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The Porter-Phelps-Huntington Family Papers document the history of one extended family
over 270 years (or eight complete generations) and the family’s connection to its ancestral
home, “Forty Acres,” in Hadley, Massachusetts. Forty Acres was a working farm, its name not a
true description of the land under cultivation, which consisted of six hundred acres acquired
by its first owner, Moses Porter, and a significant growth in acreage under his son-in-law,
Charles Phelps. Subsequent generations produced a number of clergy, lawyers, a sea captain,
merchants, factory owners, army officers and doctors. There were artists, writers, publishers,
an actress, and numerous housewives, of necessity, multi-skilled.

The personal papers from these family members contribute valuable insights into our understanding of the evolution
of American society during the last 250 years. Letters and diaries reveal the significant
impact of major events in American history, beginning with the French and Indian War up
through the twentieth century. These writings provide scholars a glimpse into personal
perspectives on wars, political and economic upheavals, religious revivals, social
developments, family relationships, divisions of labor between men and women, as well as the
day-by-day domestic life of the family, their servants and enslaved people.

Related family collections include:

• Catherine Sargent Huntington Papers
• Gladys Parrish Huntington Papers

Born on December 13, 1887, Gladys Theodora Parrish to wealthy birthright Quaker Alfred Parrish and Katharine Broadwood Jennings. Gladys married Constant Davis Huntington on October 17, 1916, who had been chairman of the London office of G. P. Putnam’s publishing company since 1905. The couple first resided in Hyde Park Gardens in London and then at Amberley House in Sussex. They had one daughter on January 11, 1922, Georgiana Mary Alfreda (Urquhart). Gladys Huntington wrote many plays and novels, including the bestselling book Madame Solario, published anonymously in 1956. Other published titles include; Carfrae’s Comedy (1915, novel), Barton’s Folly (1924, play), and Turgeniev (c. 1930, play). She died at St. George’s Hospital (Westminster) on May 31, 1959, at the age of 71.

The Gladys Parrish Huntington Papers is primarily composed of the correspondence of Gladys Huntington with her mother, Katharine “Kate” Parrish, husband Constant, daughter Alfreda, various friends, relatives, and professional contacts. Additionally, the collection contains a sizable amount of Gladys’ correspondence and traded manuscripts, short stories, poetry, and drafts with fellow authors such as Leo Myers, Nicolo Tucci, Helen Granville-Barker, Viola Mynell, Eric Clough Taylor, Cynthia Asquith, Clifford Bax, and others. Many of her own manuscripts and typed drafts of novels and plays (Madame Solario, Turgeniev, her unfinished final work, The Ladies’ Mile), along with childhood writings, photo albums, datebooks, and diaries spanning her lifetime are contained within the collection.

Actress, producer/director, theater company founder, teacher, activist, avid gardener, and devoted family-member, colleague and friend, Catharine Sargent Huntington was born in Ashfield, Massachusetts on December 29, 1887. She attended Radcliffe College, graduating in 1911, and taught English and Theater at The Westover School in Middlebury, Connecticut from 1911 to approximately 1917. By the end of 1918 she had begun her theater career in earnest, working as a dramatic coach in the Boston area. In January 1919, she became the Radcliffe College representative to the Wellesley unit of the Y.M.C.A., working in France on war reconstruction before returning to Massachusetts to continue her work with the theater, particularly experimental theater, which was to endure for the next 60-plus years through her patronage, and her many performances, productions, and theater companies.

Spanning as it does almost a century from the late 1800s to the late 1900s, this collection captures Catharine Sargent Huntington’s many interests, professional and personal activities and connections, and close family relationships, through more than 2,300 pieces of personal and business correspondence; photographs; photographic negatives; theater programs; scripts; original manuscripts of her poems, speeches, stage notes, and theater production scenarios; newspapers and newspaper clippings; estate and will information; organizational documents of the many organizations she helped direct; personal financial documents; and other printed material and items of ephemera.

The Hampshire Council of Governments is a voluntary association of cities and towns and the successor to the former government of Hampshire County, Massachusetts, that was abolished in 1999. A body politic and corporate, its charter ratified by Massachusetts General Law 34B, S20(b), the Council oversees roadways, the electricity supply, building inspection, tobacco control, cooperative purchasing, and other services for member communities.

The Hampshire Council collection contains a dense record of county-level governance in western Massachusetts from the colonial period through the mid-twentieth century with extensive documentation of the actions of the County Commissioners, and before them the Court of Common Pleas and Court of General Sessions. Rich in documenting the development of the transportation infrastructure of western Massachusetts, the collection offers detailed information associated with the planning and construction of highways, canals, ferries, and railroads, but the early records offer a broad perspective on the evolution of the legal and cultural environment, touching on issues from disorderly conduct (e.g., fornication, Sabbath breaking) to the settlement of estates, local governance, public works, and politics.

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