Collecting area: Books and book history

Abu al-Barakat Hafiz al-din Abdallah ibn Ahad ibn Mahmud al-Nasafi was a Hanafi legist and theologian. He was born in Nasaf (now southern Uzbekistan) in CE 710, taught in the Madrasa al-Kutbiya al-Sultaniya in Kirman, and wrote the Kanz al-daquia’iq fi’l-furu (Treasure of niceties of the branches of jurisprudence), which became a frequently consulted tract of Hanafi law by fiqh scholars for many generations. Al-Nasafi died in Idjadj (Khuzestan Province, Iran), apparently on a return journey from a trip to Baghdad in CE 1310.

This small folio manuscript of al-Nasafi’s Treasure of niceties of the branches of jurisprudence was calligraphed by Ahmad ibn Amîr in the naskh script just over a hundred years after the death of al-Nasafi, making it a very early example of the important legal work. The manuscript is written in black ink with captions in red and extensive marginal and interlinear glosses throughout, typical for an Islamic legal manuscript of this period. Exact origin is unclear but the the first leaf includes entries in Ottoman Turkish.

A scholar of early modern British literature, Joe Black received his BA and PhD from the University of Toronto and taught for several years at the University of Tennessee Knoxville before joining the English faculty at UMass Amherst in 1994. Rooted in the history of the book, his research on seventeenth-century literature has examined the intersection between writing and the material and social context of production as well as the dialogue between print and manuscript culture.

The Black collection is an eclectic assemblage of American imprints designed to assist study and instruction in the history of the book. The collection includes two long runs of pulp novels, Beadle’s Frontier Series and the American Revolution-inspired Liberty Boys of ’76, examples of almanacs, prompt books, and works form the early national period in publishers’ bindings.

View the full Black collection in the library’s catalog.

Books of hours are the most common surviving form of the medieval book and are as diverse as the patrons who commissioned them. Beginning in the mid-thirteenth century, they flourished as part of a rich array of devotional works used to frame the temporal structure of a community’s spiritual lives. In keeping with individual spiritual and aesthetic preferences, books of hours were often customized to appeal to the particular purchaser, and they vary greatly through time and from region to region.

This diminutive and comparatively austere book of hours (Use of Rome) appears to have been produced near Bruges between about 1460 and 1470, possibly influenced by the prolific illuminator Willem Vrelant. Written in Latin in a skilled Gothic Italic Rotunda hand, the book lacks a calendar and miniatures of any kind, nor is there any evidence that any were ever present.

Founded in 1067, the Benedictine convent of San Pier Maggiore was an ecclesiastical center of medieval Florence, and socially one the city’s most prestigious religious houses for women. A Gothic church was completed at the convent in 1352, featuring an elaborate multi-paneled altarpiece by Jacopo di Cione. The convent remained active until its razing in 1784.

A utilitarian, but ritually significant work, this manuscript contains the text and music used in celebrating the consecration of nuns at the Benedictine convent of San Pier Maggiore. The acanthus border on the first folio suggests a mid-fourteenth century date of origin, though likely prior to the commissioning of Cione’s Coronation of the Virgin altarpiece.

Guillaume Claude Robinet, an avocat du roi from Issoudun (Indre), France, married Catherine Tabouet on Jan. 15, 1591.

A medieval book of hours of the use of Bourges, this manuscript is illuminated with six miniature paintings, each above a four-line initial and accompanied by an originally four-sided floral border (now trimmed at the top). The association of the manuscript with Robinet and Tabouet is based on the use of their names on the front and rear boards of the binding, which may have been commissioned at around the time of their wedding in 1591.

Co-owned by Dorothy Johnson and Doris Abramson, the Common Reader Bookshop in New Salem, Massachusetts, specialized in women’s studies materials, or in their words, “books by, for, and about women.” A couple for almost 40 years and married in 2004, Johnson and Abramson opened the store in 1977 and as they grew, relocated to the town’s old Center School building across the street in 1983. The shop closed for business in 2000.

Comprised of two scrapbooks and folder of ephemera, the collection highlights the Common Reader Bookshop not only as a place for buying antiquarian books, but also for the community it fostered.

Publishers in Western Massachusetts engaged in a brisk trade in books intended for children during the antebellum years, producing chapbooks to teach reading, didactic works on morals and comportment, and toy books for reward and entertainment. Brief and most often simply produced, the books are noted for their diminutive size, stock woodcut illustrations and characteristic moralistic tone, but they are rich sources for understanding popular conceptions of childhood, education, religious life, and marketing in the book trade, among other subjects.

