Collecting area: African American

The Black Mass Communications Project was founded as an educational and informational outlet for Black students at UMass Amherst in 1968 and authorized in the following year as a Registered Student Organization. Over the years, BCMP played varied roles on campus, hosting cultural events, lectures, workshops, and social gatherings as to help keep black music alive. Many of its early members were also affiliated with the student radio station WMUA, and throughout the 1970s, the organization played a prominent role in providing programming to the station, offering programming highlighting African American music and current affairs.

The BCMP collection consists of many dozens of reel to reel audiotapes of radio broadcasts aired over WMUA during the 1970s and early 1980s by and for the university’s African American community. Included is a range of locally-produced public affairs, cultural, and music programming, with some content licensed from around the country. A few of the tapes are associated with the Five College’s National Public Radio affiliate, WFCR. An inventory of the collection is available to view which includes dates, descriptions, program titles and tapes that have been digitized.

Named for Elizabeth Gurley Flynn, the “Rebel Girl,” Elizabeth “Liz” Blum has worked to live up to her name through public activism, organizing, and community service in the civil rights, anti-war, women’s, anti-apartheid, co-op, and other movements. After graduating from Bennington College in 1964, Blum went south as a part of the Mississippi Freedom Vote, going door to door in northwestern Mississippi until her house in Tupelo was firebombed, forcing her to relocate to Columbus for the remainder of the registration drive. She continued her work and connections with the Student Non-Violent Coordinating Committee (SNCC) and Students for a Democratic Society (SDS) in New Haven as a worker for the Freedom School and the Economic Research and Action Program, and additionally lived in New York City and San Francisco before returning to Vermont in 1967 to live in a commune and teach French at Castleton University. There Blum organized an SDS chapter and women’s group before moving to Cambridge, Mass., joining the Boston Women’s Health Collective and helping to edit Our Bodies, Ourselves. A retired Occupational Therapist, Blum is currently county chair of the Vermont Progressive Party, serves on the Board of the Hanover Co-op Food Stores where she heads the Diversity, Equity and Inclusion Committee, and continues her diverse advocacy work through personal and community action.

Small in size, but generous in topic and form, the Blum Papers consist of correspondence and two newsletter portions with commentary on numerous events and activist groups during the first half of the 1960s. Personal experiences and reflections on national politics and trends, student and community organizing, and the anti-Vietnam War and civil rights movements, reveal how individuals negotiated and prioritized their thoughts and actions during such turbulent times. Correspondents include Henry M. Aronson, Ike Coleman, Vernon Grizzard, and Mike Miller, and updates from and to Blum are mostly from Mississippi, but also San Francisco, Cambridge, New Haven, and Selma.

Educator, sociologist, scholar, and author. Includes personal and professional correspondence; administrative and teaching records; research data; manuscripts of published and unpublished speeches, articles and books; photographs; and Bond family papers, especially those of Horace Bond’s father, James Bond. Fully represented are Bond’s two major interests: black education, especially its history and sociological aspects, and Africa, particularly as related to educational and political conditions.

Correspondents include many notable African American educators, Africanists, activists, authors and others, such as Albert C. Barnes, Claude A. Barnett, Mary McLeod Bethune, Arna Bontemps, Ralph Bunche, Rufus Clement, J.G. St. Clair Drake, W.E.B. Du Bois, Edwin Embree, John Hope Franklin, E. Franklin Frazier, W.C. Handy, Thurgood Marshall, Benjamin E. Mays, Pauli Murray, Kwame Nkrumah, Robert Ezra Park, A. Phillip Randolph, Lawrence P. Reddick, A.A. Schomburg, George Shepperson, Carter G. Woodson and Monroe Work.

Founded in 1973, the Boston Jazz Society grew from a small group of enthusiasts listening to music in living rooms to a thriving organization that “kept Jazz alive” in New England. As Jazz’s popularity began to fade in the late 1960s, local Jazz societies formed to provide support to artists and give them the means and venues to continue to perform on the road. The Boston Jazz Society was originally inspired by one of the earliest, the Left Bank Jazz Society of Baltimore. Like the Left Bank, BJS produced concerts in clubs, theaters, and hotels but expanded their efforts to include exhibits, television and radio shows, and a Jazz education program for grade school students. The longest running BJS activities, however, were the annual Jazz Barbecues and starting in 1975, the BJS Scholarships. The scholarship program raised funds for young Jazz musicians to attend the New England Conservatory of Music’s Jazz Department and the Berklee School Of Music and began the musical careers of many important musicians, composers, and teachers. BJS was also deeply connected to the local music scene, celebrating Roxbury, Mass. natives Alan Dawson and Roy Haynes, whose brother Vincent was a long-time board member, among many others. After 42 years of promoting Jazz music in Boston, the Boston Jazz Society, Inc. dissolved in 2015.

