Archive

A literary scholar and much admired teacher, Normand Berlin joined the faculty at UMass Amherst in 1965, four years after receiving his doctorate at the University of California for his study of Elizabethan drama. The author of five books and numerous articles on topics ranging from medieval poetry to contemporary film, Berlin was known equally for his work on early modern drama and for his work on Eugene O’Neill, for which he was awarded the Eugene O’Neill Bronze Medal. He was equally popular in the classroom, where his course on Shakespeare became a campus staple for many years, earning the university’s highest teaching award in 1976, the UMass Amherst Distinguished Teaching Award. After retirement in 1995, Berlin remained in Amherst. He died at home on July 13, 2015, at the age of 83.

This small collection contains scattered notes, writings, and correspondence from Normand Berlin’s career, much of which pertains to his research on drama.

A member of the Association for Gravestone Studies, Anna Bernardi had an interest in the art and iconography of New England Gravestones.

This small collections contains miscellaneous articles on gravestone art and iconography mostly from the 1960s to 1980s, a relatively early period in the field.

A member of the Department of Political Science at Penn State University, Michael Bernhard specializes in the comparative history of institutional change in East Central Europe and the political economy of democratic survival and breakdown. Since receiving his doctorate from Columbia University in 1988, Bernhard has written extensively on various aspects of the democratic transition in Poland and East Germany.

The Bernhard Collection contains photocopies and some original materials of underground publications by the Solidarity Movement in Poland, most of which were crudely published and illegally distributed. The collection also includes a series of posters for Solidarity candidates during the first post-Communist election.

Alex Beron, Jr., was a member of the Association for Gravestone Studies and a photographer of New England gravestones.

The Beron collection consists of a many hundred color photographic prints of gravestones in Massachusetts and Connecticut, arranged town by town, and taken primarily in the late 1980s and early 1990s.

The fortunes of the Berwick (Maine) Monthly Meeting reflect the rise and decline of Quakerism in southern Maine more generally. Worship began in North Berwick in about 1750 and the Berwick Monthly Meeting was formally set off from its parent, Dover, in 1802. Following the Wilburite split, however, the meeting gradually declined. Regular meetings were suspended in 1919 and the meeting was formally laid down in 1952.

The surviving records of the Friends Monthly Meeting in North Berwick, Maine, contain the minutes of men’s, women’s, and joint meetings from throughout 1802, when it was set off from Dover Monthly Meeting, until it was laid down in 1952. The collection also contains records of births, deaths, and marriages under auspices of the meeting from the first worship in North Berwick in 1750 into the mid-nineteenth century.

The Friends’ Monthly Meeting at Berwick, Maine, divided during the Wilburite split of 1845, with the smaller Wilburite Meeting organized under the Wilburite Dover Quarterly Meeting (1845-1851) and then under the combined Salem and Dover Quarterly. Berwick was laid down on April 28, 1881, with its last recorded meeting on May 26, 1881. Its members joined Dartmouth Monthly Meeting (Wilburite).

Surviving records of this short-lived Wilburite Friends meeting include one volume each of minutes from the Men’s and Women’s meetings.

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

A composer, Professor of Composition, and Director of the Electronic and Computer Music Studios at the University of Massachusetts Amherst, Charles Bestor has also taught at Juilliard School of Music and other universities, won international awards for his music, and collaborated with contemporary installation artists.

The Bestor Papers includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews, all relating to the publication and performance of the works.

An important figure in building a network of antifluoridation activists, Martha Bevis was born in North Carolina in 1927 and lived most of her adult life in Houston, Texas. She worked on the staff of Senator Lyndon Johnson beginning in the early 1950s, remaining with him through his period as Vice President. Always energetic, she was involved in a number of political and civic organizations, including those promoting natural childbirth and breastfeeding, but from the mid-1970s, she was especially associated with the antifluoridation movement. A founder of the Safe Water Foundation of Texas, she became a key litigant in a case seeking to block fluoridation of the water supply in Houston, and although the court ruled in 1980 that fluoride was harmful, it permitted the city council to proceed with fluoridation. From that point forward, she played a key role regionally and nationally as an organizer, researcher, propagandist, and funding source for the antifluoridation movement. Bevis died in Houston on April 22, 2007.

This massive archive stems from Martha Bevis’s role as a connector and mediator of information for the antifluoridation movement. Beginning in the 1970s, Bevis gathered, copied, and distributed huge quantities of information on the health effects of fluoride, legal strategies and cases opposing fluoridation of public water supplies, and the antifluoridation movement generally. Bevis maintained a regular correspondence with other activists and antifluoride organizations and played an important role in gathering and preserving the papers of other activists.

An influential educator and composer, Philip Bezanson helped guide the Department of Music at UMass Amherst through its period of rapid expansion in the late 1960s and early 1970s. After graduate study (PhD 1954) and appointment to the faculty at the University of Iowa, Bezanson was brought to UMass in 1964 to become Head of the Music Department and helped to expand and reorient the program, recruiting an increasingly accomplished faculty, including his former student Frederick Tillis.

The Bezanson papers include materials relating to the development, performance, and publication of much of Bezanson’s musical work, including scores and parts for 46 of his 47 instrumental and vocal compositions. The collection also includes a sampling of correspondence, programs and posters for performances, papers relating to the development of the opera Golden Child and his collaboration with Paul, the score of the opera Stranger in Eden (libretto by William A. Reardon), and one sound recording.

Since the early 1990s, Michael Bianchi has been involved in the community of electric vehicle developers and enthusiasts and is a key figure in documenting the history of the Northeast Sustainable Energy Association’s annual American Tour de Sol Electric Vehicle Challenge. A resident of northern New Jersey and a developer of software management and operations support systems with Bellcore and other companies, Bianchi became interested in alternatives to petroleum-fueled vehicles in the early 1990s, attending his first Tour de Sol in 1993. Since that time he has served as announcer for the Tour and documented each contest with photographs, oral histories with participants, and highly detailed summary reports (1994-2009). For many years, Bianchi drove his own electric vehicle, beginning with a Solectria Force, and he continues to write on the development of electric vehicles.

The Bianchi collection contains reports, photographs, and ephemera associated with the American Tour De Sol, along with an assortment of scarce newsletters and magazines on electric vehicles. Of special note are interviews (on microcassette) with Tour participants.