Collecting area: Women

Residents of Worcester, Mass., Madeline and Winthrop Goddard Hall were part of an extended community of young friends and family associated with the American Board of Commissioners of Foreign Missions, including Charlotte and Edwin St. John Ward, Margaret Hall, and Ruth Ward Beach. From 1907 to 1914, Edwin Ward was sent as a missionary to the Levant, working as a physician and teacher at Aintab College in present-day Turkey and Syrian Protestant College in Beirut. Margaret Hall and Ruth Beach were stationed in China, teaching in Tientsin, at the Ponasang Women’s College in Fuzhou, and at the Bridgeman School in Shanghai.

The Hall Papers include 67 lengthy letters from the Ottoman Empire and China, the majority from Charlotte and Edwin Ward. Intimate and often intense, the correspondence provides insight into the social and family life of missionaries and gives a strong sense of the extended community of missionaries.

Writer, editor, and educator, Anne Halley was born in Bremerhaven, Germany in 1928. A child during the Holocaust, she relocated with her family to Olean, New York during the late 1930s so that her father, who was Jewish, could resume his practice of medicine. Graduating from Wellesley and the University of Minnesota, Halley married a fellow writer and educator, Jules Chametzky, in 1958. Together they raised three sons in Amherst, Massachusetts where Chametzky was a professor of English at UMass and Halley taught and wrote. It was during the late 1960s through the 1970s that she produced the first two of her three published collections of poetry. The last was published in 2003 the year before she died from complications of multiple myeloma at the age of 75.

Drafts of published and unpublished short stories and poems comprise the bulk of this collection. Letters to and from Halley, in particular those that depict her education at Wellesley and her professional life during the 1960s-1980s, make up another significant portion of her papers. Publisher’s correspondence and a draft of Halley’s afterward document the Chametzkys effort to release a new edition of Mary Doyle Curran’s book, The Parish and the Hill, for which Halley and Chametzky oversaw the literary rights. Photographs of Halley’s childhood in Germany and New York as well as later photographs that illustrate the growth of her own family in Minnesota and Massachusetts offer a visual representation of her remarkable professional and pesonal life.

Copies of letters written by Harding to Carrie Phillips between 1909 and 1920, as well as copies of the correspondence of Nan Britton, who allegedly had a child with the President, including letters between her and the collector, Dean Albertson, that discuss the book she authored about her relationship with Harding, The President’s Daughter.

Correspondence of Carrie Phillips with Harding was restricted until 2014 by order of an Ohio court.

Mary Frances Healy, a young schoolteacher from Springfield, Mass., volunteered to serve with the National Catholic War Council in the waning days of the First World War. Stationed for sixth months at the Etoile Club in Paris in 1919, Healy helped provide meals, entertainment, and support for Catholic American serviceman awaiting demobilization. After returning home to Springfield, she resumed her teaching career at the Chestnut Street Junior High School.

This slender photograph album contains 53 photographs from Mary Healy’s time working with at the National Catholic War Council’s Etoile Club in Paris in 1919. Healy included a handful of images of the Club’s interior taken by a professional photographer, but also includes her own images depicting the staff and the area around the Club along with side trips to the scene of American military action at Belleau Wood and Chateau Thierry, the American military cemetery there and the devastation inflicted on the nearby town of Bouresches, and scenes in the streets of Paris, Rheims, and in the Haute Pyrenees.

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she developed the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.

See the exhibit Photographer: DMH

Professor of Physical Education at the University of Massachusetts Amherst when it was known as Massachusetts Agricultural College who established the physical education program for women and helped to create the women’s gymnasium and athletic field. In her retirement she composed music that was performed by the University of Arizona orchestra.

Includes musical scores, lesson-plan photographs illustrating instruction in modern dance, correspondence, printed programs for performance of the musical compositions, text of an address, a history of physical education for women at Massachusetts State College by Mrs. Hicks, personnel records, and brief biographical items.

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A member of the Massachusetts State College Class of 1936, Leonta Gertrude Horrigan was affiliated with UMass Amherst throughout her long career in academia. After receiving he MA from Smith College in 1942 for a thesis on DeQuincy and Milton, Horrigan taught creative writing, composition, among writing classes, to UMass undergraduates, and was frequently singled out as a favorite instructor on campus. In 1964, she was appointed Assistant Dean in the College of Arts and Sciences, and retired to emeritus status in 1986.

The Horrigan Papers contain nearly a half century record of instruction in writing education at UMass, with a wide array of other materials relating to Horrigan’s varied interest, events on campus, and to the evolution of the university in the post-war years.

