Collecting area: Arts & literature

Founded in 1917, the International Center for the Disabled was the nation’s first outpatient rehabilitation center. With the support of benefactor Jeremiah Millbank, the ICD was dedicated to helping disabled veterans reintegrate into all aspects of American life. Over the years, it has assumed a leading role in development of the profession of physical medicine, training physicians and nurses for the Veterans Administration, creating rehabilitation programs for the Army and VA, manufacturing prosthetics, and providing vocational rehabilitation for disabled veterans and others. The ICD remains a leading international advocate for the needs of people with disabilities and was instrumental in passage of the Americans with Disabilities Act in 1990, remaining true to their mission of training people with barriers to employment as they enter the workforce.

The ICD collection includes a rich array of official minutes, correspondence, and publications documenting the development of rehabilitation services for persons with disabilities, and a remarkable record of the success of a philanthropic enterprise. Of particular note are are the large holdings of photographs documenting ICD’s work from its early days through the dawn of the 21st century.

The Irma McClaurin Black Feminist Archive (BFA) is an archival home for Black women and their allies. Founded by Dr. Irma McClaurin, Black feminist anthropologist, academic administrator, award-winning poet and author, past president of Shaw University and leader in higher education, the BFA seeks to identify Black women from all walks of life who are artists, activists, and academics but may not be well known, and document their wide array of contributions at many levels: community, state, national, and global. In addition to being an ongoing resource for academic and community researchers, the BFA also aims to be a training center, where Black archivists can actively participate in their own history and uplift and protect the endangered legacy of Black women. Articles about Dr. McClaurin and the BFA have appeared in the Massachusetts Daily Collegian, UMass Magazine and on the the Black Presence website. Her article, “Black Women, Visible and Heard,” published in UMass Magazine was highlighted when the publication received the Gold level CASE award in 2022.

The BFA is an umbrella collection, made up of a growing and diverse group of collections documenting Black women, allies, movements, and organizations. Highlights include the papers of renown anthropologists Sheila Walker and Carolyn Martin Shaw; Belizean writer Zee Edgell; activist and educator Cheryl Evans, who founded the Black Pioneers Project documenting the experience of Black students at UMass Amherst during the late 1960s; Lawrence (Larry) Paros, a UMass alum and forerunner of the Alternative Education movement in America, past director of the 1968 Yale Summer High School (YSHS); and the papers of Dr. Irma McClaurin, BFA founder, which include her photographs of iconic Black figures. The development of the BFA has been supported by two grants from the Wenner Gren Foundation: The Historical Archive Grant and The Global Initiative Grant (GIG) for “The Black Feminist Archive Pandemic Preservation Project of Black Women Practicing Anthropologists” project

Collections include:

• Zee Edgell Papers
• Cheryl Evans Papers
• Irma McClaurin Collection
• Lawrence Paros Papers
• Carolyn Martin Shaw Papers
• Audrey Smedley Papers
• Sheila Walker Papers
• Mae Upperman Collection

Allen Hale Johnson, known professionally as Hale Johnson, was born on December 25th of 1937 to parents Louise and Lawrence Johnson. Hale reflects on his childhood, writing “The key is to have passion. What a gift that is. My parents gave me a little talent and I’ve tried not to abuse it. I feel lucky”. This appreciative nature and desire to nurture his creativity would go on to define all corners of Hale’s life – from his career, to his marriage, to the way he loved his golden retrievers.

He married his wife, Lorraine Karaffy on October 7, 1961 at Narrow Memorial Methodist Church of Maplewood, New Jersey. Hale spent some of the early years of his marriage stationed at Fort Dix, New Jersey, with both the ins and outs of his experiences there as well as the dynamics of his relationship beautifully encapsulated within the abundance of correspondence within this collection.

Their lives, both as a unit and as individuals, were defined by their love for art, beautiful places, and each other. Lorraine went on to work as a florist, spending her free time giving back to the community through volunteer work at places like the Greenfield Public Library. Hale went on to have a successful career painting very detailed landscapes – booking one-man exhibitions with galleries such as, but not limited to, The Tilting Windmills, The Harrison Gallery, William Baczek Fine Arts, and The Greylock Gallery. The subject matter of these works typically revolve around Western Massachusetts, broadly New England, and coastal Maine, aiming to capture the richness of the landscapes, void of people.

Lorraine and Hale eventually settled at a home in Colrain, Massachusetts, which is where they would stay for the remainder of their adult lives. This property and the many people who would come to visit it over the years, are a recurring subject in his personal photographs.

Hale and Lorraine stayed together until her passing on November 10, 2019. Hale made a large donation of $500,000 in her name to the Greenfield Public Library, which at the time was undergoing a major reconstruction project. The reading room of the Greenfield Public Library is now dedicated to Lorraine Johnson due to this hefty contribution.

The A. Hale Johnson Papers consists of a mix of documents and ephemera spanning from the mid-19th century to 2022. Included in the collection is correspondence, records and photographs covering two main categories: his professional work as a landscape painter and his personal life, spanning from his time as a young man in the military all the way through his older years as an established member of his community.

The sociologist and writer Allan Johnson dedicated his career to exploring the impact of power and privilege in the U.S. and the overarching system of patriarchy. A serious poet and writer by the time he entered Dartmouth College, Johnson pursued studies in sociology, completing his dissertation on women’s roles in Mexico City at the University of Michigan in 1972. He joined the sociology faculty at Wesleyan University, but left academia to write. He later taught at Hartford College for Women, where he wrote a series of important works, including Gender Knot: Unraveling Our Patriarchal Legacy (2005), The Forest and the Trees: Sociology as Life, Practice, and Promise (1997), and Human arrangements (1986), all of which earned several new editions. His first novel, The First Thing and the Last appeared in 2010, followed by Nothing Left to Lose (2011), and a memoir, Not From Here (2011). Johnson also developed a practice as a corporate trainer and public speaker around issues of race, diversity, and women’s studies. He died at home in Canton, Conn., on December 24, 2017, of metastatic lymphoma. He was 71.

