery in Indianapolis.