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Abu al-Barakat Hafiz al-din Abdallah ibn Ahad ibn Mahmud al-Nasafi was a Hanafi legist and theologian. He was born in Nasaf (now southern Uzbekistan) in CE 710, taught in the Madrasa al-Kutbiya al-Sultaniya in Kirman, and wrote the Kanz al-daquia’iq fi’l-furu (Treasure of niceties of the branches of jurisprudence), which became a frequently consulted tract of Hanafi law by fiqh scholars for many generations. Al-Nasafi died in Idjadj (Khuzestan Province, Iran), apparently on a return journey from a trip to Baghdad in CE 1310.

This small folio manuscript of al-Nasafi’s Treasure of niceties of the branches of jurisprudence was calligraphed by Ahmad ibn Amîr in the naskh script just over a hundred years after the death of al-Nasafi, making it a very early example of the important legal work. The manuscript is written in black ink with captions in red and extensive marginal and interlinear glosses throughout, typical for an Islamic legal manuscript of this period. Exact origin is unclear but the the first leaf includes entries in Ottoman Turkish.

A product of the vibrant and progressive political culture of western Massachusetts during the early 1970s, the Alternative Energy Coalition played a key role in the growth of antinuclear activism. In 1974, the AEC helped mobilize support for Sam Lovejoy after he sabotaged a weather tower erected by Northeast Utilities in Montague, Mass., in preparation for a proposed nuclear power plant, and they helped organize the drive for a referendum opposing not only the proposed plant in Montague, but existing plants in Rowe, Mass., and Vernon, Vt. Forming extensive connections with other antinuclear organizations, the AEC also became one of the organizations that united in 1976 to form the Clamshell Alliance, which made an art of mass civil disobedience.

The AEC Records provide insight into grassroots activism of the 1970s and 1980s, galvanized by the seemingly unrestrained growth of the nuclear power industry. The records, emanating from the Hampshire County branch, contain both research materials used by the AEC and organizational and promotional materials produced by them, including publications, minutes of meetings, correspondence, and materials used during protests. Of particular interest are a thick suite of organizational and other information pertaining to the occupation of the Seabrook (N.H.) nuclear power plant in 1979 and minutes, notes, and other materials relating to the founding and early days of the Clamshell Alliance. The collection is closely related to the Antinuclear Collection (MS 547).

The once active photo morgue of the Alumnus Magazine, the Alumnus Magazine Photograph Collection captures diverse aspects of campus life during the 1970s and 1980s, including portraits of campus officials, sports events, commencements, a visit to campus by Julius Erving, and assorted campus buildings and scenery.

In the mid-1970s, Western Massachusetts was a hotbed of antinuclear activism, sparked both by the proposal to build a nuclear power plant in Montague, Mass., and by the construction and operation of plants nearby in Rowe, Mass., and Seabrook, N.H. A group of activists associated with the Liberation News Service and Montague Farm commune, including Anna Gyorgy, Sam Lovejoy, Harvey Wasserman, Steven Diamond, Chuck Light, and Dan Keller, were instrumental in organizing popular opposition to nuclear power and they helped establish several antinuclear organizations, ranging from the Alternative Energy Coalition to the Renewable Energy Media Service, Clamshell Alliance, and Musicians United for Safe Energy.

The Antinuclear Activism Collection contains the results of the grassroots opposition to nuclear power in Western Massachusetts. The bulk of the collections consists of a variety of publications produced by or collected by a group of antinuclear activists in Franklin County, Mass. In addition to a large number newspapers (e.g. Clamshell Alliance News) and pamphlets, the collection includes t-shirts and bumper stickers, ephemeral publications, notes, sporadic correspondence, and other information collected both for research purposes and to aid in their public campaigns. Of particular interest are a set of early minutes of the Clamshell Alliance Coordinating committee (1977-1978), and information on protests at the Seabrook and Rowe nuclear facilities and the proposed facility at Montague. The collection is part of the Famous Long Ago Archive.

Access restrictions: Temporarily stored offsite; contact SCUA in advance to request materials from this collection.

The founding director of UMass Amherst’s Computer Science Department, Michael Arbib’s research on neuroscience and computing has been significantly influential and led to work on early neural networks and advances in both our understanding of the brain and artificial intelligence and computing. Born in 1940, Arbib was raised and educated in New Zealand and Australia, earning a BSc in 1960 at the University of Sydney. He then came to the US, earning his PhD at MIT and working closely with Warren McCulloch. Arbib was an assistant professor at Stanford University for five years before joining the University of Massachusetts Amherst, where he helped found the Computer and Information Science Department. He left UMass in 1986 for the University of Southern California, where he is currently the Fletcher Jones Professor of Computer Science. Arbib has been prolific, publishing almost forty books and hundreds of articles and continues to do research on the coordination of perception and action in both human cognition and machine vision, neural networks, and robotics.

The Michael Arbib Papers are a rich documentation of Arbib’s work while at Stanford and the University of Massachusetts, including his complete professional correspondence during that period, research files and notes, manuscript drafts of his publications, and the records of his administration of the Computer Science Department at UMass.

Raised in Short Hills, New Jersey, Natalie “Nancy” Arena’s early education included the Lexington School for the Deaf in New York and the Bruce Street School in Newark, N.J. In 1956, her father transferred her to the Clarke School for the Deaf because of the school’s emphasis on speech and use of the English language. She stayed at Clarke until she graduated with honors in 1961. After Clarke, Arena went to Millburn High in Millburn, N.J., where she was integrated with hearing students. Arena had a long career in data processing and translated the love of sewing she learned at Clarke into a life-long hobby of quilting.

