Collecting area: Journalism

Cover of Liberation News Service issue 441, June 10, 1972.

Founded in 1967, Liberation News Service, an alternative news agency, issued twice-weekly packets aimed at providing inexpensive images, articles, and art reflecting a countercultural outlook. First from its office in Washington, D.C., and then from New York City, LNS provided underground and college papers around the globe with radical and unconventional coverage of the war in Vietnam, global liberation struggles, American politics, and the cultural revolution. Two months after moving to New York City in June 1968, LNS split into two factions, with the sides mirroring common points of dispute within the New Left. The more traditional political and Marxist activists remained in New York, while those more aligned with the counterculture and “hippie” movement settled on farms in western Massachusetts and southern Vermont. For a year each faction put out competing versions of LNS news packets, until the winter conditions and small staff at the farm in Montague caused their production to end in January 1969. LNS-New York continued its production of unique leftist coverage of national and international issues throughout the 1970s, closing in 1981.

The LNS-NY Records include a relatively complete run of packets 102-701 (1968-1975) sent to the subscribing underground press newspaper the Indianapolis Free Press. Some packets and years are more complete than others, and these New York packets are especially dense with photographs compared to earlier LNS packets from before the split in 1968. The collection also includes a small selection of other artwork, articles, and materials kept by the Indianapolis Free Press.

In 1970, just fourteen years-old, Bill Lichtenstein began working as a volunteer on the listener line at WBCN-FM in Boston, moving up to become a newscaster and announcer and helping to pioneer the station’s innovative on-air sound with montages of actualities, music, and comedy. As his media career developed over the next forty years, Lichtenstein built a wide reputation as a journalist and documentary producer for ABC News, working as an investigative producer on shows such as 20/20, World News Tonight, and Nightline, and since 1990, he has operated as president of his own production company, Lichtenstein Creative Media. With LCMedia, Lichtenstein has received more than 60 major broadcast honors including a Peabody Award, U.N. Media Award, eight National Headliner Awards, the Cine Golden Eagle, and a Guggenheim Fellowship, and his documentary West 47th Street was selected as winner of the Atlanta Film Festival. A graduate of Brown University and the Columbia Graduate School of Journalism, Lichtenstein has served on the faculty of the New School University (1979-2005) and he writes regularly on media, politics, and health for publications ranging from the Huffington Post to the New York Times, the Nation, Newsday, Boston Globe, Village Voice, Entertainment Weekly, and TV Guide.

The Lichtenstein Collection consists of a growing array of materials gathered in preparation of the documentary film, WBCN and the American Revolution, which explores the cultural and political impact of WBCN. These include audio tapes of WBCN broadcasts, news reports and stories, photographs and ephemera of social change in Boston during the late 1960s and early 1970s, and two WBCN documentaries: Danny Schechter’s Jamaica: An Island in Crisis (1976) and What Is News (1973), produced by Schechter and Lichtenstein.

Julia Lieblich seated (left) on a bench with a notebook listening to Kaqchikel Maya actress Maria Mercedes Coroy (center) and unidentified person

Julia Lieblich was a human rights journalist and author who spent much of her career exploring the effects of war, abuse, trauma, war, despair, and terror to shed a light on these horrific acts in an effort to make the world a better place. Through reporting and books, she tackled difficult subjects like the wars in Bosnia and Afghanistan, conflict zones in Guatemala and Sierra Leone, the truth and reconciliation commission in South Africa, and clergy sex abuse in Chicago. Lieblich had deep empathy for her subjects and stayed in touch with many of them long after her stories and books were published. She became a godmother to five children in San Antonia Aguas Calientes, Guatemala and visited her adopted family twice a year over the course of 25 years. As a religion reporter and Jewish woman, she explored conflicts in Judaism, Islam, Christianity, and Catholicism. She taught writing and was an assistant professor at Loyola University Chicago, a research fellow at Northwestern University Law School’s Center for International Human Rights, and a scholar-in-residence at the Newberry Library in Chicago.

Lieblich was born on April 25, 1958 in Long Island, NY. Later, her family moved to St. Louis, MN. She attended the Interlochen Arts Academy boarding school in Michigan and received her Bachelor’s degree in literature at Washington University and a master’s in theological studies from Harvard Divinity School. During her career as a journalist she was a religion writer for the Chicago Tribune and the Associated Press, and published news and feature articles in The New York Times, Los Angeles Times, The Washington Post, Boston Globe, Miami Herald, Plain Dealer, Time, Life, Ms., Fortune, The Nation, American Health, American Photo, Harvard Business Review, Harvard Divinity Bulletin and Agni literary review. She also wrote op-eds for the Los Angeles Times, Chicago Tribune, The Washington Post and others. In her twenties, she oversaw the annual billionaire’s issue for Fortune by day, while writing about nuns who had taken a vow of poverty by night. Her first book, Sisters: Lives of Devotion and Defiance about cloistered Roman Catholic nuns, was originally published as an article in the New York Times Magazine. Her other book, Wounded I Am More Awake: Finding Meaning After Terror which was co-authored with Esad Boskailo, about Bosnian concentration camps, was published in 2012.

