Collecting area: Germany

An East German Prosecutor General, Carlos Foth was a key player in the legal effort to investigate and punish Nazi war criminals. For two decades beginning as a law student in Berlin in 1947, Foth was part of a team dedicated to the prosecution of former Nazis, and he contributed to the creation of an antifascist internationalist system quite distinct from the weaker efforts in West Germany. Having assisted in high profile cases such as those stemming from the Koepenicker Blutwoche (the SA-led pogrom in Berlin in June 1933), Foth found himself at the center of investigations that highlighted the tensions between the East and West German systems. In a series of cases in the early 1960s, East German prosecutors uncovered former Nazis working in the West German judiciary, culminating in the 1963 “show trial” conviction in absentia of Hans Globke, National Security Advisor to West German Chancellor Konrad Adenauer, who had been the author of Nazi racial purity laws. As department head for international relations beginning in 1972, Foth was engaged in negotiations between the German legal systems and in 1979 he was invited to assist in the investigative phase of war crimes trials against the Khmer Rouge. He left office after reaching retirement age in 1988.

The Carlos Foth Papers offer important documentation of East German attempts to hold former Nazis accountable for war crimes and crimes against humanity and they provide insight into the operation of the East German legal system and its relations with the west. In addition to materials on prosecutions of SA Brownshirts involved in political violence during the Köpenicker Blutwoche, the collection includes files relating to prosecutions of West German officials accused of Nazi-era crimes and materials relating to Foth’s role as a consultant to the 1979 war crimes trials against the Khmer Rouge.

An East German actor, writer, and film director, and an insightful analyst of German culture and film history, Jörg Foth was born in Berlin on Oct. 31, 1949. After completing military service and working briefly in television, Foth entered the Hochschule für Film und Fernsehen „Konrad Wolf“ in Postdam, graduating in 1977. During his long ascent through the East German film system, he worked as an assistant director at the DEFA Studio and in GDR television and collaborated with Ulrich Weiss and others. His directorial debut came in 1984 with the children’s film Das Eismeer Ruft, however it was another six years before he was permitted to direct his second film, Biologie!, the only DEFA feature ever to deal with environmental issues. A few months after he was promoted to Director, the East German political system collapsed and the DEFA studios were closed. Foth has since worked as a freelance director and writer for both film and television.

The Foth collection provides unique insight into East German cinema; the diverse career of a noted writer, director, and actor; and more generally, the shifting artistic environment during the last years of the DDR. Along with writing and research materials from many of Foth’s films, the collection includes a range of writing, ephemera, and on topics ranging from film theory, the theater, and literature to Marx, Stalin, and Lenin.

An author, scholar, and librarian, James Fraser had a voracious intellectual appetite that ranged from visual culture to the inter-war avant garde to Communist-era eastern Europe. Born April 30, 1934, Fraser earning his doctorate in Library Science at Columbia University and enjoyed a career of nearly 50 years in academic libraries. A specialist in international children’s literature, he and Sibylle von Holstein, his wife of 56 years, became known for building research collections at a number of university libraries, drawing upon their extraordinary knowledge of 20th century book arts, graphic design, photography, political ephemera, and East German culture, among other areas. Fraser was also an energetic exibitions curator, often based upon material he had collected. Jim Fraser died at home after a short illness on Nov. 25, 2013.

The product of two active and eclectic collectors, the Fraser collection contains over 1200 imprints on art and design in Communist-era eastern Europe, East Germany, 1960s radicalism, and other subjects, along with ephemera on radical movements in both the United States and Europe.

Photographs from the 1930s and 1940s featuring both major government officials such as Hitler, Goebbels, and Himmler, and lower ranking officials such as regional party leaders. Photographs of German soldiers with their various weapons, some possibly fighting, are also depicted. Includes film stills from the Allied invasion of Normandy and German Communist refugees in the Soviet Union.

Writer, editor, and educator, Anne Halley was born in Bremerhaven, Germany in 1928. A child during the Holocaust, she relocated with her family to Olean, New York during the late 1930s so that her father, who was Jewish, could resume his practice of medicine. Graduating from Wellesley and the University of Minnesota, Halley married a fellow writer and educator, Jules Chametzky, in 1958. Together they raised three sons in Amherst, Massachusetts where Chametzky was a professor of English at UMass and Halley taught and wrote. It was during the late 1960s through the 1970s that she produced the first two of her three published collections of poetry. The last was published in 2003 the year before she died from complications of multiple myeloma at the age of 75.

Drafts of published and unpublished short stories and poems comprise the bulk of this collection. Letters to and from Halley, in particular those that depict her education at Wellesley and her professional life during the 1960s-1980s, make up another significant portion of her papers. Publisher’s correspondence and a draft of Halley’s afterward document the Chametzkys effort to release a new edition of Mary Doyle Curran’s book, The Parish and the Hill, for which Halley and Chametzky oversaw the literary rights. Photographs of Halley’s childhood in Germany and New York as well as later photographs that illustrate the growth of her own family in Minnesota and Massachusetts offer a visual representation of her remarkable professional and pesonal life.