The Natalie C. Arena Photograph Collection consists of photographs taken by Arena of her friends, teachers, and Clarke School outings and activities. Her photographs show the life of a student at the Clarke School during the late-50s and early-60s. Subjects include dorm rooms, camping trips, gym activities, and class trips.

When he was fifteen or sixteen, Eric Bascom’s life changed forever when he saw renowned jazz guitarist Wes Montgomery perform. Though Bascom had been playing guitar himself since he was young, seeing Montgomery opened his eyes to a completely new way of playing guitar and a completely new approach to music. Since that time, Bascom has been an avid listener, collector, and practitioner of jazz. He is currently performing as the Eric Bascom Trio with Ed Brainerd and Genevieve Rose.
The Eric Bascom Collection of Jazz Recordings consists of hundreds of jazz 78 rpm records from the 1940s and 1950s, including a number of 78 books with beautifully illustrated covers. In addition to the records are player piano rolls, several of which were punched by Fats Waller, and a portable Walters Conley Phonola 78 record player.

Born in 1926 in Brooklyn, New York, Borah Bergman emerged late in life as a renown free jazz pianist and technical innovator. While teaching math and English in the New York public school system, Bergman developed an ambidextrous technique, or as he described it, “ambi-ideation.” This technique allowed Bergman to express ideas with equal intensity using both his right and left hands and provided the framework for an evolving and truly unique musical philosophy and body of work. Since his first recording, released in 1975 at the age of 49, Bergman appeared on 28 albums, both solo and with some of the most important figures in avant-garde jazz, and was active until his death in 2012.

The Borah Bergman Papers include hundreds of hours of Bergman’s personal recordings on reel-to-reel tapes. According to Bergman, these recordings comprise his greatest achievement and demonstrate the development of his technique and musical ideas. In addition to the personal recordings are a wide variety of Bergman’s performances in studio and with other musicians. Bergman’s work is also documented in notebooks, scores, fiction manuscripts, and an unpublished textbook on his ambi-ideation technique.

Named for Elizabeth Gurley Flynn, the “Rebel Girl,” Elizabeth “Liz” Blum has worked to live up to her name through public activism, organizing, and community service in the civil rights, anti-war, women’s, anti-apartheid, co-op, and other movements. After graduating from Bennington College in 1964, Blum went south as a part of the Mississippi Freedom Vote, going door to door in northwestern Mississippi until her house in Tupelo was firebombed, forcing her to relocate to Columbus for the remainder of the registration drive. She continued her work and connections with the Student Non-Violent Coordinating Committee (SNCC) and Students for a Democratic Society (SDS) in New Haven as a worker for the Freedom School and the Economic Research and Action Program, and additionally lived in New York City and San Francisco before returning to Vermont in 1967 to live in a commune and teach French at Castleton University. There Blum organized an SDS chapter and women’s group before moving to Cambridge, Mass., joining the Boston Women’s Health Collective and helping to edit Our Bodies, Ourselves. A retired Occupational Therapist, Blum is currently county chair of the Vermont Progressive Party, serves on the Board of the Hanover Co-op Food Stores where she heads the Diversity, Equity and Inclusion Committee, and continues her diverse advocacy work through personal and community action.

Small in size, but generous in topic and form, the Blum Papers consist of correspondence and two newsletter portions with commentary on numerous events and activist groups during the first half of the 1960s. Personal experiences and reflections on national politics and trends, student and community organizing, and the anti-Vietnam War and civil rights movements, reveal how individuals negotiated and prioritized their thoughts and actions during such turbulent times. Correspondents include Henry M. Aronson, Ike Coleman, Vernon Grizzard, and Mike Miller, and updates from and to Blum are mostly from Mississippi, but also San Francisco, Cambridge, New Haven, and Selma.

Founded in 1973, the Boston Jazz Society grew from a small group of enthusiasts listening to music in living rooms to a thriving organization that “kept Jazz alive” in New England. As Jazz’s popularity began to fade in the late 1960s, local Jazz societies formed to provide support to artists and give them the means and venues to continue to perform on the road. The Boston Jazz Society was originally inspired by one of the earliest, the Left Bank Jazz Society of Baltimore. Like the Left Bank, BJS produced concerts in clubs, theaters, and hotels but expanded their efforts to include exhibits, television and radio shows, and a Jazz education program for grade school students. The longest running BJS activities, however, were the annual Jazz Barbecues and starting in 1975, the BJS Scholarships. The scholarship program raised funds for young Jazz musicians to attend the New England Conservatory of Music’s Jazz Department and the Berklee School Of Music and began the musical careers of many important musicians, composers, and teachers. BJS was also deeply connected to the local music scene, celebrating Roxbury, Mass. natives Alan Dawson and Roy Haynes, whose brother Vincent was a long-time board member, among many others. After 42 years of promoting Jazz music in Boston, the Boston Jazz Society, Inc. dissolved in 2015.

The Boston Jazz Society Records extensively document BJS’s meetings, events, business dealings, and scholarship administration through meeting minutes, posters, correspondence, photographs, recordings, videos, and BJS’s own propaganda and publications. The majority of the BJS records came from the collection of founding member and longtime president Aureldon Edward Henderson and also represents his involvement in promoting Jazz in the Boston area.