Collections: E

Publishers in Western Massachusetts engaged in a brisk trade in books intended for children during the antebellum years, producing chapbooks to teach reading, didactic works on morals and comportment, and toy books for reward and entertainment. Brief and most often simply produced, the books are noted for their diminutive size, stock woodcut illustrations and characteristic moralistic tone, but they are rich sources for understanding popular conceptions of childhood, education, religious life, and marketing in the book trade, among other subjects.

The majority of the works in the Early Children’s Literature Collection were products of the antebellum press in western Massachusetts, produced and distributed by printers such as John Metcalf (Wendell and Northampton), Anson Phelps (Greenfield), and A. R. Merrifield (Northampton). There are examples of chapbooks from other printers, most notably Mahlon Day of New York and the American Sunday School Union in Philadelphia.

Temporarily stored offsite; contact SCUA to request materials from this collection.

Established by Lois Barber in Amherst, Mass., in 1992 with their first campaign at the Earth Summit in Rio de Janeiro, EarthAction has been organizing international campaigns ever since. As the world’s largest action network, the group’s campaigns address a variety of global issues from climate change and nuclear weapons to children’s rights and empowering women to protect the land. With a mission both to inform people about pressing problems facing the world and to move them to action, EarthAction creates and distributes information kits aimed at different audiences: individuals and groups, policymakers, and journalists.

The collection includes administrative files that illustrate the process of building a campaign, financial records, and publications, as well as action, legislative, and media kits created for many of the group’s international campaigns.

The concept of product marketing in a Communist state may seem slightly incongruous, but in the countries of the Eastern Bloc, consumer goods were packaged and sold with much the same care as they were in the west. The Packaging Design Collection contains examples of quotidian products sold during the post-war period, ranging from boxes for soap powder to toothpaste, shampoo, and sugar sacks. The collection documents the visual language used on consumer products in East Germany and the evolution of graphic design in the Communist states of Eastern Europe from the 1950s through 1980s.

From the official optimism of the post-war years in East Germany through the dynamic press of the 1970s to the end of the regime in 1989, the state and its critics developed a distinctive print culture that was reflected in its literary and artistic output and in its popular and academic works.

The DDR collection contains miscellaneous volumes printed in East Germany, including literature and drama, touristic books, popular history, works on the arts, and a variety of academic and reference works.

View the full DRR collection in the library’s catalog.

Organization created to sponsor and conduct all fundraising for, and to distribute funds to, relief and social agencies in the town of Easthampton, Massachusetts. Contains records of minutes, campaign reports, Presidents’ and Treasurers’ reports, and correspondence. Also included are scrapbooks with newspaper clippings and other printed material.

The Bristol County, Massachusetts, towns of Easton and Norton had only a small number of trained physicians in the antebellum period tending to a growing population. During the 1830s, that number was probably less and ten, including those with allopathic medical degrees, alternative practitioners, and those who had irregular educations.

The unidentified physician who kept this daybook appears to have practiced in either Easton or Norton, Massachusetts, during the early 1830s. The daybook includes brief records of patient names and dates of visits, medical care dispensed, and minimal records of medical procedures.

Since the early 1970s, George Ebert has been a significant national figure in the anti-psychiatry and psychiatric survivors’ movements. Radicalized by three periods of involuntary incarceration, Ebert founded the Mental Patients Liberation Alliance in 1978 as a self-help, mutual support, human rights, and advocacy organization, and he has spoken out consistently against all forms of coercive psychiatry, including electroconvulsive therapy and forced drugging. While serving as director of the Mental Patients Alliance of Central New York, Ebert has also been active in Activists for Alternatives and the Network Against Coercive Psychiatry.

A significant collection for study of the psychiatric survivors’ movement, Ebert’s papers contain a wealth of correspondence from activists throughout the United States and abroad, along with notable runs of newsletters and periodicals from many early ex-patient groups that are now defunct, photographs of demonstrations, and organizational materials relating to the Mental Patients Liberation Alliance.

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

War on Poverty cartoon from New Haven ERAP Newsletter, July 23, 1965

The Economic Research and Action Project (ERAP) was a community organizing project sponsored by the Students for a Democratic Society (SDS). It began in 1963, with SDS activists working in low-income urban neighborhoods to help residents come together to identify and agitate for shared needs. While practical goals included education and advocacy for welfare rights, youth programing such as free school lunches, and increasing minority participation in local politics, the program as a whole had grand aspirations of abolishing poverty and ending racial inequality through an interracial and community organized movement of the poor in America. The largest and longest lasting projects were located in Boston, Chicago, Cleveland, and Newark, but multiple cities had ERAP groups. While none achieved an ongoing interracial movement of the poor, all had lasting effects in bringing minority and urban resident voices to the SDS platform, in teaching the skills, obstacles, and possibilities of community organizing, and in encouraging individuals, both from SDS and local neighborhoods, to participate and engage with diverse people in seeking social change.

New Haven ERAP Records are a small but rich collection, mainly consisting of three summer of 1965 issues of the ERAP Newsletter from the New Haven Project. Additional materials include a clipping from the April 30, 1965, Life issue featuring photographs of New Haven ERAP members working in a “slum called The Hill”; two printed photographs from Life not used in the article; and a written report and supporting research interview on the failure of the New Haven corporation Community Progress, Inc., to provide good services and comply with the requirements of the Economic Opportunity Act and the Community Action Program Guide.

A wife and husband team of photographers based in Provincetown, Mass., Maxine Smith and John Economos, known collectively as Econosmith, are photographers of the folk music scene, social action, and the landscape and people of outer Cape Cod. Social activists themselves, the Econosmiths were photographers for Pete Seeger during the last decade of his life and headed up the photography team at the Clearwater Festival, giving them unusual access to dozens of performers.

With compelling images of musicians in performance, the Economsmith collection is a rich visual record of the contemporary folk scene, with a special focus on Pete Seeger and the Clearwater Festival (also known as the Great Hudson River Revival). Over 90% of the images were born digital, with the remainder split between color negatives and 35mm. slides. The collection also includes photographs of antiwar demonstrations sparked by the Iraq War and images of the scenery and people of Provincetown and outer Cape Cod.