Collections: T

Co-founded by Madeleine Charney, Lena Fletcher, and Kris Nelson, Talking Truth began as a workshop on climate activism held during the Fall of 2015. The original workshop focused on the overwhelming nature of the climate crisis and provided a three part discussion aimed at helping UMass Amherst students, faculty, and librarians find their individual voices as activists and to support collaboration among UMass community members in their efforts to combat climate change. The discussion included a letter writing activity asking writers to share their feelings about climate change. This activity originated in Fletcher’s Natural Resources Conservation course, “Environment and Society” and more letters were written at subsequent Talking Truth events. Through 2018, Talking Truth held a variety of other events including film screenings, author talks, and a booth at the Amherst, Mass. Sustainability Festival.

The Talking Truth Collection consists of letters written during Talking Truth workshops, events, and in Lena Fletcher’s classes. There is also a small group of drawings done as part of the “Teach-in, freak out: building power in a climate of urgency” on November 19th, 2015, which was sponsored by the UMass Fossil Fuel Divestment Campaign.

For many years, Sovfoto, a stock photograph agency based in New York City, was the sole source in the United States for the best work in contemporary Soviet photojournalism. Founded in 1932, the company carried photographers for Tass and, later, other news agencies from throughout the Soviet republics, Eastern Europe, and China.

The Tass Sovfoto Collection depicts Soviet life, primarily in the 1950s and early 1960s. Typically rendered in heroic Soviet style, the photographs are relatively varied in subject, documenting political events (e.g., Communist Party meetings, the meeting of Kennedy and Khrushchev); generals, politicians, and celebrities (Lenin, Khrushchev, Shostakovich); and athletic and cultural events. A few images appear to be parts of photo essays aimed at a popular audience, including images of Jewish life in Russia and the life of a Soviet worker, while others are stock images of Soviet troops during the Second World War.

The Tax Equity Alliance for Massachusetts (TEAM) was formed in 1987 as a coalition of tax reformers made up government groups, civic and business leaders, human services advocates, unions, and others who shared the conviction that fair taxation and quality services must go hand-in-hand and who opposed extreme tax reduction for the dire impact it would have on state budgets and support for state programs.

This small collection contains a copy of “Talking Tax,” a publication of the Tax Equity Alliance for Massachusetts, along with brochures for their volunteers and for the public.

A member of a distinguished family of New England educators and clergymen, Brainerd Taylor played an key role assisting the U.S. Army in taking its first steps into modern mechanized warfare. Born in Newtonville, Massachusetts, in 1877, Taylor entered Harvard with the class of 1899, but during the rush of enthusiasm accompanying the start of the Spanish American War, he left before completing his degree to join the military. Serving with the Coast Artillery for several years, he became the Chief Motor Transport Officer for the Advance Section of the Service of Supply for the American Expeditionary Force during the First World War, earning promotion to Colonel, a Distinguished Service Medal, and the Legion of Honor from France for his efforts. Taylor married twice, first to Vesta Richardson, who died in 1919, and then to Helen Cady. Taylor died in 1955.

The Taylor family collection contains more than 1,000 letters documenting the military career and personal life of Brainerd Taylor, with particularly thick coverage of the period of the First World War when he was stationed in France, building the Motor Transport Corps virtually from scratch. These letters are exceptionally well written and rich in description, both about his duties and his travels in France and Germany. The collection also includes Taylor’s extensive correspondence to his father, James Brainerd Taylor (1845-1929), and correspondence relating to Taylor’s wives, children, and grandchildren.

Born in Cairo, Egypt, in 1939, F.J.R. “Max” Taylor became an internationally recogninzed specialist in phytoplankton. Educated primarily in his native South Africa, Taylor studied Zoology and Botany at the University of Cape Town, receiving his doctorate in 1965 for a dissertation on the phytoplankton communities in the southwestern Indian Ocean. Joining the faculty of the Departments of Earth and Ocean Sciences and Botany at the University British Columbia in 1964, he became full professor at the age of 35. At UBC, he continued to work on the phytoplankton of the Indian Ocean, preparing the seminal Indian Ocean Dinoflagellate Atlas (1976), which included some of the earliest electron micrographic illustrations of dinoflagellates. He was a pioneer in the study of the ecology of harmful algal blooms (red tides and brown tides), and he and Anand Prakash were the first to identify the causative dinoflagellate behind paralytic shellfish poisoning. His diverse research interests ran the gamut of ecological and evolutionary studies, from study of cryptomonad endosymbionts in Mesodinium to the feeding mechanism in Protoperidinium and the motility of the dinoflagellate transverse flagellum. An important figure in paleopalynology, he was also an early contributor to Serial Endosymbiosis Theory for chloroplasts and mitochondria. Named a fellow of the Royal Society of Canada in 1997 and recipient of the Yasumoto Lifetime Achievement Award by 9th Int Conf Harmful Algal Blooms (2000), Taylor was a cofounder of the International Society for Evolutionary Protistology (1975) and Founding President of International Society for the Study of Harmful Alagae (1998). He retired in 2005.

