Archive

Marshall Spriggs was an educational activist at UMass/Amherst while an undergraduate from 1969 through 1974. He eventually became the chair of the Academic Affairs Committee of the Undergraduate Student Senate , the voice of undergraduates in their institution’s educational policy. After leaving Amherst, he served as a reading teacher in New York City and as an Assistant Community Representative with the Massachusetts Office for Children. In the late 1970s, he became the Managing Editor of the Boston People’s Yellow Pages published by Vocations for Social Change in 1980. The PYP attempted to catalog all the groups doing progressive political work in the Boston area. In the 1980s and beyond, he served as the Publications Director for statewide legal services, a founder of an international environmental organization, and filled various posts at Harvard University and MIT.

The Marshall Spriggs Collection features social change publications including the People’s Yellow Pages, Black Bart Brigade: The Outlaw Mag, AFSC New England Regional Office printed material, and What’s Left in Boston as well as articles on educational reform, student power, and racism.

Established in 1921 in St. Louis Missouri, the Stanze Monument Company was family-owned and operated until it was sold in the mid-1980s. The company custom-cut gravestones for more than sixty years and was one of the last monument companies to cut gravestones by hand.

The collection consists of gravestone, monument, and mausoleum technical and architectural drawings. Most of the tracings and drawings of headstone patterns were used to make glass molds for sand-blasting granite headstones, while the rubbings represent reproductions of designs and font sizes and styles. Some of the architectural drawings depict conceptual plans for a typical forty-acre cemetery. The drawings were transferred from the Kibbe Hancock Heritage Museum in Illinois; a small portion of the materials were identified as being part of the “Gustafson Collection.”

Throughout the 1970s, Mary B. Stinson (formerly Lindblom) was an active member of the National Organization for Women (NOW) in California and served as a delegate to the First National Women’s Conference in Houston.

The collection includes several ephemeral objects reflecting Stinson’s activism including IWY pendant necklaces and an ERA license plate frame, along with published reports and articles relating to the IWY and a 1979 NOW conference in California.

Stock certificates and other printed financial instruments became a medium for American corporations to signify their role in an expanding nation and their importance to the American economy. Often elaborately printed, in part to thwart counterfeiters, stock certificates and other financial instruments typically incorporated imagery reflecting their corporate activity, a burgeoning economy, and an the idealized nation.

This small collection of stock certificates and bonds was assembled for their value in illustrating printing history due to their more or less elaborately engraved letterheads and borders. Issued from 1842 to the even of the Great Depression, the collection includes 42 different certificates, plus a handful of duplicates, issued by railroad companies, insurance companies, banks, bridge companies, coal companies, dispatch and transit companies. The illustrations run the gamut from idealized representation of the corporation to symbolic expressions.

Temporarily stored offsite; contact SCUA to request materials from this collection.

Born in Oklahoma in 1941, Ellen Story served as the Associate Executive Director of the Family Council of Western Massachusetts for nearly 20 years before deciding to run for a seat in the Massachusetts House of Representatives in a 1992 special election. While in office, she was an advocate for a variety of women’s and social issues ranging from pay equity for women and transgender rights to health services. After 24 years representing the 3rd Hampshire District, Story announced she would not seek another term in 2016.

The bulk of the collection consists of background research and publications related to various issues that went before the Massachusetts state legislature. Also included are reports, administrative and office files, and constituent files.

Stored offsite; contact SCUA to request materials from this collection.

Lynette Strangstad was born in Rhinelander, Wisconsin, and attended Rhinelander Union High School and Luther College in Decorah, Iowa. She graduated with honors from UW-Stevens Point and received a master’s degree in education from St. Michails College in Winooski, Vermont. Her early career varied from working as a recreational therapy aide at a private neuropsychiatric hospital in Vermont and teaching English in New Hampshire to directing the sensory motor lab at the Hodan Center and serving as an architectural conservation apprentice for the National Trust for Historic Preservation in New York. Beginning in the 1980s, Strangstad started her own company, Stone Faces, in Charleston, South Carolina, which specialized for over 25 years in conservation and preservation of historical burial grounds throughout the Unites States and Canada. The author of the book, A Graveyard Preservation Primer, she was considered a pioneer in her field of historical burial ground preservation. In 1996, Strandstad returned to Mineral Point, where she her writing and served on the board of directors of the Mineral Point Historical Society. Lynette Strangstad died on September 10th, 2024.

The papers of Lynnette Strangstad consist of materials related to her work in in conservation and preservation of historical burial grounds including graveyard maps, blueprints, photographs, and writings.