Actress, producer/director, theater company founder, teacher, activist, avid gardener, and devoted family-member, colleague and friend, Catharine Sargent Huntington was born in Ashfield, Massachusetts on December 29, 1887. She attended Radcliffe College, graduating in 1911, and taught English and Theater at The Westover School in Middlebury, Connecticut from 1911 to approximately 1917. By the end of 1918 she had begun her theater career in earnest, working as a dramatic coach in the Boston area. In January 1919, she became the Radcliffe College representative to the Wellesley unit of the Y.M.C.A., working in France on war reconstruction before returning to Massachusetts to continue her work with the theater, particularly experimental theater, which was to endure for the next 60-plus years through her patronage, and her many performances, productions, and theater companies.

Spanning as it does almost a century from the late 1800s to the late 1900s, this collection captures Catharine Sargent Huntington’s many interests, professional and personal activities and connections, and close family relationships, through more than 2,300 pieces of personal and business correspondence; photographs; photographic negatives; theater programs; scripts; original manuscripts of her poems, speeches, stage notes, and theater production scenarios; newspapers and newspaper clippings; estate and will information; organizational documents of the many organizations she helped direct; personal financial documents; and other printed material and items of ephemera.

Born on December 13, 1887, Gladys Theodora Parrish to wealthy birthright Quaker Alfred Parrish and Katharine Broadwood Jennings. Gladys married Constant Davis Huntington on October 17, 1916, who had been chairman of the London office of G. P. Putnam’s publishing company since 1905. The couple first resided in Hyde Park Gardens in London and then at Amberley House in Sussex. They had one daughter on January 11, 1922, Georgiana Mary Alfreda (Urquhart). Gladys Huntington wrote many plays and novels, including the bestselling book Madame Solario, published anonymously in 1956. Other published titles include; Carfrae’s Comedy (1915, novel), Barton’s Folly (1924, play), and Turgeniev (c. 1930, play). She died at St. George’s Hospital (Westminster) on May 31, 1959, at the age of 71.

The Gladys Parrish Huntington Papers is primarily composed of the correspondence of Gladys Huntington with her mother, Katharine “Kate” Parrish, husband Constant, daughter Alfreda, various friends, relatives, and professional contacts. Additionally, the collection contains a sizable amount of Gladys’ correspondence and traded manuscripts, short stories, poetry, and drafts with fellow authors such as Leo Myers, Nicolo Tucci, Helen Granville-Barker, Viola Mynell, Eric Clough Taylor, Cynthia Asquith, Clifford Bax, and others. Many of her own manuscripts and typed drafts of novels and plays (Madame Solario, Turgeniev, her unfinished final work, The Ladies’ Mile), along with childhood writings, photo albums, datebooks, and diaries spanning her lifetime are contained within the collection.

The Irma McClaurin Black Feminist Archive (BFA) is an archival home for Black women and their allies. Founded by Dr. Irma McClaurin, Black feminist anthropologist, academic administrator, award-winning poet and author, past president of Shaw University and leader in higher education, the BFA seeks to identify Black women from all walks of life who are artists, activists, and academics but may not be well known, and document their wide array of contributions at many levels: community, state, national, and global. In addition to being an ongoing resource for academic and community researchers, the BFA also aims to be a training center, where Black archivists can actively participate in their own history and uplift and protect the endangered legacy of Black women. Articles about Dr. McClaurin and the BFA have appeared in the Massachusetts Daily Collegian, UMass Magazine and on the the Black Presence website. Her article, “Black Women, Visible and Heard,” published in UMass Magazine was highlighted when the publication received the Gold level CASE award in 2022.

The BFA is an umbrella collection, made up of a growing and diverse group of collections documenting Black women, allies, movements, and organizations. Highlights include the papers of renown anthropologists Sheila Walker and Carolyn Martin Shaw; Belizean writer Zee Edgell; activist and educator Cheryl Evans, who founded the Black Pioneers Project documenting the experience of Black students at UMass Amherst during the late 1960s; Lawrence (Larry) Paros, a UMass alum and forerunner of the Alternative Education movement in America, past director of the 1968 Yale Summer High School (YSHS); and the papers of Dr. Irma McClaurin, BFA founder, which include her photographs of iconic Black figures. The development of the BFA has been supported by two grants from the Wenner Gren Foundation: The Historical Archive Grant and The Global Initiative Grant (GIG) for “The Black Feminist Archive Pandemic Preservation Project of Black Women Practicing Anthropologists” project

Collections include:

• Zee Edgell Papers
• Cheryl Evans Papers
• Irma McClaurin Collection
• Lawrence Paros Papers
• Carolyn Martin Shaw Papers
• Audrey Smedley Papers
• Sheila Walker Papers
• Mae Upperman Collection