Consisting primarily of research notes, drafts of publications, and illustrations, the Taylor Papers offer primary documentation of the ecology and evolutionary biology of dinoflagellates.

With a B.A. in literature from Antioch College and an M.A. in education from Columbia University, Katya Sabaroff Taylor has worked as a journalist and editor, health educator, women’s studies instructor, massage therapist, yoga teacher, and workshop facilitator. In 1980 she founded Creative Arts and Healing workshops, classes, and retreats to nurture the link between creativity and the healing process.

The collection features a wide range of Taylor’s work, reflecting her lifelong love of writing and teaching. Her poetry, essays, and fiction are included along with her memoirs and personal accounts, the collected writings of several classes of prison inmates enrolled in Taylor’s creative writing workshops, and the recollections of former members of the Liberation News Service.

The wheelwright Levi Ely Taylor was born in Longmeadow, Mass., on Nov. 17, 1795, the son of Nathaniel and Jerusha Taylor. Marrying a woman from Rocky Hill, Conn., Laura Peirce, he settled in Longmeadow and built a prosperous life for himself in his trade. His eldest son, Newton, followed him into the business.

Taylor’s daybook contains careful records of a wheelwright from Longmeadow, Mass., documenting his varied work in the repair of carriages. The transactions that appear in the volume range from making whiffletrees to shortening wheels, making and fitting out carriage seats, and painting and varnishing vehicles, with occasional forays into selling goods such as wheelbarrows and straw cutters.

Long-time residents of Berkeley, California, Thomas W. Tenney and his wife Margaret took up photography in a serious way in the early 1960s. Photographing the Bay Area scene and publishing in the New York Times and elsewhere, Thomas Tenney became a full-time photographer by about 1960. His photographic interests ranged from urban landscapes and advertising signs to the popular culture of the 1960s and 1970s. Margaret Tenney, also a photographer, was a visual artist who worked in collage and monoprint. For over a decade, the couple took summer trips to New England to photograph colonial and early national gravestones, culminating in a public exhibition of their work in 1972 at the Bolles Gallery in San Francisco.

A vast array of the Tenneys’ photography, artwork, and collection of historic photographs, including thousands of photographs and negatives ranging from the mid-19th century to the early 2000s.

Collection of of 2,500-3,000 glass plate negatives that date back to the 1860s donated by local photographer Terri Cappucci. Cappucci, who received her MFA at UMass Amherst, is a documentary photographer, alternative process printer, and educator who has been producing her own nineteenth century-style photographs using the wet plate collodion process for many years.

Most of the negatives in the collection are undated and have little to no information about where they were taken or who the photographer was. To address this, Cappucci created the “Somebody Photographed This” website and Facebook group. She also utilized her expertise to determine that the photographs in the overall collection were taken by several different photographers. While most of the collection is from Western Massachusetts, specifically Franklin County, there are also images from the coastal towns of Massachusetts. Cappucci then cleaned and digitized some of the most compelling images from the collection and posted them to the “Somebody Photographed This” Facebook page during the pandemic in 2020. Followers left comments to share locations, dates, and additional information about the photos. This led to Cappucci receiving additional glass plate negative collections from people from around the world, as well as articles about the project in the Boston Globe, Greenfield Recorder, Montague Reporter, and UMass Magazine, along with a televised segment on NEPM. Cappucci started a GoFundMe campaign and raised funds for preservation supplies.

In 2023, Cappucci approached SCUA to permanently house the collection amongst our vast holdings of photograph and manuscript collections.

A popular Spanish-language community radio program broadcast on the New England Public Radio station WFCR, Tertulia featured a wide range of music from the Caribbean region and South and Central America, news in both English and Spanish, and discussions of topics of importance to the Latino community. As of 2017, the show has enjoyed over thirty years on air.

The Tertulia collection consists of hundreds of cassette recordings of the radio show, mostly taken as air-checks and many of interviews with members of the Latino community in Western New England.