Known for his bitingly satirical poetry, plays, and essays, the Austrian writer Karl Kraus was born in what is today Jicin, Czech Republic. At the age of three, Kraus and his family moved to Vienna, where he remained for the rest of his life. He is best known as editor of the literary journal Die Fackel (The Torch), which he founded in 1899 and to which he was the sole contributor from 1911 until his death in 1936.

Gabriel Rosenrauch, a lawyer from Chernivtsi, Ukraine, collected materials about Kraus and his career, including newspaper articles and essays in German, Yiddish, Hebrew, English, and French written between 1914 and 1962. A few of these were written by well-known authors such as Hermann Hesse and Werner Kraft. The collection features personal photographs of Kraus from throughout his life, as well as photographs of his apartment in Vienna. Also of note are the indexes to Kraus’ journal Die Fackel that were composed by Rosenrauch, whose personal correspondence with Kraus archivist Helene Kann is part of the collection.

An East German screenwriter and playwright, Ulrich Plenzdorf was born into a Communist family in the working-class Kreuzberg district of Berlin in 1934, settling in East Germany after the war. Abandoning his undergraduate studies in philosophy at the University of Leipzig, Plenzdorf worked as a stagehand at the DEFA film studio while studying at the film academy in Babelsberg. His breakthrough as a writer came with the play Die neuen Leiden des jungen W (1972), which enjoyed enormous success internationally, selling more than four million copies in 30 languages. A year later, he followed up with the popular film, Die Legende von Paul und Paula (1973), and his popularity as a writer continued through unification. Plenzdorf died in Berlin on Aug. 9, 2007, at the age of 72.

This small collection includes research files on the screenwriter Ulrich Plenzdorf assembled by Albert R. Schmitt, a professor of German at Brown University. In addition to an early edition of Die neuen Leiden and a mimeograph copy of an English translation by Herbert Lederer, the collection includes a handful of letters and a few pieces of ephemera from early productions of Die neuen Leiden, along with reviews and scholarly articles of Plenzdorf’s work.

Born in Germany on Aug. 4, 1934, Hans Joachim Ring was a film enthusiast with an encyclopedic knowledge of German cinema. During the Second World War, movie theatres became a refuge for the young boy, whose family was forced several times to flee due to Allied bombing. The hardships of post-war life cemented the role of film in his life and as he grew older, he became an ardent collector of materials relating to film.

The Ring Collection includes hundreds of programs, fliers, and handbills published by the official East German film distributors Progress Film-Vertrieb and the Deutsche Film Aktiengesellschaft (DEFA) and sold to patrons at theatres. This extraordinary assemblage includes several hundred programs covering the immediate post-war period (1945-1950) and hundreds more relating to films released up to and beyond the end of the Communist era. Offering insight into the evolution of graphic design in East Germany and the marketing of film, the collection is one of the largest of its kind in the United States.

A scholar of East German literature and cultural politics, Jay Rosellini completed his doctorate at Indiana University in 1976, and held faculty positions at MIT and Purdue before becoming Professor of German and Humanities at Suffolk University in 2001. His writings include monographs on the writers Volker Braun and Wolf Biermann and a study of the right-wing tradition in German literature from the Romantic era to post-unification. Rosellini retired in 2017.

The Rosellini Collection contains novels, poetry, and drama from East German writers, primarily from the 1960s to 1989.

A member of a distinguished family of New England educators and clergymen, Brainerd Taylor played an key role assisting the U.S. Army in taking its first steps into modern mechanized warfare. Born in Newtonville, Massachusetts, in 1877, Taylor entered Harvard with the class of 1899, but during the rush of enthusiasm accompanying the start of the Spanish American War, he left before completing his degree to join the military. Serving with the Coast Artillery for several years, he became the Chief Motor Transport Officer for the Advance Section of the Service of Supply for the American Expeditionary Force during the First World War, earning promotion to Colonel, a Distinguished Service Medal, and the Legion of Honor from France for his efforts. Taylor married twice, first to Vesta Richardson, who died in 1919, and then to Helen Cady. Taylor died in 1955.

The Taylor family collection contains more than 1,000 letters documenting the military career and personal life of Brainerd Taylor, with particularly thick coverage of the period of the First World War when he was stationed in France, building the Motor Transport Corps virtually from scratch. These letters are exceptionally well written and rich in description, both about his duties and his travels in France and Germany. The collection also includes Taylor’s extensive correspondence to his father, James Brainerd Taylor (1845-1929), and correspondence relating to Taylor’s wives, children, and grandchildren.