Lieblich struggled with a bipolar disorder for much of her life and in November of 2023, feeling overwhelmed by “wars that are killing children, a refugee and housing crisis, the murder of young people on our own streets, the increasing threat of nuclear war and climate change”, she ended her own life. In her final note to friends, she stated that she could no longer handle more sadness, death and destruction and “just wanted the pain to stop”. Her ashes were scattered on the grave of her goddaughter, Kendy Carmona outside of Antigua in Guatemala.

Lieblich’s papers document the working life of a career journalist. Besides copies of many, if not all, of the articles she published, there are letters, notes, research materials, drafts, and interview transcripts gathered throughout her life. The collection also contains a book proposal that Lieblich wrote in 2023 before she died called The Sacred in the Ordinary: Spiritual Teachers of a Secular Traveler that was intended to describe her spiritual journey as a secular woman as she encountered remarkable teachers from many traditions. It was intended to be a “book of stories that address the questions and themes that have animated my quest for meaning during my thirty years as a secular religion writer.” In addition, the collection contains personal photographs, artwork, and audio and video recordings of interviews.

As a journalist with the Boston Globe, a news commentator on WGBH television, and Curator of the Nieman Foundation for Journalism at Harvard, Louis M. Lyons was an important public figure in the New England media for over fifty years. A 1918 graduate of Massachusetts Agricultural College and later trustee of UMass Amherst, Lyons was an vocal advocate for freedom of the press and a highly regarded commentator on the evolving role of media in American society.

The Lyons Papers contain a selection of correspondence, lectures, and transcripts of broadcasts relating primarily to Lyons’ career in television and radio. From the McCarthy era through the end of American involvement in Vietnam, Lyons addressed topics ranging from local news to international events, and the collection offers insight into transformations in American media following the onset of television and reaction both in the media and the public to events such as the assassinations of John F. Kennedy and Martin Luther King, the war in Vietnam, and the social and political turmoil of the 1960s.

Temporarily stored offsite; contact SCUA to request materials from this collection.

A man of diverse and interests, Jon Maslow was a naturalist and journalist, an environmentalist, traveler, and writer, whose works took his from the rain forests to the steppes to the salt marshes of his native New Jersey. Born on Aug. 4, 1948, in Long Branch, Maslow received his MA from the Columbia University School of Journalism (1974), after which he spent several years traveling through South and Central America, studying the flora and fauna, reporting and writing, before returning to the States. Always active in community affairs, he was a reporter with the Cape May County Herald (1997-2002) and the West Paterson Herald News (2002-2008). The author of six books, including The Owl Papers (1983), Bird of Life, Bird of Death, a finalist for the National Book Award in 1986, and Sacred Horses: Memoirs of a Turkmen Cowboy (1994), he often combined an intense interest in natural history with a deep environmentalist ethos and, particularly in the latter two cases, with a deep concern for the history of political turmoil. He died of cancer on Feb. 19, 2008.

A large and rich assemblage, the Maslow Papers document his career from his days as a young journalist traveling in Central America through his community involvements in New Jersey during the 2000s. An habitual rewriter, Maslow left numerous drafts of books and articles, and the collection includes valuable correspondence with colleagues and friends, including his mentor Philip Roth, as well as Maslow’s fascinating travel diaries.

Beginning in 1969, the New York-based journalist Anna Mayo wrote a column, “Geiger Counter,” for the Village Voice, that became a sounding board for the antinuclear movement of the 1970s. With roots in community resistance to Columbia University’s plans to install a Triga-type reactor in the middle of New York City, Mayo covered the “nuclear horror stories that the New York Times neglected,” as she later wrote, including Three Mile Island and Chernobyl. A change in ownership at the Voice and ongoing pressure from the nuclear industry led to her being forced out in 1989, although it did not end her commitment to the cause. She contributed to publications such as the Texas Observer, Bulletin of Atomic Scientists, Kursbach, and Liberation (Paris) until the time of her death in March 2016.

The Mayo Papers are an assemblage of writing, research notes, and and some correspondence documenting Anna Mayo’s career as an antinculear journalist. The files include information on major figures in the antinuclear movement, including John Gofman and Ernest Sternglass, and include a special emphasis on the accident at Three Mile Island.

Born in 1930 in Delaware, Ohio, Margaret Theodora “Teddy” Milne, graduated from Boston University in 1952 before attending the University of Paris in 1953-1954 for post-graduate studies. Milne moved to Northampton, Mass. in 1959 to teach at the Northampton School for Girls. She married Alexander W. Milne, general manager of radio station WHMP, in 1965 and together the couple had three sons: Timmon, Peter, and James. Milne worked as a writer, serving as a reporter and copy editor at the Daily Hampshire Gazette, before establishing and editing two journals focused on peace: Laser, a children’s newsletter, and Compassion Magazine. She owned and operated the Pittenbruach Press, which published her journals as well as several book she authored, including Peace Porridge (v. 1-3, 1987-1995), War is a Dinosaur (1987), Solo Publishing (1990), Mooncakes and Flower Beans (1994), and Calvin Coolidge Doesn’t Live Here Any More (1994), and contributed articles, stories, and crossword puzzles to magazines and newspapers.

