Collecting area: Books and book history

Originating in 1991, the Society for the History of Authorship, Reading and Publishing (SHARP) was established “to create a global network for book historians working in a broad range of scholarly disciplines.” With more than 1,000 members, research interests include the composition and reception of books as well as their survival and transformation over time.

Records cover the earliest days of the organization’s development, including founding documents, and document a variety of their activities from hosting conferences and publishing a newsletter to promoting scholarship.

In 1589, Pedro Guillén de las Casas of Jaen, Andalusia, began the effort to petition the crown to have his claim to a noble lineage recognized. The carta executoria de hidalguia he sought was the written culmination of a legal process that began with assembling a “pruebas de hidalguia” containing evidence of a noble lineage and testimonies from town or regional officials. The request was submitted to one of two chancelleries that handled lawsuits of nobility, the Real Chancillería in Granada (for southern Spain) or Valladolid (for the north), and if approved, the carta executoria was issued acknowledging, rather than granting, nobility. De las Casas’s petition was approved in May 1590.

Issued in the name of King Philip II of Spain and Portugal at the time of his marriage to Mary I (1554-1558), this document is an exceptional example of the patents of nobility produced in Granada during the late sixteenth century. Bound in contemporary red velvet, it bestows the rank of hidalgo (gentleman) on Pedro Guillén de las Casas, and is illuminated with a series of exquisite miniatures, including one of Philip II, aged 33. The carta appears to be missing a frontispiece and text leaf, but includes a single paper leaf loosely inserted at the beginning with a nineteenth-century depiction of Christ carrying the Cross.

James H. Fraser and his wife Sibylle were eclectic and sometimes omnivorous collectors of the book arts, dedicated to the scholarly exploration of visual culture, the book, and the avant garde. A former Director of the Library at Farleigh Dickinson University and a consultant to many other academic libraries, James Fraser developed an omnivorous passion for German and Eastern European graphic design and book culture and had interests that ranged from Socialist children’s books to Judaica, the American left, Mongolian printing, and Japanese posters of the 1980s. James Fraser died in the fall 2013 and was survived by Sibylle and their two children.

This unusual collection of over 250 volumes is a product of the Frasers’ interest in Swedish book jacket design. Consisting nearly entirely of soft cover volumes printed between the 1920s and 1960s, primarily pre-war, and not necessarily written by Swedish authors, the collection reflects the work of many illustrators drawing on a range of graphic styles, from avant garde modernism to the later parts of the collection, which includes translations of popular works by writers such as Ian Fleming and Agatha Christie.

Born in 1948 to Robert Trigére and Jane Ellis, Trigére grew up in New York City and Argentina. Her parents divorced when she was young, and she remained close to both. Trigére attended the Lycee Francais de New York, a preparatory high school that taught in French. She was accepted to Sarah Lawrence College in 1969, which she attended for two years before transferring to the University of Boston to study Architecture. She moved to western Massachusetts in 1992 and became involved in a myriad of community organizations and projects. Notably, in 1997, Trigére helped found the Hatikvah Holocaust Education and Resource Center and served as the first director. Trigére was also active in several Jewish schools and educational centers as both an instructor and a leader. She and her husband, Ken Schoen, lived and operated a rare Jewish Bookstore out of the old firehouse in Deerfield, Massachusetts. She was on several committees dedicated to the preservation of the town, such as the Deerfield Historical Commission and she helped to create other community organizations such as the Deerfield Arts Bank. In 2016, Trigére was diagnosed with ovarian cancer and died in 2018.

The bulk of this collection dates from the time when Jane Trigére finished her undergraduate studies in 1975 to her passing in 2018, although there are some photographs and correspondence from her childhood. The collection includes materials that relate to her education and employment, artwork and writing, and community involvement as well as correspondence and family materials. Within the family materials are items related to Pauline Trigére, a prominent fashion designer.