A writer from an early age, Allan Johnson left a collection reflecting his notable range and depth. The collection includes significant contributions to sociology and the study of race, class, and gender, as well published and unpublished creative work, ranging from poetry from his college years to his memoirs and novels.

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

Rufus Jones: A Luminous Life documentary

The 2001 documentary Rufus Jones: A Luminous Life was produced by members of Wellesley Friends Meeting in Massachusetts. Documentary film maker Sharon Mullally recorded interviews with people who knew Jones as a colleague, teacher, or mentor, and with Quaker scholars about placing Jones’s life and legacy into context. Mullally and Barbara Attie served as Producers and Directors, and Frederic G. Corneel served as Executive Producer of the 40-minute documentary. A 28-minute broadcast version aired on PBS in 2002.

Rufus Matthew Jones (1863-1948) was a Quaker leader, mystic, philosopher, and activist, born in Maine. One of the most influential Quakers of the 20th century, Jones was widely published; helped found the American Friends Service Committee; was a world traveler, lecturer, and learner; helped instigate the Quäkerspeisung feeding program after World War I; and worked to heal the divide between two branches of American Quakerism that split in the mid-19^th century. Jones attended the Providence Friends School in Rhode Island and Haverford College in Pennsylvania, and having obtained an MA from Harvard, returned to Haverford as a professor of Psychology and Philosophy.

The Rufus Jones: A Luminous Life Collection consists of the raw, edited, and final versions of the materials used to create the documentary, Rufus Jones: A Luminous Life. It contains videotaped interviews with people who knew Jones as well as Quaker scholars, archival film footage and archival audio of Jones and the places he lived and worked, as well as several copies of the completed documentary. Formats include Betacam SP, DVCAM, and DVD.

The Guru Ram Das Ashram was founded in Montague, Massachusetts, in 1972 by Steve Josephs under the inspiration of Yogi Bhajan. Affiliated with the 3HO (Healthy Happy Holy Organization) and the Sikh Dharma Brotherhood, the ashram provided instruction in Kundalini Yoga and Tantric meditation, and at one point, there were as many as 21 residents of the house. Yogi Bhajan married Josephs and his wife Alice in an arranged marriage in 1972, and the couple (then called Gurushabd Singh and Gurushabd Kaur) left the ashram in 1983.

The Josephs Collection includes 13 digital images depicting the Montague ashram and its residents. The collection includes images of Yogi Bhajan and the Josephs.

Raised on Long Island, Ed Judice embarked on a path in photography at the age of 13 when he took a job sweeping floors in a local photo studio. After picking up work photographing locally and a stint in the army, he moved to New York city, Judice began doing commercial work for ad agencies and magazines and eventually with Polaroid. Through Polaroid, he began developing contacts in western Massachusetts, eventually moving to Wendell in the early 1970s. He maintains an active studio in Northampton.

The Judice collection consists of a series of 59 digital images relating to a photo documentation project at the Rodney Hunt factory in Orange, Mass., in 1973 and 1974; a series of photographs documenting the bicentennial of Wendell in 1981; and two video documentaries of the Three County Fair, Northampton, Mass., 2007, and “Benny and Joe: A friendship,” 2010.

A poet, expert on the works of Ernest Hemingway, Robert Francis, and D.H. Lawrence, and a 1953 graduate of the University of Massachusetts, Donald Junkins directed the Master of Fine Arts in English program from 1966. Junkins juggled his career as a poet with his work at the University, focusing his teaching energy on literature, not creative writing, to save his creative resources. Before turning to poetry, Junkins studied theology at Boston University School of Theology. Through meeting poet Robert Francis and taking courses with Robert Lowell, Junkins discovered his love of poetry, and his life path was forever changed. After leaving Boston University, Junkins taught creative writing at Chico State University before returning to UMass to teach.

The Donald Junkins Papers document his youth in Saugus, Mass., his experiences as a student at UMass, and his professional and creative life. The collection includes correspondence with his family throughout his life, photographs documenting his family in Eastern Mass., his records as head of the MFA in English program, and his personal and professional correspondence.

An artist, writer, and activist for the disabled, Paul S. Kahn was born on Nov. 6, 1945, into a second-generation family of Jewish immigrants in Auburndale, Mass. Early in life, Kahn rebelled against the perceived “powerlessness” of the neuromuscular disorder with which he was born, pursuing an artistic, academic, and activist life. While studying drawing, painting, and sculpture at Boston University and earning a MA in counseling at Northeastern (1982), Kahn became an activist in the independent living movement and a pioneer in advocating for personal care assistance. Living independently from 1979, he worked as staff therapist at the Beth Israel-Deaconess Medical Center, as leader of a support group for the Muscular Dystrophy Association, and as a member of the Massachusetts Governor’s Advisory Commission on Disability Policy. In 1980, Kahn met Ruth Stern, who would become his frequent collaborator and wife of 21 years. As Kahn’s physical condition weakened after 1987 and he became dependent upon a ventilator, his creative focus shifted increasingly from art to writing and editing. The last two decades of his life were remarkably productive, resulting in over twenty plays and dozens of published essays and poems, and he was the long-time editor of the newsletter Disability Issues. Kahn died on Jan. 1, 2010.

Paul Kahn’s papers are a reflection of the intensely creative life of a committed activist. The collection centers on Kahn’s literary work, including manuscripts of his plays, essays, and poetry, but it includes numerous examples of his artwork and a number of home movies and tape recordings from his childhood.