As an active author and peace activist, the Teddy Milne Papers cover all of her primary passions from parenting and teaching to publishing and anti-nuclear activism. The collection contains photographs and newsletters from her days as a teacher at the Northampton School for Girls as well as articles and columns she prepared for the Daily Hampshire Gazette. There are extensive records documenting the Pittenbruach Press, which Milne operated, including materials related to the journals and books she published. A series of letters along with files related to committee work and Milne’s membership in Quakers United in Publishing (QUIP), reveal the important role her Quaker faith played in her life.

Cover of Avatar volume 1, number 4

Suzanne Petrucci (neé Karson / AKA Suzanne Beardsley) was the Distribution Secretary for the Boston underground newspaper, Avatar, which was published out of the Fort Hill Commune in Roxbury and led by Mel Lyman, the controversial folk musician, spiritual leader, and writer. The initial run of Avatar ran from 1967-1968 and published 24 issues until a split developed amongst the staff. The Avatar offices moved from Fort Hill to Rutland Street in the South End. A 25th issue was published and partially distributed before the remaining copies were stolen by the Fort Hill contingent. Shortly after this incident, an Avatar board member, David Wilson, of the music publication Broadside, and Charles Giuliano, a writer for the paper, resumed publication during the summer of 1968. Eventually, Lyman resumed publication of a new American Avatar which ran through 1969. A New York edition also ran simultaneously in 1968 and 1969. Petrucci donated a complete run of volume one of the newspaper in 2023.

The collection consists of an entire run of volume 1 of Avatar, consisting of issues 1-24 and the “lost” issue 25. Also included are a selection of issues from volume 2 as well as issues from the New York edition. Issues of the Los Angeles Free Press and Rolling Stone that contain stories about Mel Lyman and the Fort Hill Commune are also included.

Mark Sommer, with Zetta, the first newborn goat at the Sommer homestead in northern CA, May 1985

Mark Sommer is an explorer, storyteller, and award-winning public radio and print journalist focused on advocacy and narratives of social, political, and environmental change and positive action. In Washington, D.C., Sommer found himself on hand for some of the 1960s pivotal moments, where he was involved with the Liberation News Service and the New Left think tank, the Institute for Policy Studies. Sommer moved to California in 1969 to explore the counterculture, spending several years journeying – spiritually, psychedelically, and physically between communes, farms, and wilderness homesteads along the western coast – before he and his wife built a self-reliant organic homestead in the deep woods of northern CA, where they lived from the 1970s to the 1990s. The resilience of nature deeply impacted Sommer’s outlook and work as a writer and journalist, driving his interest in the human capacity for overcoming adversity. Sommer founded and directed the Mainstream Media Project, a nonprofit media placement service scheduling leading edge thinkers and social innovators for extensive radio interviews, and Sommer served as host and executive producer of the internationally syndicated and award winning, one-hour weekly radio program, A World of Possibilities. Sommer is the author of three books (Beyond the Bomb, The Conquest of War, and Living in Freedom), and hundreds of op-eds in major newspapers worldwide. Current projects include short and movie length videos crafted from his photographs, films, interviews, and experiences.

Chronicling over five decades of creative and journalistic output of a life-long explorer and progressive advocate, the Mark Sommer Papers are an extensive collection, covering Sommer’s entire career and personal life from the late 1960s to the present. Writings include personal and multiple travel journals (including a unique trip to North Vietnam in 1968), correspondence, student essays, op-eds, articles, project and grant plans, memoirs, and book manuscripts. Additional journals exist in audio format, along with radio interviews where Sommer served as a guest. Slides, photographs, and movies cover Sommer’s family and home life to his wide-ranging travels and interests. Some main topics of coverage include foreign policy and international politics, progressivism, peace and conflict studies, the anti-nuclear and disarmament movements, wilderness and back-to-the-land experiences, and later in life fatherhood. Materials from Mainstream Media Project have been separated into the Mainstream Media Project Records.

A renowned independent film maker and founder of Gabriel Films, Jonathan Stack has written and produced over two dozen documentary films and fifty television programs. Born in New York City in 1957, Stack graduated from UMass Amherst in 1979. From the time of his film Damned in the USA (1992), Stack has taken on challenging subjects, earning a reputation for gaining access into forbidden and often dangerous situations, from crack dens in Harlem to war-torn Liberia. The recipient of numerous honors in his career, Stack has been awarded five Emmy Awards, has twice been nominated for the Academy Award, and his film The Farm, on Angola Prison, won Sundance Film Festival’s Grand Jury Prize in 1998.

The films and videos in the Stack collection include copies of his work in Liberia and Haiti and material from his documentary on prison rodeos at Angola Prison. The collection includes film from Damned in the USA (1992), Final Judgment (1996), and The Farm (1998), as well as footage from Harlem, Angola Prison, St. Gabriel Women’s Prison, and on body piercing, rodeo, and the prisoner Vincent Simmons.