Archive

As a staffer for Congressman Silvio Conte, Angelo researched numerous small business and economic development issues, both for constituents and for national legislation, prepared subcommittee and committee hearings, and wrote numerous articles and floor statements for Conte. The collection provides an overview of Conte’s work with and for small businesses, as well as Angelo’s contributions to the Small Business Act.

A specialist in ciliate development and ecology, Gregory Antipa received a doctorate in Zoology at the University of Illinois in 1970, and since 1978, has been on faculty at San Francisco State University. Working with Paramecium, Conchophthirus, and other taxa, Antipa’s research has ventured into structure/function relationships, chemotaxis, and cellular adaptations, and he has been involved in research into the decomposition of organic wastes by protozoa. He is a member of several professional organizations, including the American Society for Cell Biology,the Microscopy Society of America, and the International Society of Protistologists.

The Antipa collection consists primarily of electron micrographs of ciliates Condylostoma, Trichodina, Conchophthirus, and the mussel encommensal Mytilophilus, along with a lab manual on protist culture and assorted notes.

The Antislavery Collection contains several hundred printed pamphlets and books pertaining to slavery and antislavery in New England, 1725-1911. The holdings include speeches, sermons, proceedings and other publications of organizations such as the American Anti-Slavery Society and the American Colonization Society, and a small number of pro-slavery tracts.

View the the online collection.

Richard Archambault conducted interviews of various citizens of Ashfield, Massachusetts, under the direction of Joel Halpern of the University of Massachusetts Amherst Anthropology Department. Contains copies of typed notes from interviews, as well as names of the citizens who were interviewed.

With funding from the Tinker Foundation, the historian Robert Potash and colleagues in the UMass Amherst Computing Center and at the Colegio de Mexico collaborated in 1982 on a project to test the feasibility of using computers to create guides to the richly structured, but poorly organized records of notaries in Spanish America. The collaborative issued their results under the title Guide to the notarial records… (1982), which was followed by several volumes issued by the Colegio de Mexico.

This collection consists of photocopies of records selected from the Notarial Archives in Mexico City from the years 1829, 1847, and 1875, along with data tabulation sheets and computer print-outs.

In 1943 Col. Juan Peron took part in a successful military coup in Argentina, beginning over a decade in which he dominated the nation’s political life. After promoting populist policies as Minister of Labor under the military government, Peron built a deep well of support among the working classes that enabled him to win election to the presidency in 1946 and 1951, however political opposition to what was perceived as his Fascist sympathies, demagoguery, and authoritarianism increased. In 1955, Peron was ousted in a military coup and driven into exile in Spain.

Consisting of materials produced in Argentina just prior to and during the era of Juan Peron (1946-1974), this collection of pamphlets, fliers, broadsides, news clippings, and campaign literature provides a unique window onto political developments in the South American nation. The ephemera addresses a wide range of subject matter, from World War II to economics, political controversies, relations with the United States, the election of 1951, the Revolucion Libertadora coup of 1955, and Juan and Eva Peron. Both Peron’s Partido Justicialista and his opponents, including Communists and Socialists, are represented.

George Armelagos, expert on the diet of prehistoric humans and author of the book Consuming Passions: the Anthropology of Eating (1980) was a professor in the University’s Anthropology Department from 1971 until 1989. Armelagos was born in Lincoln Park, Michigan in 1936 and earned his B.A from the University of Michigan in 1958, his MA and PhD from the University of Colorado in 1963 and 1968 respectively. Armelagos became the face of physical anthropology in the 1980s, publishing popular works on forensic studies of prehistoric man and his research in the field of paleopathology attempted to apply the findings of skeletal research to contemporary nutrition and medicine. While at the University, Armelagos undertook a forensic study of the towns flooded by the Quabbin Reservoir. Armelagos left the University for a position at the University of Florida in 1989.

The George Armelagos papers include correspondence, grant proposals, and lecture notes from his time at the University of Massachusetts. There is a folder of materials from his study of the Quabbin Reservoir and photographs from the Mesa Verde Path. The remainder of the collection contains Armelagos’ published and unpublished works, stretching from his time as a Ph.D. student through his time at the University.

Materials written by or pertaining to W.E.B. Du Bois, collected by James Aronson, who was executive editor of the “National Guardian” from 1948 to 1967. Includes correspondence, speeches by Du Bois in published form, articles by Du Bois, biographical sketches and tribute articles about Du Bois, photographs, and newspaper clippings.

Artists-Research-Technology, Inc., was a collaboration of printmakers based in western Massachusetts, that in the late 1970s, began using mechanized offset lithography as an alternative to more traditional lithographic techniques in the production of limited-edition fine art prints. On the commercial press of Hamilton I. Newell, the artists avoided merely adapting artistic processes to offset, placing innovative demands on themselves to explore the intersections of technology and fine art. An extensive body of prints by the key participants (Ron Michaud, Hanlyn Davies, Oriole Feshbach, Hiroshi Murata, John Roy, Dale Schlaeppi, and Larry Spaid) were exhibited nationally and internationally.

The ART collection consists of photographs and original prints by the key members of the ART collaborative, along with phootgraphs, scans, correspondence, minutes of meetings, publicity, a videotape, and other material relating to the project.

Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.