Founded in 1975 by Pir Vilayat Inayat Khan, The Abode of the Message is the headquarters for members of the Sufi Order International. Sitting on 430 acres, formerly the site of a Shaker Village in New Lebanon, New York, the Abode was settled by 75 adults and 20 children coming from all over the United States. The Sufi Order initiates spent the first several months preparing for the arrival of winter, a task that required much effort since buildings were in need of repair, there was no central heating system or updated electrical wiring, and few bathrooms. Within a year, the community prospered with the establishment of woodworking, stained glass, and sewing shops, a bakery, and a small school. Today, the community is smaller in number, but their mission remains the same: to collectively embody spiritual awakening.
The collection consists chiefly of publications produced by the Abode, including two newsletters Connections and The Messenger dating from the 1970s to the present. Also represented are other Sufi Order publications, such as Heart & Wing and Mureed’s Newsletter.

Rick Sullo was born on February 16, 1943, in East Boston, son of Marco and Caroline Cianfrocca Sullo. His father was a printer and wedding photographer, and at an early age Sullo often held a flash as his father took photographs. His passion for photography began then and continued all his life. Following in the footsteps of his father, Sullo learned the trade of printing. Early in his career, he was employed as a journeyman printer, working first at Colonial Printing in Malden, then at the Home News in New Brunswick, New Jersey, and the Boston Globe. In the 1960s, Sullo was a staff photographer for Broadside of Boston magazine, a key resource in New England for folk musicians and their fans. He covered performances in the Cambridge and Boston areas as well as events such as the Newport and Pennsylvania Folk Festivals, photographing Mississippi John Hurt, Bob Dylan, Janice Joplin, Maria Muldaur, Taj Mahal, and other well-known musicians. By the 1970s, Sullo returned to printing, joining the sales department of Acme Printing Company of Wilmington, where he collaborated with publisher Little Brown to produce books by well-known photographers such as Ansel Adams and Elliott Porter, and with author/ illustrator Chris Van Allsburg on Houghton Mifflin’s The Polar Express, Just A Dream, Two Bad Ants, and many other titles. After working 18 years in the printing business, retired and spent his remaining years focusing on his family and maintaining and improving their home on Martha’s Vineyard. Sullo met his wife Alice “Ali” Keefe of Cambridge, on May 1, 1966; the couple married on May 1, 1971. During the intervening years, they joined Volunteers in Service to America. They served as VISTA volunteers in Somerville, New Jersey, working in conjunction with the Somerset County Community Action Program. Rick Sullo died on April 3, 2024, at his summer home in Oak Bluffs, Martha’s Vineyard.

The Rick Sullo Photograph Collection features negatives and contact sheets capturing musical events and performers, including Newport Folk Festival (19641964-1966, 1968-1969), Winter Fest (1966-1967), Pennsylvania Folk Festival (1965), Taj Mahal, Nancy Michaels, Chris Smither, and Siegel-Schwall.

Long a favored destination for travelers due to its scenic coastline and rural landscapes, New England’s tourist industry evolved in parallel with transportation technologies. Rail lines opened summering opportunities in the interior of the region in the nineteenth century, and the expansion of roadways and the automobile after the First World War drove the industry further, leading to a proliferation of summer camps, inns, and tourist sites, even in remote locales, serving shorter-term vacationers from the working class through the moneyed elite.

This small collection of travel brochures gathered by Faith Brainard and her husband Homer W. Brainard in the 1920s and 1930s, documents camps, inns, hotels, and touristic sites throughout New England. Most of the brochures advertise accommodations or attractions in a natural setting, including room rentals at farms, hiking in the White Mountains, and the rivers and mountains of Vermont. The target audience for many of the brochures was women traveling alone, featuring the promise of clean accommodations and wholesome activities.

Born in 1948 to Robert Trigére and Jane Ellis, Trigére grew up in New York City and Argentina. Her parents divorced when she was young, and she remained close to both. Trigére attended the Lycee Francais de New York, a preparatory high school that taught in French. She was accepted to Sarah Lawrence College in 1969, which she attended for two years before transferring to the University of Boston to study Architecture. She moved to western Massachusetts in 1992 and became involved in a myriad of community organizations and projects. Notably, in 1997, Trigére helped found the Hatikvah Holocaust Education and Resource Center and served as the first director. Trigére was also active in several Jewish schools and educational centers as both an instructor and a leader. She and her husband, Ken Schoen, lived and operated a rare Jewish Bookstore out of the old firehouse in Deerfield, Massachusetts. She was on several committees dedicated to the preservation of the town, such as the Deerfield Historical Commission and she helped to create other community organizations such as the Deerfield Arts Bank. In 2016, Trigére was diagnosed with ovarian cancer and died in 2018.

The bulk of this collection dates from the time when Jane Trigére finished her undergraduate studies in 1975 to her passing in 2018, although there are some photographs and correspondence from her childhood. The collection includes materials that relate to her education and employment, artwork and writing, and community involvement as well as correspondence and family materials. Within the family materials are items related to Pauline Trigére, a prominent fashion designer.