The majority of the works in the Early Children’s Literature Collection were products of the antebellum press in western Massachusetts, produced and distributed by printers such as John Metcalf (Wendell and Northampton), Anson Phelps (Greenfield), and A. R. Merrifield (Northampton). There are examples of chapbooks from other printers, most notably Mahlon Day of New York and the American Sunday School Union in Philadelphia.

The scholar of book history Otto F. Ege disassembled works from his personal collection of medieval manuscripts to create forty portfolios of fifty leaves each, offering these sets for sale to individuals and institutions under the title “Fifty Original Leaves From Medieval Manuscripts.” Marketing his portfolios as a resource for study of the history of the book, book illustration, and paleography, Ege justified his biblioclastic enterprise as a means of sharing the beauties of Medieval books with a wider audience.

The majority of the texts scavenged for Otto Ege’s “Fifty Original Leaves From Medieval Manuscripts” (all but one in Latin) are liturgical in origin — Bibles, psalters, missals, breviaries, and Books of Hours — however Ege also included a few less common works such as the 15th-century manuscript of Livy’s History of Rome and a version of Thomas Aquinas’s Commentary on the Sentences of Peter Lombard. The leaves range in date from the late twelfth to the early sixteenth century and represent a number of distinctive regional styles in paleography and illumination from throughout western Europe, including Italy, France, Germany, the Low Countries, Switzerland, and England. The UMass Amherst set is number six of 40.

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

Yasuko Fukumi graduated from Tsuda College in Tokyo in 1949 with a B.A. in English. From 1949 to 1952, she worked in the library of the Narimasu High and Junior High Schools, before becoming an Assistant Librarian at the American School in Japan. In 1962, Fukumi moved to the United States to pursue a graduate degree in library science at Kansas State Teachers College. She held two positions at other American libraries before joining the staff of the UMass Amherst Library as a cataloger and later as the East Asian Studies Librarian. Fukumi first discovered the Benjamin Smith Lyman Collection, housed then at the Forbes Library in Northampton, in 1979. From that time forward, she worked tirelessly to bring the collection to the attention of the faculty at UMass and to the scholarly world at large. In 1987, she mounted a campaign to raise the $200,000 necessary to purchase the collection from the Forbes Library and secure it a permanent home in the UMass Amherst Special Collection and University Archives.

Fukumi’s papers focus on her extensive research both on Benjamin Smith Lyman and on the Japanese books that comprised his collection, books now housed along with his papers at UMass Amherst. Materials include Lyman family history and genealogy, Lyman’s contributions to Japan’s coal, oil, and mineral reserves during the latter of the 19th century, and Fukumi’s bibliography of Lyman’s library. The collection also contains limited material on Fukumi’s employment at the university library and a large selection of her Haiku poems.

Born on December 13, 1887, Gladys Theodora Parrish to wealthy birthright Quaker Alfred Parrish and Katharine Broadwood Jennings. Gladys married Constant Davis Huntington on October 17, 1916, who had been chairman of the London office of G. P. Putnam’s publishing company since 1905. The couple first resided in Hyde Park Gardens in London and then at Amberley House in Sussex. They had one daughter on January 11, 1922, Georgiana Mary Alfreda (Urquhart). Gladys Huntington wrote many plays and novels, including the bestselling book Madame Solario, published anonymously in 1956. Other published titles include; Carfrae’s Comedy (1915, novel), Barton’s Folly (1924, play), and Turgeniev (c. 1930, play). She died at St. George’s Hospital (Westminster) on May 31, 1959, at the age of 71.

The Gladys Parrish Huntington Papers is primarily composed of the correspondence of Gladys Huntington with her mother, Katharine “Kate” Parrish, husband Constant, daughter Alfreda, various friends, relatives, and professional contacts. Additionally, the collection contains a sizable amount of Gladys’ correspondence and traded manuscripts, short stories, poetry, and drafts with fellow authors such as Leo Myers, Nicolo Tucci, Helen Granville-Barker, Viola Mynell, Eric Clough Taylor, Cynthia Asquith, Clifford Bax, and others. Many of her own manuscripts and typed drafts of novels and plays (Madame Solario, Turgeniev, her unfinished final work, The Ladies’ Mile), along with childhood writings, photo albums, datebooks, and diaries spanning her lifetime are contained within the collection.