The Boston Jazz Society Records extensively document BJS’s meetings, events, business dealings, and scholarship administration through meeting minutes, posters, correspondence, photographs, recordings, videos, and BJS’s own propaganda and publications. The majority of the BJS records came from the collection of founding member and longtime president Aureldon Edward Henderson and also represents his involvement in promoting Jazz in the Boston area.

Printers and bibliographers use a bevy of terms to refer to works printed on one side (or sometimes both sides) of a single sheet, classified primarily by size. From large to small, posters, broadsides, and fliers refer to works used to convey a more or less focused message to an audience, often using illustrations or inventive typography to grab the attention.

Posters from Communist world, with an emphasis on the political and cultural transformations of the late 1980s through mid-1990s. The majority of posters originated in the Soviet Union, although there are examples from East Germany, China, and elsewhere.

The printed works are temporarily stored offsite; contact SCUA to request printed materials from this collection.

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.
The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

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Microfilm containing documents drawn from various repositories including John Brown’s correspondence with family, friends, and others; court records and testimony; transcripts of interviews and other personal reminiscences; drafts of narratives; memorandum book; drafts of speeches; church records; minutes of Anti-slavery Society of Lawrence, Kansas; financial and legal records; broadsides and circulars; newspaper clippings; other miscellaneous records.

In the early Republic, Moses Brown emerged as an ardent abolitionist, a social reformer, and one of the best known philanthropists in his native Providence, R.I. A Baptist who converted to the Society of Friends in 1774, Brown had made a fortune as a merchant, partly in the triangular trade, but a crisis of conscience brought on by the ghastly results of an attempted slaving voyage in 1765 and the death of his wife in 1773 led him to reexamine his life. Withdrawing from most of his business affairs, Brown joined the Society of Friends and emancipated his slaves. He was a founder of the Providence Society for the Abolition of Slavery in 1786 and a strong voice for peace, temperance, and universal education.

A small, but rich archive of the personal papers of Moses Brown, this collection centers on Brown’s activities in antislavery, peace, and educational reform and his connections to the Society of Friends between the 1760s and 1830s. In addition to significant correspondence with major figures in early antislavery cause, including Anthony Benezet, George Benson, William Dillwyn, and Warner Mifflin, and some material relating to the Providence Society for the Abolition of Slavery, the collection includes outstanding content on peace activism. In addition to materials from Moses Brown, the collection includes letters to Moses’ son Obadiah Brown and some fascinating letters and manuscripts relating to Moses’ friend and fellow Friend, Job Scott.

Kerry W. Buckley is an American History writer and artist. He graduated from Samford University in 1969 but continued his studies at the University of Georgia to get his Masters in 1971 and then completed his Ph.D. in American Social and Intellectual History at the University of Massachusetts Amherst. Buckley wrote and edited several books and articles, including “Mechanical Man”, a biography of the psychologist, John Broadus Watson. He’s a veteran from the Vietnam era and has taught and lectured at many different colleges and universities. Buckley became fascinated by Du Bois after writing a research paper, and eventually his thesis, on him. Throughout his life, he worked on a few projects centered around Du Bois, including a biographical travelling exhibit that contained some of Du Bois’s pictures and selected writings. Buckley also worked in the University of Massachusetts Archives to help process and create a guide for the W.E.B.Du Bois Papers.

The collection contains drafts, letters, publications and documents that focus on the creation of the Du Bois traveling exhibit , the production of the published guide to the papers, and the effort to create a Du Bois documentary by Black Flame Productions.

Brothers from Wilbraham, Mass., David and Marshall Calkins received medical degrees together at the Worcester Medical Institution in 1848. Although David died at the age of 31 in 1855 while just beginning a career, Marshall went on to build a considerable reputation in medicine, working with the Springfield City Hospital for many years and teaching at the University of Vermont.

Kept during the Calkins brothers’ years in Monson, Mass., the three daybooks that comprise this collection list patients treated and their origin or race, along with medical class notes, services provided, remedies, and forms of pay, including bartering for goods. Also included is an account of a stay in Wilbraham.